Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Kishore Kumar


This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Today, 4th August, is the birth anniversary of our beloved Kishore Kumar. Or, as he is affectionately called, Kishore da.

It gives me great pleasure to post a tribute to him on this occasion.
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“Dostana” (1980) was produced by Yash Johar and directed by Raj Khosla. The movie had Amitabh Bachchan, Shatrughan Sinha, Zeenat Aman, Prem Chopra, Amrish Puri, Helen, Pran, Paintal etc in it. Another movie with a copycat title was Rakesh Kumar’s “Yaarana” (1981), also starring Amitabh Bachchan.
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“Aap Beeti” (1977) was produced and directed by Mohan Kumar. The movie had Shashi Kapoor, Hema Malini,Premnath,Mehmood,Ashok Kumar,Sujit Kumar,Asrani,Aruna Irani, Nirupa Roy, Madan Puri, Kumari Naaz, Piloo.J.Wadia, Dulari, Ram Mohan, Chaman Puri, Junior Mehmood, Kamal deep, Sadhu Singh, Kuljeet, James Bond, Rirkoo, Kamal, C.L.Shah etc. with Helen,Chitra,Gulshan Bawra, Tuntun,Birbal in guest appearances.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This is a Duet by Kishore Kumar, Anup Kumar and chorus from film-HUM DO DAKU-1967.

KISHORE KUMAR (4-8-1929 to 13-10-1987) was a colourful, multifaceted and interesting personality. You can find actors who sang song, actors who gave music, actors who directed films, you can even find actors who sang and gave music, but KISHORE KUMAR was the only person who acted, sang, composed music, produced and directed films, wrote Lyrics, screenplay and stories and edited films. For one man to do all these things successfully is nothing short of a Wonder. I do not think that there is any other person in the whole world of Cinema, in any country, who handled all these activities with aplomb and expertise !
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

My first introduction to Uttam Kumar was way back in the childhood years when, for a long time, I used to confuse a lot between him and Biswajeet. It was in the years when watching television was a new adventure every day. One would scour around the neighborhood and get inside a friend’s or a familiar person’s home. Of course, as an uninvited intruder, one had to watch whatever was being telecast. In any case, Doordarshan was the only channel and there was no other option :). Some known programs would be a fixture that everyone watched. At other times, one would just intrude into whatever was playing on the screen.
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Today (18 july 2013) is the first death anniversary of Rajesh Khanna (29 december 1942- 18 july 2012). Much have been written about him since late 1960s when he burst into the Hindi movie scene and reigned supreme. Whatever can be said and written about him has been written. Since I have to discuss a Rajesh Khanna song on this occasion, so let me also add some of my observations about Rajesh Khanna, with the full benefit of hindsight.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I always thought it was necessary to have some degree of writing pedigree to claim to have the famed “writer’s block” problem but, if the last few days are any indication, apparently this affliction is not limited to the writing community.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This is a youthful song from film-Naujawan-1951, sung by Lata and Kishore with music by Burman da.
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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In Mukti (1977), Shashi Kapoor and Vidya Sinha play a happily married couple, till he is framed for murder and thus gets capital punishment. Thinking that he is dead she relocates to Bombay, where she meets the local goon, who helps the lonely “widow” and her daughter settle down. This other man is played by Sanjeev Kumar. In this song he seems to be drinking so that he can feel brave enough to admit his love to his adored one.
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I have mentioned in the past that the “puraani filmon ke geet” programme of Radio Ceylon from 7-30 to 8 AM used to be a very “boring” programme for youngsters like me during late 1960s and all of 1970s. I had become a big fan of Kishore Kumar after I heard his song “Mere saamne waali khidki mein” from “Padosan” (1968) and I wondered why the oldtime singers would not sing like Kishore Kumar.
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