Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Shamshad Begam


I am aware of a movie called “Dada” (1978). Later I found out that another movie of the same name was released in 1966 too. Both these movies incidentally had the same music director, viz Usha Khanna.

Now I find that there was another movie of the same name, which was released in 1949.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

aaj phir jeene ki tamanna hai
aaj phir marne ka irada hai

No better words to express the exuberance and the playfulness of a liberated spirit. A poet’s dream and life’s illustration in reality, all anxieties and caution thrown to the winds and the desires to live the life the way it should be. These words from the pen of Shailendra, and numerous other such gems, of all moods and flavors, embellish the Hindi film screen for 160+ films across two decades. A poet par excellence, Shailendra was a rebel spirit meshed in a romantic mould, whose understanding and expression of human emotions and situations is second to none.
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The song “Chal Chal Re Naujawaan” and the movie “Chal Chal Re Naujawaan” are different. A song thus titled first appeared in an Ashok Kumar movie called “Bandhan”(1938). The movie “Chal Chal Re Naujawaan” appeared in 1944. This movie too starred Ashok Kumar. So this phrase “Chal Chal Re naujawaan” whether as a song or as a movie title became inextricably associated with Ashok Kumar.
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Here is a song that is a very rare song on several counts.

This song is from an obscure movie called “‘”Bairam Khan” (1946). This song is sung by not one or two or three, but four female singers ! This song is sung by Geeta Dutt (then Roy), Shamshad Begam, Naseem Begam and Munawwar Sultana.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The melodious strains of ‘Chalo Dildaar Chalo, Chaand Ke Paar Chalo’, composed more than 4 decades ago, sound and feel like a fresh breeze of air, every time one listens to it. The magnum opus of the famously talented Ghulam Mohammed, a string of his best creations – ‘Chalte Chalte Yun Hi Koi Mil Gayaa Thhaa’, ‘Inhi Logon Ne Le Leena Dupatta Mera’, ‘Mausam Hai Aashiqaana’ and more – establish the definition of what Ghulam Mohammed’s body of musical creation is. A pity that this success came somewhat late in the day – a release that marked a watershed in the history of Hindi film music was to happen about three years after the demise of its creator.
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