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atul's bollywood song a day- with full lyrics

Archive for the ‘Song sung by three or more singers’ Category


“Aap To Aise Na Thhe” (1980) was an Emkay Enterprises Production. It was produced by Mohan Kumar and directed by Ambarish Sangal. The movie had Ranjeeta Kaur, Raj Babbar, Deepak Parashar, Madan Puri, Om Shiv Puri, Raj Mehra, Tamanna, Dulari, Lalita Kumari, Junior Mehmood, Arpana Choudhary, Bhagwan Dada, Chottu Dada, Manju, Chaand, Kalpana Iyer etc in it.
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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Manoranjan (1974) was Shammi Kapoor’s first film as a director. He roped in R D Burman the reigning music director of that time to give music to his debut film as a director. Shammi Kapoor had in fact given Pancham his first biggest hit with Teesri Manzil (1966). But unfortunately Manoranjan flopped. The songs of this film were hits all the same.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular conributor to this blog.

If you go through the list of films made from 1931 to 1970, you will find that it was a mixture of the following Genres-

1. Fantasy/Costume

2. Religious/Mytological/Devotional

3. Social/Love/Tragedy/Comedy/Family Drama

4. Historical

5. Action

6. Mystery and

7. Musicals
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“Manoranjan” (1974) was an Eagle Films production. It was produced by F C Mehra and directed by Shammi Kapoor. The movie had Zeenat Aman, Sanjeev Kumar, Dev Kumar, Shammi Kapoor, Faryal, Madan Puri, Paintal, Asit Sen, Mac Mohan, Agha etc in it.
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“Nadiya Ke Paar” (1948) was a Filmistan production. It was directed by Kishore Sahu. The movie had Dilip Kumar, Kamini Kaushal, Hari Shivdasani, Maya Banerji, S. L. Puri, Samson, Ranibala, Tiwari, David Abraham, Kanta Kumari etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog

There are only 2 types of movie watchers-

1. Those who can watch Tragedy films and

2. Those who can not watch tragedy films.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

An affable presence, whether it be stage, screen or real life. And a soft and sweet voice – conversations of concern for humanity and society. A man of letters, well read, and well heard too, who continued to write till the end of his stay on this earth. A man of very impressive personality, who had the fortune of working with academic and social luminaries like Gurudev Rabindranath Tagore, Dr. Zakir Hussain and Mahatma Gandhi. Balraj Sahni, a personality who could empathize with the issues of poverty and unemployment, from personal firsthand experience. And when he passed away, and was placed in state at his residence, besides a copy of Bhagwadgita, there was also placed near him a copy of ‘Das Kapital’ of Karl Marx, and tiny bust of Lenin. A man of the masses, whose roles in films like ‘Dharti Ke Lal’(1946), ‘Hum Log’ (1951), ‘Do Beegha Zameen’ (1953), ‘Heera Moti’ (1959) are a hallmark of simplicity and reality, roles that are a reflection of the mind of a thinker and a sensitive human being. It is more than coincidental that his birth anniversary is today, 1st of May, the day dedicated to the labor class. Today (1 may 2013), we celebrate the century year of his birth.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

On the eve of my retirement from the service in 2006, I had started buying VCDs/DVDs of many classic Hindi films mostly of 40s and 50s to watch them as a part of my post retirement activities. While I have watched most of them, there were still a few VCDs which were lying intact without even breaking the plastic wraps. One of such VCDs was of the film ‘Village Girl’ (1945). What caught my attention was not the intact plastic cover but a boldly printed statement on the top of the VCD cover in Hindi which in English meant ‘Mohammed Rafi’s first song – ajee dil ho qaaboo mein to dildaar ki aisee taisee’. Until now I was under the impression that Mohammed Rafi’s first debut Hindi film as a playback singer was ‘Pahle Aap’ (1944). I decided to first watch the film.
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“Chandralekha” (1948) was one of the earliest Magnum Opus of Indian movies. Here is what Mr Arunkumar Deshmukh, our beloved in house encyclopaedia has to say about this movie:
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This article is written by Khyati Bhatt, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“Chaand” (1959) movie was produced by Kuldip Sehgal, who had other movies like Dost-54, Panchayat-58, Shama-61 and few more to his credit. The movie was written and directed by Lekhraj Bhakri. These two also worked together in movies like Sahara-58, Panchayat-58, Shama-61, Ma Beta-62. (IMDb info- please correct if wrong).
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Important Announcement

The url of this blog is now atulsongaday.me, and the existing url of atulsongaday.wordpress.com will also work but hopefully the shorter url will be easier to remember for visitors.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than four years. This blog has over 8100 songs by now.

Total number of songs discussed

8116

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  • 4,479,476 hits

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