Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for 2012


This article is written by Khyati Bhatt, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Recently (on 3 august), we were celebrating birth anniversaries of two legends of Hindi cinema, Shakeel Badayuni and Jaidevji. Atulji had posted a few melodious songs sent by contributors with all the information about these personalities, their contributions, movies, etc. As a tribute to Shakeel Badayuni, I was listening to many songs penned by him and finally decided to send the song “O jaane waalon jaa o na…” of Mother India, to pay tribute to SB. While writing the words of this song, I was thinking about another song picturized on the same situation, natural disaster, where people of the village/town are leaving because of the drought condition.
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“Fashion” (1957) was a Kuldip Pictures production. This movie was directed by Lekhraj Bhakri. The movie had Pradeep Kumar, Mala Sinha, Chandrashekhar, Manoj Kumar, Jabeen Jaleel,Sunder, Jabeen Jalil, Jagdish Sethi, Kammo, Leela Misra etc in it.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This is a Rafi solo from the film “Aan Baan” (1956). The song is written by Qamar Jalalabadi and composer is Husnlal Bhagatram. I was not able to find a video of this song and only an audio link is available.
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This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The 1950s was the decade when Sur Saraswati Lata Mangeshkar showered scores of melodious gems on the music lovers which have defied time to linger in their memory like pangs of the first-love.
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“Mela” (1948) was a Wadia Films production. S U Sunny and Hila Wadia were its producers. S U Sunny had directed this movie which had Dilip Kumar, Nargis, Jeevan, Roopkamal, Amar, Rehman, Baby Zubaida, Noorjehaan, Chandabai, Allaudin, Khalil, Abbas, Maqbul Jr., Ghulam Mohmed Jr. etc in it.
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Kishore Kumar, popularly regarded as a happy go lucky individual was deep down a sensitive soul. After making a couple of light hearted movies, Kishore Kumar began to make some serious movies on sensitive issues. But unfortunately the Hindi movie audience were not ready for such movies. In fact even today there is only a very small audience for serious and sensitive off beat movies.
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“Laawaris” (1981) was Produced and directed by Prakash Mehra. The movie had Amitabh Bachchan, Zeenat Aman, Amjad Khan, Suresh Oberoi, Bindu, Raakhee Gulzar, Om Prakash, Ranjeet, Ram Sethi etc in it. The movie was criticised quite badly by the movie reviewer of the magazine that I used to read those days. The critic wrote that the best scene in the movie was one that had the words “The End” in it.
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The first solo song that Kishore Kumar sang in his playback career was for Dev Anand in the movie “Ziddi” (1948) under the music direction of Khemchand Prakash. Then S D Burman, his mentor used his good offices to get Kishore Kumar to give plaback for Raj Kapoor in “Pyaar” (1950). But from that time onwards, Kishore Kumar sang for himself or for Dev Anand, in case it was a Dev Anand movie with S D Burman’s music direction. I can think of one more exception during 1950s though where Kishore Kumar sang for someone other than himself or Dev Anand. It was the iconic song Din hai suhaana aaj pahli taarikh hai(Pahli taarikh) (1954) which was picturised on Raja Nene.
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We in India seem to have one festival or the other almost on a daily basis, which is natural seeing how many religions, regions and Gods we have. Similarly, we in this blog seems to have anniversaries almost on a basis, which is natural seeing how many people have contributed in the makings of the songs that we in this blog discuss.
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