Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for 2013


“Naach Utthe Sansaar” (1976), easily confused with “Naach Uthha Sansaar” (1978) was a Regal Theatres Production. It was produced by Mahmood Sarosh and directed by Yakub Hasan Rizvi. The movie had Shashi Kapoor, Hema Malini, Simmi, Aruna Irani, Rajendranath, Leela Mishra, Ramayan Tiwari, Bhushan Tiwari, Chandrima Bhaduri, V.Gopal, Sheikh, Roopesh Kumar, Rajan Haksar, Jankidas etc in it.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

pujaari husn ka hoon main
na deewaana jawaani ka

I heard these lines in the inimitable voice of Mohammed Rafi yesterday on Radio Rafi. I was looking for details regarding this song in the Database at mohdrafi.com, so not paying much attention to the radio playing. As the words of the poem registered, it caught my attention. I managed to catch the last line in the audio clip “pujaari husn ka hoon main”.
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Everyone is aware that a movie called “Milan” was released in 1967. What is less known is that the same year also saw a movie called “Milan Ki Raat” as well. Like “Milan” (1967), this movie too had the same lyricist and the same music director. 🙂
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Films can be classified on the basis of many points. For example, B&W and colour films, Original or copied film, on the basis of Language or country, with songs or without songs etc.(My friend says there can be only one classification- Good or Bad films ! )
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The admirers of both Anil Biswas and Mohammed Rafi are intrigued by the fact that Anil Biswas collaborated with Mohammed Rafi for far less number of songs – probably 10 in numbers. One possible reason could be that when Mohammed Rafi ‘s career as a playback singer was picking up, Anil Biswas’s career had already reached the zenith. During this period, he had Mukesh and Talat Mehmood for playback singing who were preferred over Mohammed Rafi by most of the then lead actors like Dilip Kumar.
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This article is witten by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

78th. . . yes, dear readers and friends. One more century milestone is reached. Congratulations all. 🙂 🙂

Way, way back when we were jumping with joy, on 13th November, 2011 – this blog had reached the magic number of 5000 songs. I am sure many had it in their minds to think about the 10,000th song. But it was only Lalitha ji who put it in words “. . . here’s wishing to many more such delights on our way to the 10,000th song!”.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

During my younger days, Radio Ceylon (later Sri Lanka Broadcasting Corporation) and Vividh Bharati service of all India Radio (Aakashvani) were the two sources on which I used to listen to Hindi film songs’ programmes. I got to know only sometime in late 60s that Aakashvani stations were not broadcasting Hindi film songs prior to the setting of Vividh Bharati in 1957. Later I came to know that this policy decision was taken by the Ministry of Information and Broadcasting in 1952 when Dr B V Keskar, the then Information and Broadcasting Minister felt that Hindi film songs had become vulgar and westernised. It was decided that some songs having literary value such as those written by poets like Bhagwati Charan Verma and Pandit Narendra Sharma should be turned into songs and played on Aakashvani in place of Hindi film songs. It is said that some of such songs were composed by Anil Biswas. It was during this time that Lata Mangeshkar sang her first non-filmy song ‘yug ki sandhya krishak vadhu si’ written by Pandit Narendra Sharma and composed by Anil Biswas during. Unfortunately, this song’s disc was damaged during its first play on the radio and was thus lost forever.
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