Archive for June 2024
Aansoo ki aarti saanson ke phool
Posted on: June 23, 2024
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5819 | Post No. : | 18355 |
“Chashm-e Baddoor”(1981) was produced by Gul Anand and directed by Sai Paranjpe for P L A Productions, Bombay. This “Social” movie had Farooque Sheikh, Dipti Nawal, Saeed Jaafry, Rakesh Bedi, Ravi Vaswani (debut), Leela Mishra, Chaman Bagga, John Shaw, Madan Sharma, Kamal Nathani, Keemti Anand, Kamla, Vinod Nagpal, Ravi Kiran Shashtri, Alka Nupur, Shiv, E Rajendran, Vinni Joglekar, Partho Roy etc in it. The movie had Ranjan Grewal and Vinod Doshi in special appearances whileAmitabh Bachcchan and Rekha made guest appearances.
According to HFGK, “Chashm-e Baddoor”(1981) had six songs in it. But it turns out that the movie also had a parody song that had a medley of old hit songs. This song is not mentioned in HFGK.
So including the above medley song, “Chashm-e Baddoor”(1981) had seven songs. Six songs have been covered in the blog. Here are thge details of the songs covered in the blog:-
| SNo in Blog | Song Title | Singer/s | Lyrics | Posted On | Remarks |
|---|---|---|---|---|---|
| 1269 | Kahaan se aaye badraa | Yesudas , Haimanti Shukla | Indu Jain | 12 May 2009 | Picturised on Vinod Nagpal and Deepti Nawal |
| 6752 | Pyaar mohabbat pranay lagaawat | Shailendra Singh, Hariharan, Anand Kumar | Indu Jain | 29 September 2012 | Picturised on Farooque Sheikh, Ravi Baswani and Rakesh Bedi |
| 9277 | Kaali ghodi dwaar khadi | Yesudas , Haimanti Shukla | Indu Jain | 10 January 2014 | Post by Peevesie’s mom. Picturised on Vinod Nagpal and Deepti Nawal |
| 9620 | Kaise ho paagal ( | Haimanti Shukla, Rajkamal | Indu Jain | 25 March 2014 | Post by Peevesie’s mom. Picturised on Deepti Nawal and Farooque Sheikh |
| 15146 | Karna thha inkaar magar iqraar tumhi se kar baithhe medley | Various | Various | 30 July 2019 | Post by Sudhir. Picturised on Ravi Baswani and Deepti Nawal. This song is not mentioned in HFGK |
| 15638 | Is nadi ko mera aainaa maan lo | Shailendra Singh, Haimanti Shukla | Indu Jain | 4 June 2020 | Post by Sadanand Kamath. Picturised on Rakesh Bedi and Deepti Nawal |
Here is the seventh and final song from “Chashm-e Baddoor”(1981) to appear in the blog. This song is sung by Haimanti Shukla. Indu Jain is the lyricist. Music is composed by Rajkamal.
Unlike other songs, video of this song is not available. So it would seem that the song was excluded from the movie. I request our knowledgeable readers who have seen the movie to confirm whether this song was there in the movie. This song is not there in the movie available online.
With this song, all the songs of “Chashm-e Baddoor”(1981) have been covered in the blog. The movie thus joins the list of movies that have been YIPPEED in the blog.
Song-Aansoo ki aartee saanson ke phool (Chashme Baddoor)(1981) Singer-Haimanti Shukla, Lyrics-Indu Jain, MD-Raj Kamal
Lyrics
aansoo ki aarti
saanson ke phool
anjuree mein toote sapnon ki dhool
aansoo ki aarti
saanson ke phool
anjuree mein toote sapnon ki dhool
raama ho o o o
o o o o o raama
aansoo ki aarti
saanson ke phool
anjuree mein toote sapnon ki dhool
mamta ki goad mein chhipa le mujhe
mamta ki goad mein chhipa le mujhe ae
itni badi saza chhoti si bhool
anjuree mein toote sapnon ki dhool
raama ho o o o
o o o o o raama
biyaabaan jungle mein tu hi toh deep
biyaabaan jungle mein tu hi toh deep
biyaabaan jungle mein tu hi toh deep
chaaron oar andhkaar
shool hi shool
anjuree mein toote sapnon ki dhool
aansoo ki aarti
saanson ke phool
anjuree mein toote sapnon ki dhool
raama ho o o o
o o o o o raama
aansoo ki aarti
saanson ke phool
anjuree mein toote sapnon ki dhool
Ye mehfil yoon hi sajegee
Posted on: June 22, 2024
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5818 | Post No. : | 18354 | Movie Count : |
4963 |
There are certain songs which leave a deep impression on your young mind. Some may leave a wonderful feeling or a bitter one, an emotional one or a physical one, etc. This song reminds me of a very dear friend who was also my classmate during my formative years (Intermediate and Bachelor’s degree).
This friend, we shall call him Sanjay, had a very strong liking to Kishore Kumar songs, while I had a strong affinity to the songs sung by Mohd Rafi saab. Similarly, he liked R D Burman’s compositions while I loved Laxmikant Pyarelal’s compositions. He had a special liking for tall, dark and handsome actors (Amitabh/Mithun C/Mahendra Sandhu/etc) while I preferred Fair skinned handsome heroes (Shashi/Rishi Kapoors/etc). But the competitive spirit never came in the way of our friendship. We used to be always together in anything and everything. We had a hell of a friendship going on for 5 years.
Life went on, and after our graduation, we chose similar career paths as medical representatives, and had our job postings in different cities. He went to Solapur and I joined my duty in Kurnool. And then we drifted apart. Then, almost 25 years later, I was informed that the poor soul lost his life in a road accident. Although we had lost touch with each other, that news really shocked me.
Today’s song is in his memory and features two of his favourites – Kishore Kumar and Mahendra Sandhu. I remember having seen this movie with Sanjay in Zamrud Talkies in Abids, Hyderabad, when we were in our second of the three year graduation program.
Mahendra Sandhu was born on 18 April 1947 in Patiala, Punjab. In 1970, he joined the FTII, Pune, and completed a two year acting course.After this he started his career in 1973 with Khoon Khoon, a movie inspired by Dirty Harry. He has acted in 30 films, most famously in Agent Vinod (1977), produced by Rajshri Pictures.
Aaj Ki Radha aka Aaj Ki Dhara is a 1977 Hindi film directed by Mukul Dutt. The film features Mahendra Sandhu, Rehana Sultan, Waheeda Rehman, Danny Denzongpa and Ranjeet in the lead roles. A bit of trivia surrounds the title of this movie. It seems the censor board objected to having “Radha” in title when that character is shown as having loose character or negative traits. Therefore the title was changed to “Dhara” at the last minute. However, the LP records were released earlier and were sold as “Aaj Ki Radha”
This movie had 4 songs all penned by Naqsh Lyallpuri and composed by Sapan Jagmohan. This song “ Yeh Mehfil Yun Hi Sajegi” was sung by Kishore Kumar. The song is lip synced by Mahendra Sandhu and we can also see Rehana Sultan and Padma Khanna (sleeping/passed out on a chair/Table). I am unable to name the dancer who is dancing in front of Mahendra Sandhu – Can someone identify her?
Editor’s note: This song under discussion was penned by Indeewar according to HFGK.
Video Link:
Audio Link:
Song-Ye mehfil yoon hi sajegi (Aaj Ki Dhaara)(1977) Singer-Kishore Kumar, Lyrics-Indeewar, MD-Sapan Jagmohan
Lyrics
Yeh Mehfil Yoon Hi Sajegi
Duniya Yoon Hi Chalegi
Yeh Mehfil Yoon Hi Sajegi
Duniya Yoon Hi Chalegi
Yeh Mehfil Yoon Hi Sajegi
Duniya Yoon Hi Chalegi
Jo Dhadkan Kisi Ki Ruke
Tum Ruko Na
Mehfil Yoon Hi Sajegi
Duniya Yoon Hi Chalegi
Taara Toote Koi Agar
Ambar Khaali Na Hoga
Taara Toote Koi Agar
Ambar Khaali Na Hoga
Raushan Apni Raat Karo
Socho Na Tum Kab Kya Hoga
Yeh Ghar Kyun Kisi Ka Jala Hai
Na Poocho Tum
Mehfil Yoon Hi Sajegi
Duniya Yoon Hi Chalegi
Apni Uljhan Kya Kam Hai
Auron Ka Gham Koi Kya Baante
Apni Uljhan Kya Kam Hai
Auron Ka Gham Koi Kya Baante
Kaliyaan Kaliyaan Chun Lo Tum
Rehne Do Gulshan Mein Kaanten
Jo Ho Chaak Daaman Kisi Ka
Na Dekho Tum
Mehfil Yoon Hi Sajegi
Duniya Yoon Hi Chalegi
Jo Dhadkan Kisi Ki Ruke
Tum Ruko Na
Mehfil Yoon Hi Sajegi
Duniya Yoon Hi Chalegi
Yeh Mehfil
Jab kabhee mud ke dekhtaa hoon main
Posted on: June 20, 2024
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5816 | Post No. : | 18352 |
Hullo Atuldom
Blog Day: 4018 Post No.: 15127 Movie Count: 4154
The Ranchiwala Gaanewala (a name bestowed on our fearless leader by Sudhirji) had gone down memory lane with this post. He had spoken about his growing-up years in the railway quarters that was his home for 28 years. He had spoken about looking for friends and classmates with whom he had long-lost contact using the various social media options.
Today, as I sat to write this post, I revisited the 19th July, 2019 post. It reminded me of how I managed to locate a lot of my classmates of school in the last three years -thanks to WhatsApp & Facebook. (both of these social media forums have become essential devils).
The reason to revisit the post from 2019, I was looking up songs from the 1984 released, Prakash Jha directed “Hip Hip Hurray”. I was looking up songs featuring Raj Kiran (19th June being his birthdate). I remembered that the Prakash Jha film had songs where Raj Kiran was looking very good and emoted using his eyes & charming smile.
Raj Kiran was born in Mumbai in a Sindhi family. He made his debut opposite Sarika in B.R. Ishara’s “Kaagaz Ki Naao” in 1975. His career spanned for nearly 25 years (till 1999 when his last film ‘Chudail No.1’ released. He was seen in roles of various shades playing leading as well as supporting roles. He was often paired opposite Shoma Anand in family dramas playing a husband who gets misguided by his wife. There were many films in the 1980s which had Raj Kiran playing strong negative characters too when suddenly his career started going downhill. Additionally, he went through family problems causing depression etc. He is said to have been undergoing treatment somewhere in the USA after disappearing from the film industry.
The 2019 post, by Atulji, for the melodious Vanraj Bhatia composed- Yesudas sung song gives a synopsis of the film. That post also gives details about the dialogue which was keeping up with those times when knowledge about computers & electronics were limited. The film also highlighted the age-old conflict of studies over & above extra-curricular activities.
Thinking of this handsome actor with this post, which has a down-memory-lane song. It is in the voice of Bhupinder Singh & Asha Bhosle and written by Gulzar.
Today is 20th June. It is Blog Day: 5816. and Post No.: 18352.
20th June is important for Atuldom too- it is the birthday of Atulji. Here is wishing him a Very Happy Birthday. May you have a musical & enjoyable day. Thank you for taking us on in this musical journey.
Audio
Video
Song-Jab kabhi mudke dekhta hoon main (Hip Hip Hurray)(1984) Singers-Bhupinder Singh, Asha Bhonsle, Lyrics-Gulzar, MD-Vanraj Bhatia
Lyrics
jab kabhi mudke
dekhta hoon main
tum bhi kuchh
ajnabi si
lagti ho
main bhi kuchh
ajnabi sa
lagta hoon
jab kabhi mudke
dekhta hoon main
tum bhi kuchh
ajnabi si
lagti ho
main bhi kuchh
ajnabi sa
lagta hoon
saathi saath chalte chalte kahin
haath chhoote magar pata hi nahin
aansuon se bhari si aankhon mein
doobi doobi huyi si lagti ho
tum bahut ajnabi si lagti ho
jab kabhi mudke dekhta hoon main
hum jahaan thhe
wahaan pe ab to nahin
paas rahne ka bhi sabab to nahin
koi naaraazgi
nahin hai magar
phir bhi roothhi huyi si lagti ho
tum bahut ajnabi si lagti ho
jab kabhi mudke dekhta hoon main
rang juda lagne lagti hai ae
zindagi phir rasm lagti hai
ek beete huye se rishte bhi
ek beeti ghadee se lagte hain
tum bhi to
ajnabi se
lagte ho
jab kabhi mudke
dekhti hoon main
tum bhi kuchh
ajnabi se
lagte ho
main bhi kuchh
ajnabi si
lagti hoon
jab kabhi mudke
dekhti hoon main
jab kabhi mudke
dekhti hoo oo oon main
Tere binaa jiyaa naa laage
Posted on: June 20, 2024
This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5816 | Post No. : | 18351 | Movie Count : |
4962 |
It has been exactly 619 days from my last post on this blog. There are many reasons, but most important was the paucity of time. Two years ago I accepted a part time job with a prestigious telecom company, which is a home based desk job. Although I work 4 hours a day, it still makes it that much harder to find time for those things that you love to do.
My love and fascination for rare songs from obscure Hindi movies has led me to find many hidden and rare songs. I am presenting one such gem sung by the uniquely talented performer – Sulakshana Pandit. She is a playback singer who also excelled in acting on the celluloid screen, similar to Kishore Kumar, Kundan Lal Sehgal, Ashok Kumar, Salma Agha, etc.
Born on 12 July 1954, in Raigarh of present Chhattisgarh, Sulakshana hails from a musically enriched family. Her father, Pratap Narain Pandit was an Indian classical vocalist of Mewati Gharana and a fine tabla player. Her brothers, Jatin Pandit and Lalit Pandit together form the renowned music composing duo, Jatin-Lalit. Prior to that Jatin had partnered with the elder brother Mandheer to for the composer jodi – Mandhir-Jatin.
Sulakshana started off as a playback singer fairly young, and matched pipes with Lata Mangeshkar in the popular song, Saat Samundar Paar Se. . . Pappa Jaldi Aa Jaanaa (Taqdeer) from the 1967 film, Taqdeer. She had proved her vocal genius singing duets with celebrated singers like Kishore Kumar, Mohammad Rafi, Shailendra, Yesudas and more.
Her acting career spanned the 70s and the mid-80s. She could have continued for longer had life not taken some cruel turns.
Sulakshana’s debut as an actress happened with the 1975 release ‘Uljhan’. She was cast opposite Sanjeev Kumar in this murder mystery.
Her performance was liked by the movie-goers and filmmakers acknowledged her potential as an actress. Offers started rolling out at her door; she didn’t falter on the opportunities either. By the end of the decade she had worked in over a dozen movies and was counted as a bankable actress. Some of her best movies are ‘Uljhan’ (1975), ‘Apnapan’ (1977), ‘Khandaan’ (1979), ‘Waqt Ki Deewar’ (1981), and ‘Chehre Pe Chehra’ (1981). With Sanjeev Kumar, she acted in 7 movies, and somewhere between the ‘actions’ and the ‘cuts’, she lost her heart to the charmer.
Unfortunately, Kumar was head over heels for dream girl, Hema Malini, and had asked for her hand in marriage. Hema Malini didn’t reciprocate his feelings and her refusal left a dent in his heart. A heartbroken Sanjeev Kumar immersed himself in alcohol which started to take over his health.
Aware of Sulakshana’s emotions for him, he took her for a friend. In a memoir published in a leading portal, the actress pens, “It was during the film ‘Uljhan’ (1975) that I fell in love with Sanjeev Kumar. We had struck a wonderful rapport with each other. He was madly in love with Hema Ji, during those days. So, naturally, he would come to me with all his problems! I felt terrible, but I used to console myself thinking this was just a phase! Once he got out of it, I wanted to tell him how I felt about him. But I never did get the chance. My co-artistes would tell me, “Sulakshana, you are what this man needs! You will change his life”. It is said that Sulakshan Pandit had asked the ‘Anamika’ actor to marry her multiple times. But Sanjeev would turn her down repeatedly.
Sanjeev Kumar was born with a heart ailment and poor lifestyle choices damaged it further. Despite receiving treatment in the United States, 47-year-old Sanjeev Kumar left the world in November 1985. His death left Sulakshana Pandit shattered. After having her heart broken repeatedly by the same man, she chose to stay a life of aloofness and was soon devoured by depression. Her last release was ‘Do Waqt Ki Roti’ that hit the theaters in 1988.
Bitten by unrequited love, she never gave love another chance and remained unmarried for life. After quitting acting she was faced with a stern financial crisis. She could sing, but brothers Jatin-Lalit who were doing exponentially well as composers, didn’t do much to revive her music career.
As the cash depleted, by 2002 she was left impoverished in a ravaged apartment bereft of any furniture. She put it up for sale, but struggled to get any buyers. That is when her brother-in-law late music director Adesh Srivastav showed up and acquired the flat. From the proceeds of the sale, she paid up her dues and moved in with sister Vijayta and her husband Adesh. Adesh was planning a devotional album with Sulakshana but he too was taken away before the plan could materialize. In 2012, her third sister Sandhya Singh was brutally murdered by her son over money issues.
Few years back, Sulakshana met with an accident indoors and broke her hip bone. After undergoing four surgeries she manages to walk with difficulty. At the age of 65, the talented actress of yesteryear lives a life confined to her bedroom, listening to songs from her glorious days. Things could have been different and better for both, had Sanjeev Kumar moved over Hema Malini and married that one woman who truly loved him, but destiny has a mind of its own. Doesn’t it!!
Todays song is a solo by Sulakshana Pandit. This song “Tere Bina Jiya Na Laage” is penned by Mahendra Dehlvi and is superbly composed by her brothers’ team – Mandheer-Jatin.
With this song, the movie ‘Dil Hi Dil Mein’ (1981) makes its debut on this blog.
Audio Version:
Video Version:
Song-Tere bina jiya na laage (Dil Hi Dil Mein)(1981) Singer-Sulakshana Pandit, Lyrics-Mahendra Dehalvi, MD-Mandheer-Jatin
Lyrics
tere bina
jiya na laage
soona sa laage
ghar angna
tere bina
jiya na laage
soona sa laage
ghar angna aa aa aa
tere bina
mausam aaye
mausam jaaye
lekin mujh ko
kuchh nahin bhaaye
tu hai re saajan
mera saawan
tu aaye to
saawan aaye
mere angna aa aa aa
tere bina
jiya na laage
soona sa laage
ghar angna aa aa aa
tere bina
tere khayaalon mein khoyi khoyi
main kal saari raat na soyi
choodi chunari
kaajal kangna
jaane kya kya soch ke royi
chale bas na aa aa aa
tere bina
jiya na laage
soona sa laage
ghar angna aa aa aa
tere bina
nis din tere khwaab sajaaoon
kin kin jatan se jee behlaaoon
har aahat pe chaunk ke dekhoon
tujhko na paa kar chup ho jaaun
mere sajna aa aa aa
tere bina
jiya na laage
soona sa laage
ghar angna aa aa aa
tere bina
tere bina
tere bina
tere bina
tere bina
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Hindi script lyrics (Provided by Sudhir)
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तेरे बिना
जिया ना लागे
सूना सा लागे
घर अंगना
तेरे बिना
जिया ना लागे
सूना सा लागे
घर अंगना॰॰आ
तेरे बिना
मौसम आए
मौसम जाये
लेकिन मुझको
कुछ नहीं भाए
तू है रे साजन
मेरा सावन
तू आए तो
आवन आए
मेरे अंगना
तेरे बिना
जिया ना लागे
सूना सा लागे
घर अंगना॰॰आ
तेरे बिना
तेरे ख्यालों में खोई खोई
मैं कल सारी रात ना सोई
चूड़ी चुनरी
काजल कंगना
जाने क्या क्या सोच के रोई
चले बस ना॰॰आ
तेरे बिना
जिया ना लागे
सूना सा लागे
घर अंगना॰॰आ
तेरे बिना
निस दिन तेरे ख्वाब सजाऊँ
किन किन जतन से जी बहलाऊँ
हर आहट पर चौंक के देखूँ
तुझको ना पा कर चुप हो जाऊँ
मेरे सजना॰॰आ
तेरे बिना
जिया ना लागे
सूना सा लागे
घर अंगना॰॰आ
तेरे बिना
तेरे बिना
तेरे बिना
तेरे बिना
तेरे बिना
Jab jeb ho garma garam
Posted on: June 19, 2024
- In: "Money" song | Devnagri script lyrics by Sudhir | Guest posts | Lyrics contributed by readers | Post by Arunkumar Deshmukh | Rafi solo | Rafi songs | Song with incomplete details on HFGK | Songs of 1950s (1951 to 1960) | Songs of 1957 | Songs with missing details in HFGK | Songs with missing details on HFGK | Theme song | Title song | Yearwise breakup of songs
- 2 Comments
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5815 | Post No. : | 18350 |
Today’s song is from the stunt film ‘Garma Garam’ (1957).
In Hindi films, many times the titles are given to the films just to attract the audience. Such films have absolutely no relevance to the core-story of the film. Sometimes there is an excess of certain emotions in the films. I had seen one Hindi film in which, by the end of the film all the major characters were shown as dead- including the lead pair. No wonder, the audience must have run away lest they would be the next in line !
Excess of any emotion, be it tragedy or comedy makes no sense. The public comes to the theater to get entertained. When you decide to go to a film, what are your criteria? Story, publicity, cast, director, the banner or simply the posters? There were times when banners i.e. studio names were indicative of the type of movies generally made by them. Like, for example – Minerva Movietone means long dialogues, costumes and historical stories. Wadia Movietone means stunts, fights and action, supported by Wonder Horse, Dog, Cat, Elephant, Monkey or some such animal like even a Viper, Bear or a Lion ! Prabhat means meaningful themes and thought provoking subjects, Prakash Pictures means religious or Mythological films etc etc.
Then came a time when people went to see movies to listen to songs of Naushad, Husnlal-Bhagatram or C Ramchandra etc. Later the stars were the attraction for the crowds like Ashok Kumar, Dilip Kumar, Madhubala or Meena Kumari etc. Whatever the genre of the film, an integral part of the cast was the comedian. Thus there were even times when films were made in the names of Johnny Walker, Om Prakash or Kishore Kumar. But when a film has a crowd of comedians and a music director who once gave music which shook the entire country, what would you expect from the film ?
This is precisely what happened with the film, ‘Garma Garam’. The cast consists of Agha, Gope, Om Prakash, Bhagwan, Maruti Rao, Chhota Gope, Indira Bansal, Nadira, Rajni, Miss Kamal, Maya Das, Krishna Kumari and many others. The film was classified as a ‘stunt’ film. I wonder what stunts this band of comedians performed in the film. I saw this film when it was released on 5th July 1957 at Lamington Cinema, Bombay as well as in Ashok Talkies in Hyderabad. After seeing the film we felt like we had been cheated. The film had no stunts and nothing in the film to make the audience ‘garam‘ either ! In those times while Vinod’s songs of ‘Ek Thi Ladki’ (1949) were still echoing in our ears, music of this film made us completely ‘thanda thanda‘ and made us wonder if he was the same MD Vinod of ‘Ek Thi Ladki’? Here is the film’s story which will prove what I have said,
Wealthy Garib Das has no issues, but only 2 nephews – Baanke, a simpleton and Banwari, a chaalbaaz, who spends money on a dancing girl -Chandni. Knowing this Garib Das makes his will in the name of Baanke. While recording his will on camera, he dies without telling the location of his wealth halfway.
Baanke contacts the photographer Asha for inquiry. They fall in love. While searching they find a map and 6 keys hidden in 6 golden chairs that hold the secret. But the chairs are already sold by Banwari to various people in India. They get addresses from the auctioneer who sold these chairs.
Asha and Baanke contact all those buyers and get the 6 keys. Meanwhile, Baanke comes to know all this and catches up with the pair. There is a fight between Baanke and Banwari. Banke wins the fight, but magnanimously gives the keys to Banwari. Seeing this generosity, Banwari has a change of heart and both embrace each other.
Finally, they find a box. Using the keys, they open the Box, only to find only a piece of white paper written “God helps those who help themselves”. Asha has an idea. She starts pressing the box in different ways and suddenly it opens and the map is found where the wealth is hidden. The two brothers share the wealth.
The End.
Bombay film industry can swing in extremes. At times it can be very generous and at others very cruel. It bows its head before you, if you have a big name tag or a big name godfather solidly behind you and more often it refuses to acknowledge your genius. Bombay film industry certainly did not give what was due to some brilliant music directors like Shyam Sunder, Vinod, Sajjaad Husain, Allah Rakha, Khursheed Anwar, Hans Raj Behl and Sardar Malik to name a few. Bombay film industry deserted Husn Lal and Bhagat Ram, when they were at their creative best. Even the acclaimed greats like Anil Biswas and Madan Mahan did not get their rightful due, compared to some lesser but luckier artists in the field.
Music director Vinod’s real name was Eric Roberts, but for the film industry he chose a more familiar and shorter name – Vinod. This was revealed by one of his sons-in-law Kelly Mistry, who is married to his daughter Veera Roberts. His other daughter’s name is Veena Roberts (Veena Solomon after marriage).
According to Vinod’s son-in-law Kelly Mistry, Vinod was born on May 28, 1922. Vinod hailed from a Christian family of Lahore, who were converted from Hindus. Vinod had his family tree connected to Gurdaspur and Amritsar. As a child Vinod was fascinated by the band music which was prominently played during Lahore’s colorful Hindu weddings. Vinod also listened carefully for hours to the rabaabi musicians performing Shabad Kirtan at Gurdwara Dera Sahib Lahore and other shrines. Vinod became a student of Lahore’s famous music director Pandit Amar Nath and learnt the fundamentals of ragas and tune making with the help of a harmonium from the great maestro.
He started composing tunes while he was still in Lahore prior to 1947. After the death of Pandit Amar Nath, he got the contract of composing the music for a number of films including Punjabi film ‘Chaman’. But the film could not be taken up due to the tense communal atmosphere in Lahore. It was made much later on in India after 1947. Pushpa Hans and Shamshad Begum lent their voices to the songs in this film. Lata Mangeshkar was a new find, looking for work and Vinod gave her three songs to sing. Incidentally Lata’s all three numbers became landmark songs not only for this film, but for other Punjabi films to follow. Those were the days of extreme communal tension on both sides of the Radcliffe line in Punjab , as a consequence after its release the film did not do well in Pakistani Punjab. But the selling of its music even in Pakistan did quite a decent business.
According to some historians Vinod’s mentor Pandit Amar Nath died in 1946. Some other historians say that Pandit Amar Nath died in February of 1947. But by 1944 most of the Lahore based music directors like Khurshid Anwar (in 1941), Shyam Sunder (in 1943), Hans Raj Behl (in 1944), Rashid Atre, Feroze Nizami, Ghulam Haider, Pandit Husn Lal Bhagat Ram shifted their base to Bombay. Pandit Amar Nath and Pandit Gobind Ram were the only ones left in Lahore. After Pandit Amar Nath’s health deteriorated in 1946, Vinod inherited some of his contracts. ‘Khamosh Nigahein’, ‘Paraye Bas Mein’ and ‘Kamini’ were some of the movies which fell into Vinod’s kitty. None of these 1946 movies did well at the box office and Vinod did not get any mileage from them either.
Vinod got the best break in his career in 1949, when he got the contract to compose the music for Hindi film ‘Ek Thi Ladki’. The film became a hit and its Lata song “Lara Lappa Lara Lappa Laai Rakhda, Addi Tappa Addi Tappa Laai Rakhda” became a nation-wide hit. The tune of this song was based on an old Pahadi Punjabi folk tune of Kangra district. While listening to his other songs for this film, a similarity with the tunes of film ‘Mirza Sahiban’ composed by his mentor Pandit Amar Nath can be clearly established. This goes to prove that Vinod, in letter and spirit, learnt the art of tune making from his teacher. This earned him a contract for another Punjabi film ‘Bhaaiya Ji’ made in 1950. Lata sang several memorable songs for this movie. One of its sad songs “Ajj Mera Maahi Naal Tutt Gaya Pyaar Ve Akhiyan Na Maar Ve” was acclaimed to be a landmark song. Even Sardul Kwatra had great admiration for this song. This song later on inspired the tunes of several Hindi songs. In 1949 Vinod composed music for another Hindi film ‘Taara’, which did not create any waves.
Talat Mahmood and Mohammad Rafi were the favorite male singers of Vinod, who always did full justice to his tunes. According to Sardul Kwatra Vinod had no godfather like Shanker and Jaikishan had in producer actor Raj Kapoor and producer Amiya Chakravarty and Naushad had in a very popular producer Mehboob Khan. Roop K Shorey, who gave Vinod music composition contracts for his films, somehow did not belong to the big league of Bombay based film producers like Sohrab Modi, KA Abbas, V Shantaram, Mehboob Khan, Raj Kapoor etc.
Roop K Shorey of course was a very famous film producer in Lahore, who while moving to Bombay , took his entire team with him. Music director Vinod and lyricist Aziz Kashmiri were members of his group. Vinod composed the music for most of Roop K Shorey films. In all Vinod composed music for 27 Hindi films, out of which he shared music with other music directors for at least six films. Some of his films were not completed and some were not released even after completion. Among some of Vinod’s best known creations were the musical compositions of films ‘Anmol Rattan’ (1950), ‘Wafaa’ (1950) ‘Sabz Bagh’ (1951) ‘Aag ka Dariya’ (1953), ‘Laadla’ (1954), ‘Oot Pataang’ (1955) and ‘Makhi Choos’ (1956). For a while Roop K Shorey got Vinod a salaried job as a music director in Filmistan Studios. One characteristic of Vinod was that in Punjabi films he inserted Hindi songs and in Hindi film songs he inserted some Punjabi wording. This trend was discontinued later on, but since the nineties once again Punjabi songs became a part of most Hindi films and these songs are proving big hits.
Vinod was doing one or two successful films on an average per year from 1948 to 1957, but one or two hit films in a year are not enough to ensure a decent standard of living in a city like Bombay. HusnLal Bhagat Ram gave the music for 19 films in 1949 and 1950 and Shanker Jaikishan were composing music in 3 to 4 hit films every year during the fifties and sixties. Such busy schedules made both duos financially quite well off. OP Nayyar was also doing 3 to 4 successful films a year during the fifties, but somehow he did not manage his finances well. On the other hand Naushad was professionally quite creative and he always managed his finances well and lived in comfort. Both Shyam Sunder and Vinod, in spite of being thoroughly professional in their field, were never financially well off. They both died during the fifties. After Vinod’s untimely death at a young age of thirty seven on December 25, 1959, his wife Sheela had great difficulty in bringing up their children. Vinod loved his childhood city of Lahore and did not want to leave that great cultural centre, but the unfortunate partition of Punjab and the resultant bloodshed and its trauma left him with no option of going back to Lahore. Vinod was every inch a Punjabi and he longed to compose music for the Punjabi films, but after 1951 mostly two music directors ended up getting all the music direction contracts. They were Master Hans Raj Behl and Sardul Kwatra. Vinod composed music for only five Punjabi movies. These are ‘Chaman’ (1948), ‘Bhaaiya Ji’ (1950), ‘Mutiyaar’ (1950), ‘Ashtalli’ (1954) and ‘Nikki’ (1958). Vinod died a frustrated man, who’s professional genius was always shortchanged.
Although Vinod composed music for thirty two films, most of these films were under small banners and the music of most of them let down by the film’s poor showing at the box office. Vinod died in Bombay on 25-12-1959. [Adapted from an article by Harjap Singh Aujla, with thanks and my notes].
Film’s story, dialogues and screenplay were by PL Santoshi, who had given us some very entertaining films earlier. He was, by the end of the 50’s decade, on his sliding part of the career and could not make the film entertaining. There were 11 songs in the film written by Santoshi, Raja Mehdi Ali Khan and DN Madhok, but hardly any song one could hum later or remember after 2-3 days.
Today’s song is the fifth song from this film. It is sung by Rafi and chorus. Let us enjoy this song….
Song-Jab jeb ho garam garam (Garma Garam)(1957) Singer – Rafi, Lyricist – PL Santoshi, MD – Vinod (asstt. Sebastian)
Chorus
Lyrics
hoy
kaise dukh aur kaise gham
kyun na karen mauj ham
jab jeb ho garam
garma garam garma garam
garma garam grama garam
jeb ho garam
ishq ho aur pyaar ho
khaansi ho bukhaar ho
kismat ki maar ho
zindagi se haar ho
kismat ki maar ho
zindagi se haar ho
sabka hai ilaaj ek
daulat se dil ko senk
door hon shikaayaten
milen sab nematen
door hon shikaayaten
milen sab nematen
har nagar har dagar
har gali aur har kadam
arre
garma garama garma garam
garma garama garma garam
jeb ho garam
badal gayi ab chaal baabu
jeb mein apni maal baabu
badal gayi ab chaal baabu
jeb mein apni maal baabu
aaj mawaali ke gaane ki
badal gayi surtaal baabu
aaj mawwaali ke gaane ki
badal gayi surtaal baabu
bol badal gaye
taan badal gayi
badal gayi sargam
sa re ni sa ga ma pa ni la
bol badal gayi
taan badal gayi
badal gayi sargam
apni jeb hai garam
apni jeb hai garam
apni jeb hai garam
apni jeb hai garam
arre garma garam garma garam
garma garam garma garam
jeb hai garam
hoy
kaise dukh aur kaise gham
kyun na karen mauj ham
jab jeb ho garam
garma garam garma garam
garma garam garma garam
jeb ho garam
bhai kahe ye bhai mera
behan kahe ye bhaiya mera
bhai kahe ye bhai mera
behan kahe ye bhaiya mera
ho jab jeb garam
lala garam garam
yaar kahe ye yaar mera
dost kahe ye dost mera
yaar kahe ye yaar mera
dost kahe ye dost mera
ho jab jeb garam
o baabu garma garam
lekin
ye kehte hain hum
gar jeb naram
to haal naram
kisi chalte huye murde se kam
nahin hum
arre garma garam garma garam
garma garama garma garam
jeb ho garam
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
होय
कैसे दुख और कैसे ग़म
क्यों ना करें मौज हम
जब जेब हो गरम
गरमा गरम गरमा गरम
गरमा गरम गरमा गरम
जेब हो गरम
इश्क़ हो और प्यार हो
खांसी हो बुखार हो
क़िस्मत की मार हो
ज़िंदगी से हार हो
क़िस्मत की मार हो
ज़िंदगी से हार हो
सबका है इलाज एक
दौलत से दिल को सेंक
दूर हों शिकायतें
मिलें सब नेमतें
दूर हों शिकायतें
मिलें सब नेमतें
हर नगर हर डगर
हर गली और हर कदम
अरे
गरमा गरम गरमा गरम
गरमा गरम गरमा गरम
जेब हो गरम
बदल गई अब चाल बाबू
जेब में है माल बाबू
बदल गई अब चाल बाबू
जेब में है माल बाबू
आज मवाली के गाने की
बदल गई सुर ताल बाबू
आज मवाली के गाने की
बदल गई सुर ताल बाबू
बोल बदल गए
तान बदल गई
बदल गई सरगम
स रे नि स ग म पा नि ला
बोल बदल गए
तान बदल गई
बदल गई सरगम
अपनी जेब है गरम
अपनी जेब है गरम
अपनी जेब है गरम
अपनी जेब है गरम
अरे
गरमा गरम गरमा गरम
गरमा गरम गरमा गरम
जेब है गरम
होय
कैसे दुख और कैसे ग़म
क्यों ना करें मौज हम
जब जेब हो गरम
गरमा गरम गरमा गरम
गरमा गरम गरमा गरम
जेब हो गरम
भाई कहे ये भाई मेरा
बहन कहें ये भैया मेरा
भाई कहे ये भाई मेरा
बहन कहें ये भैया मेरा
हो जब जेब गरम
लाला जेब गरम
यार कहे ये यार मेरा
दोस्त कहे ये दोस्त मेरा
यार कहे ये यार मेरा
दोस्त कहे ये दोस्त मेरा
हो जब जेब गरम
ओ बाबू गरमा गरम
लेकिन
ये कहते हैं हम
जब जेब हो नरम
तो हाल नरम
किसी चलते हुये मुर्दे से
कम नहीं हम
अरे
गरमा गरम गरमा गरम
गरमा गरम गरमा गरम
जेब हो गरम
Mummy o mummy pyaari see mummy
Posted on: June 18, 2024
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5814 | Post No. : | 18349 |
‘Chowki No 11’ (1978) was produced by Kuki and directed by VK Sobti for Siddharthas. The movie had Vinod Mehra, Zarina Wahab, Jagdeep, Amjad Khan, Kader Khan, Aruna Irani, Katy Mirza, Manmohan, Yunus Parwez, Vijay Behl, Krishna Dhawan, Madhup Sharma, Dimpy Chauhan, V Suri, Master Ravi, Master Bittu etc in it. Jeetendra had made a special appearance in the movie.
Director VK Sobti had also written story, screenplay and dialogues of the movie.
The film had three songs in it. VK Sobti, in addition to the above mentioned multi tasking, had also penned two out of three songs. Third song was written by Pt Vishweshwar Sharma. It was this song penned by Pt Vishweshwar Sharma that has survived while most other things associated with the movie have been forgotten almost as soon as the movie was released.
Here are the details of the two songs that have been covered in the blog:-
| SNo in Blog | Song Title | Singer/s | Lyrics | Posted On | Remarks |
|---|---|---|---|---|---|
| 6375 | Kahin ho na mohalle mein halla | Shobha Gurtu | Pt Vishweshwar Sharma | 27 september 2012 | Lyrics by Prakashchandra. Picturised as a mujra song on Zarina Wahab |
| 12984 | Kaise rishte kaise naate | Rafi, Manna Dey | V K Sobti | 1 March 2017 | Picturised on Vinod Mehra and Amjad Khan |
Indian audience are quite forgiving as far as their taste are concerned. They can patronize happy movies, sad movies, action movies, musical movies, melodramas etc. But this movie had nothing to offer. It was out and out a dull and boring movie.
The song Kahin ho na mohalle mein halla turned out to be a surprise hit. It in fact has become an all time hit song. Most people in India are aware of Shobha Gurtu because of this song which was her rare foray into Hindi movie playback singing.
Here is the third and final song from ‘Chowki No 11’ (1978). This song is sung by Vijayeta Pandit. VK Sobti is the lyricist. Music is composed by Sonik Omi.
Amjad Khan has kidnapped Master Bittu. He allows him to make a telephone call to his mother (Aruna Irani). Master Bittu, instead of talking normally sings a song on the phone, which is eagerly lapped up by his anxious mother (Aruna Irani) and grandfather (Manmohan).
I have not been able to get a few words in the lyrics to my satisfaction. I request our readers with keener ears to help fill in the blanks/ suggest corrections in the lyrics wherever applicable.
With this song, all the three songs of ‘Chowki No 11’ (1978) are now covered in the blog. This movie thus joins the list of movies that have been YIPPEEE’D in the blog.
Audio
Video
Song-Mummy o mummy pyaaree see mummy (Chowki No 11)(1978) Singer-Vijeyta Pandit, Lyrics-V K Sobti, MD-Sonik Omi
Lyrics
mummy o mummy
pyaari si mummy
achche se daada
tumse bhi zyaada
jimmy ko hai milne ki aas
hona nahin mere liye tum udaas
hona nahin mere liye tum udaas
kehna jo mera
na maanoge daada
kar doonga main tumse katti
laakh manaao jo tum aur mummy
phir bhi karoonga na patti
saat baje jab
le lena tab
neeli do goli
peeli do goli
hai pappa ki photo ke paas
hona nahin mere liye tum udaas
baahon ka takiya
mujhe yaad aaye
sota thha main jispe mummy
wo chanda ki baaten
kahaani pari ki
sunega jinhen aa ke jimmy
mera rooth jaana
ye tera manaana
wo halki se thapki
wo meethi si pappi
aayegi ye phir se humen raas
hona nahin mere liye tum udaas
hona nahin mere liye tum udaas
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
मम्मी ओ मम्मी
प्यारी सी मम्मी
अच्छे से दादा
तुमसे भी ज़्यादा
जिमी को है मिलने की आस
होना नहीं मेरे लिए तुम उदास
होना नहीं मेरे लिए तुम उदास
कहना जो मेरा
ना मानोगे दादा
कर दूँगा मैं तुमसे कट्टी
लाख मनाओ जो तुम और मम्मी
फिर भी करूंगा ना पट्टी
सात बजे जब
ले लेना तब
नीली दो गोली
पीली दो गोली
है पप्पा की फोटो के पास
होना नहीं मेरे लिए तुम उदास
बाहों का तकिया
मुझे याद आए
सोता था मैं जिस पे मम्मी
वो चंदा की बातें
कहानी परी की
सुनेगा जिन्हें आ के जिम्मी
मेरा रूठ जाना
ये तेरा मनाना
वो हल्की की थपकी
वो मीठी सी पप्पी
आएगी ये फिर से हमें रास
होना नहीं मेरे लिए तुम उदास
होना नहीं मेरे लिए तुम उदास
Gaddi Jaandi Ae Chhlaanga Maardi
Posted on: June 17, 2024
- In: Dance song | Devnagri script lyrics by Sudhir | Group Dance | Guest posts | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Post by Sudhir | Song sung by three or more singers | Songs of 1970s (1971 to 1980) | Songs of 1978 | stage dance | Stage song | Yearwise breakup of songs
- Leave a Comment
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5813 | Post No. : | 18348 |
‘Daada’ (1978) was produced by Jugal Productions Combine, Bombay and directed by Jugal Kishore. This social drama movie had Vinod Mehra, Bindiya Goswami, Shashi Puri, Madhumalini, Amjad Khan, Indrani Mukherjee, Jayshree T, Jeevan, Seema Dev, Ramesh Dev, Jagdeep, Rajendra Nath, Raza Murad, Satyen Kappu, Vijaya Chaudhary, Mohan Choti, Maruti, Mohan Sherry, Sheikh, Baby Pallavi, Coca Cola, Ramaavtar, Shyam Kumar, Ratan Gaurang, Manmauji etc. in it.
This movie has five songs in it. Four songs have been covered in the past.
Here are the details of the songs covered so far:-
|
S No |
Song Title | Singer/s | Lyricist |
Posted On |
|
01 |
Gaddi Jaandi Ae Chhalaangaa Maardi | Rafi, Shailendra Singh, Dilraj Kaur, Hemlata | Ravindra Jain | |
|
02 |
Dil Ke Tukde Tukde Kar Ke Muskuraa Ke Chal Diye | Yesudas | Kulwant Jani |
14.07.2009 |
|
03 |
Hamne Maana Hampe Sajan Jobanwa Bharpoor Hai | Suman Kalyanpur | Mahendra Dehalvi |
04.04.2022 |
|
04 |
Allah Karam Karna, Maula Tu Reham Karna | Suman Kalyanpur | Gauhar Kanpuri |
16.12.2011 |
|
05 |
Bemurrawat Tumhe Samjhenge Zamaanewaale … Parde Mein Koyi | Rafi, Shailendra Singh | Asad Bhopali |
28.05.2024 |
As we see in the table above, all five songs are written by different lyricists. The music for this film is composed by Usha Khanna.
The song is picturized as a stage dance performance. The dance starts with Bindiya Goswami and Madhumalini, and they are quickly joined by Vinod Mehra and Shashi Puri. The dance is the typical Punjabi bhangra.
Here is the fifth and final song from ‘Daada’ (1978) to appear in the blog. With this song, all the five songs of ‘Daada’ (1978) are covered in the blog. The movie thus joins the list of movies that have been YIPPEEE’D in the blog.
Song – Gaddi Jaandi Ae Chhlaanga Maardi (Daada) (1978) Singer – Mohammed Rafi, Shailendra Singh, Hemlata, Dilraj Kaur, Lyrics – Ravindra Jain, MD – Usha Khanna
Hemlata + Dilraj Kaur
Rafi + Shailendra Singh
Chorus
Lyrics (Provided by Avinash Scrapwala)
o gaddi jaandi ae chhalaangaa maardi..ee
mainu yaad aaye mere yaar di
o gaddi jaandi ae chhalaangaa maardi.ee
mainu yaad aaye mere yaar di
o meraa bichhdaa hai yaar
meraa dil beqaraar
rabbaa khair karey mere yaar di..ee..ee
o gaddi jaandi ae chhalaangaa maardi
o gaddi jaandi ae chhalaangaa maardi
mainu yaad aaye mere yaar di
o o o o o o
ho o o o
ho o o o o o o
o gori kaahe ko himmat haardi..ee
gaddi chali ae gali to yaar di
o gori kaahe ko himmat haardi..ee
gaddi chali ae gali to yaar di
jiske dil mein ho josh
jise nahin koi hosh
wo hi jaandiye chhalaangaa maar di..ee
gaddi chaliye gali to yaar di
gori kaahe ko himmat haardi..ee
gaddi chaliye gali to yaar di
main kehti hoon
ruk ruk jaaye
chhuk chhuk karti jaaye
o o o o o
main kehti hoon
ruk ruk jaaye
chhuk chhuk karti jaaye
aas milan ki
iske dhuen ke
sang sang ud’di jaaye
zaraa karna khayaal
chale apni hi chaal
peed samjhe nahi naar di..ee
o gaddi jaandi ae chhalaangaa maardi
o gaddi jaandi ae chhalaangaa maardi
mainu yaad aaye mere yaar di
dil diyaan gallaan
kar dilbar se
gaddi nu ki dasnaa..aa
o o o o
dil diyaan gallaan
kar dilbar se
gaddi nu ki dasnaa..aa
dil jo miley to
doori kaisi
yaar ne dil vich vasnaa..aa
ho hamen apnaa banaa
haath yaari ka badhaa
tujhe qasam hamaare pyaar di..ee
gaddi chaliye gali to yaar di
gori kaahe ko himmat haardi..ee
gaddi chaliye gali to yaar di
dil mein jo tasveer base wo
dil ka dard badhaaye
o o o o
dil mein jo tasveer base wo
dil ka dard badhaaye
ik pal aankh naa laage jab tak
yaar nazar naa aaye
chaahe karo kuchh bhi
kahin behle nahin
deed hoye naa jo dildaar ki..ee..ee
gaddi jaandi ae chhalaangaa maardi
gaddi jaandi ae chhalaangaa maardi
mainu yaad aaye mere yaar di
kaun hai tera dilbar gori
kaun tujhe tadpaaye
o o o o o
kaun hai tera dilbar gori ee
kaun tujhe tadpaaye ae
kiske liye tu aahen bharti
kiski tujhe yaad aaye
daal dil pe nazar
tujhe aayegi nazar
wahaan tasveer tere yaar di..ee
gaddi chaliye gali to yaar di
gaddi jaandi ae chhalaangaa maardi
mainu yaad aaye mere yaar di
o o o o
o o o o
o o o o
o o o o
o o o o
o o o o
o o o o
o o o o
o o o o
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
ओ गड्डी जांदी ए छलाँगा मारदी
मैंनू याद आए मेरे यार दी
ओ गड्डी जांदी ए छलाँगा मारदी
मैंनू याद आए मेरे यार दी
ओ मेरा बिछड़ा है यार
मेरा दिल बेक़रार
रब्बा खैर करे मेरे यार दी
ओ गड्डी जांदी ए छलाँगा मारदी
ओ गड्डी जांदी ए छलाँगा मारदी
मैंनू याद आए मेरे यार दी
ओ ओ ओ ओ ओ
हो ओ ओ ओ
हो ओ ओ ओ ओ ओ ओ
ओ गोरी काहे को हिम्मत हारदी
गड्डी चल्ली ए गली तों यार दी
ओ गोरी काहे को हिम्मत हारदी
गड्डी चल्ली ए गली तों यार दी
जिसके दिल में हो जोश
जिसे नहीं कोई होश
वो ही जांदी ए छ्लांगा मारदी
गड्डी चल्ली ए गली तों यार दी
गोरी काहे को हिम्मत हारदी
गड्डी चल्ली ए गली तों यार दी
मैं कहती हूँ
रुक रुक जाये
छुक छुक करदी जाये
ओ ओ ओ ओ
मैं कहती हूँ
रुक रुक जाये
छुक छुक करदी जाये
आस मिलन की
इसके धुएँ के
संग संग उड़दी जाये
ज़रा करना ख्याल
चले अपनी ही चाल
पीड़ समझे नहीं नार दी
ओ गड्डी जांदी ए छलाँगा मारदी
ओ गड्डी जांदी ए छलाँगा मारदी
मैंनू याद आए मेरे यार दी
दिल दियाँ गल्लां
कार दिलबर से
गड्डी नू की दसना
ओ ओ ओ ओ
दिल दियाँ गल्लां
कार दिलबर से
गड्डी नू की दसना
दिल जो मिले तो
दूरी कैसी
यार ने दिल विच वसणा
हो हमें अपना बना
हाथ यारी का बढ़ा
तुझे क़सम हमारे प्यार दी
गड्डी चल्ली ए गली तों यार दी
गोरी काहे को हिम्मत हारदी
गड्डी चल्ली ए गली तों यार दी
दिल में जो तस्वीर बसे वो
दिल का दर्द बढ़ाए
ओ ओ ओ ओ
दिल में जो तस्वीर बसे वो
दिल का दर्द बढ़ाए
इक पल आँख ना लागे जब तक
यार नज़र ना आए
चाहे करो कुछ भी
कहीं बहले नहीं
दीद होय ना जो दिलदार की
गड्डी जांदी ए छलाँगा मारदी
गड्डी जांदी ए छलाँगा मारदी
मैंनू याद आए मेरे यार दी
कौन है तेरा दिलबर गोरी
कौन तुझे तड़पाये
ओ ओ ओ ओ
कौन है तेरा दिलबर गोरी
कौन तुझे तड़पाये
किसके लिए तू आहें भरती
किसकी तुझे याद आए
डाल दिल पे नज़र
तुझे आएगी नज़र
वहाँ तस्वीर तेरे याद दी
गड्डी चल्ली ए गली तों यार दी
गड्डी जांदी ए छलाँगा मारदी
मैंनू याद आए मेरे यार दी
ओ ओ ओ ओ
ओ ओ ओ ओ
ओ ओ ओ ओ
ओ ओ ओ ओ
ओ ओ ओ ओ
ओ ओ ओ ओ
ओ ओ ओ ओ
ओ ओ ओ ओ
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5812 | Post No. : | 18347 |
Today’s song is from a Muslim Social film ‘Paak Daman’ (1957).
Why I am specifying Muslim social is because it was a film depicting the Muslim social culture in India. India is a country where there are many religions living together for hundreds of years. The major 8 religions in India are Hinduism, Islam, Christianity, Buddhism, Jainism, Sikhism, Judaism and Zoroastrianism (Parsee). There are hundreds of smaller religions thriving in India , apart from these.
As far as Hindi films are concerned, most films show Hindu culture. Very few films were made on Christian, Sikh or Parsee cultures. Considering that since the beginning of film making, Muslims were into it in a large number, one would expect a large number of Muslim films made in India. 1957 was a year in which there was good variety in the subjects handled by the film makers. Musical films like ‘Aasha’, ‘Paying Guest’, ‘Baarish’, ‘Dekh Kabeera Roya’, ‘Naya Daur’ etc, films on murder and mystery, films on farmers, comedy films, tragedy films, mythological films, costume dramas, fantasy films, stunt films. . .
You just name the genre and a film on that genre was made in 1957. One of the genres, however, which is neglected, by and large, in India is Muslim Social films. ‘Paak Daaman’ was a film of this genre in 1957.
Sometimes I wonder, there was a time when this film industry was thickly populated with Muslim artistes in every field – acting, production, direction or composing music Still not many films were made on Muslim backgrounds. There is a sizable and rapidly growing portion of Muslim population in India. But if you count films based on Muslim issues or Muslim backgrounds, then they may not account for more than 1 to 2 % of the total film production.
It is not only the Muslim films, but films on other minorities like Christians, Parsis, Jains, Budhists, Sikhs too are not much represented in our films. It is very sad that such films are not made, though the figures and history tells us that such films were quite successful at the box office.
Muslim films fall under two categories. One, films made on Historical Muslim characters like Akbar, Babar, Humayun, Shahjehan, Razia Sultan etc. And the second group is that of Muslim society. Just for the sake of curiosity, I scanned the 5 volumes of HFGK and wrote down names of films made on Muslim subjects of both types. To my surprise, I could not go beyond even 50 films, from 1931 to 1980 ! Granted that I must have made a mistake in counting and identifying, since I do not know the story line of every film, still the number will not go beyond 200 films, despite liberal stretching !
The point I want to make here is that not many Muslim social movies have been made in India over the years. The earliest such film was ‘Najma’ (1943), I think. One very very explosive Muslim social film, made by Director Mehboob was ‘Elan’ in 1947. Munawar Sultana was the lead actress in it. Before starting the shooting, Mehboob called her and said, ”You have heard the story, it is a very very hot story. I guess there will be a lot of opposition from our fundamentalist people. You may have to face their ire. Maybe you will be attacked or thrown out of society. But remember, I am doing this film, because I want our people to improve on par with others. If you want, you can reject the film even now. Think and tell me before we start shooting.” Munawar Sultana quickly said,”There is no need to think. I want to do this film. I am not afraid of anyone. I have full faith in you.” After release, the film did evoke violent reactions from a section of the Muslim society but it subsided slowly.
‘Paak Daman’ was first made in 1931, the very first year of the talkie films. Then it was made in 1940 and then it was made once again in 1957. ‘Paak Daman’ was a popular stage drama of the early 1900’s. There exist many versions of this story with minor variations, like names and places etc. The Parsi Urdu Theatre version was written by Agha Hashra Kashmiri, then famously known as ‘Shakespeare of India’. The Parsi Gujarati plays were written by various authors. Syed Yawar Ali penned the script for the Moon Parsi Theatre. The Alfred Drama Company had their own version of the story. In 1932, a film called ‘Paak Daman Raqaasa’ (aka ‘Innocent Rakkasa’ or ‘Innocent Dancer’ or ‘निर्दोष नर्तिका’ was made by Elephanta Movietone, Punjab. But I guess it was not one of these versions, just like the 1957 movie.
Some other Muslim socials I remember are ‘Zeenat’, ‘Pehli Nazar’, ‘Dil Hi To Hai’, ‘Bahu Begum’, ‘Mere Mehboob’, ‘Palki’, ‘Chaudhvin Ka Chaand’, ‘Dastak’, ‘Garm Hawa’, ‘Bazaar’, ‘Anjuman’, ‘Naseem’, the Trilogy by Khalid Mohammed – ‘Mammo’, ‘Sardari Begum’ and ‘Zubeida’, ‘Fiza’, ‘Junoon’, ‘Benazir’, ‘Ghazal’, ‘Chhote Nawab’ etc.. Then there are ‘Barsaat Ki Raat, ‘Nikaah’, ‘Shatranj’, ‘Mehboob Ki Mehndi’, ‘Umrao Jaan’, ‘Pakeezah’, ‘Anwar’, ‘My Name Is Khan’, ‘Bombay’ etc. Surely, there must be many more than what I have mentioned. I am not counting historical films as they are not socials. As far as I remember, producers like Mehboob Khan, AR Kardar, K Asif, Fazli brothers and few others were producing Muslim culture films.
There is a book ‘Forgotten Movies on Muslim Culture 1933-1947’, written by a friend, Kamlakar Pasupuleti ji. He too happens to be from Hyderabad – like me and is of almost my age. The book gives details of such films, but sadly, only upto 1947. This book, however, lists only 29 films. I feel sure that there were many more films which he did not include, maybe due to nonavailability of full details !
Like ‘Same Name Confusion’ in artistes of Hindi films, there is also ‘Same Title Confusion’ of Hindi films. Same titles can be confusing if it’s year is not mentioned after the title. This title confusion started with India’s first Talkie film ‘Alam Ara’ (1931), which was remade in 1956 and again in 1973. Same case with ‘Anarkali’ – 1928, 1935 and 1953. Some other repeat titles are ‘Aabroo’, ‘Aadmi’, ‘Aanbaan’, ‘Aandolan’, ‘Aarzoo’, ‘Asha’, ‘Aashiana’ etc. The list is very long. One film ‘Insaaf’ beats all such titles hollow. It was made as many times as 7 times – in 1937, 1946, 1956, 1966, 1973, 1987 and 1997. Note that there was one film called ‘Insaaf’ made in every decade from the 30’s to the 90’s !
Some actors have created records featuring in all versions. Actress Sulochana (Ruby Meyers) acted in film ‘Anarkali’ made in 1928, 1935 and 1953. Wazir Mohammed Khan acted in ‘Alam Ara’ made in 1931, 1956 and 1973. Ashok Kumar acted in the films ‘Bandhan’ made in 1940, 1956 and 1969. There are hundreds of actors who featured in 2 same title films.
‘Paak Daman’ was also the title of two movies in 1940 and 1957. One common name was Ghulam Mohd. But in this case Ghulam Mohammed the actor was in the 1940 film and Ghulam Mohammed the Music Director was in the 1957 film.
The cast of the 1957 film was Chitra, Sudesh Kumar, Moti Sagar, WM Khan, Shaikh, Kumar, H Prakash and many more. The lyricist was Shakeel Badayuni, who is seen in one of the songs from this film (in a Mushaira). The story of this film is,
Handsome and well-educated Yusuf (Sudesh Kumar) inherits his father’s estate in Lucknow. To him gambling becomes just a pastime in the company of Asad (Kumar), a man without principles, and his associates Abboo and Nabboo. Both Yusuf and Asad are in love with the beautiful Suraiya (Chitra). Her cousin Mahmud (Moti Sagar) is also secretly in love with her; but she is unaware of it. She believes that Mahmud loves Sabiya (Krishna Kumari), her best friend.
One day Asad sends his mother to Suraiya’s aunt with a view to bring about his marriage with her. The aunt rejects the proposal saying that Asad is a wastrel and not a fit husband for Suraiya. But Mahmud, knowing that Suraiya loves Yusuf, suggests that she be married to Yusuf. He decides to marry Sabiya who loves him deeply. Infuriated Asad begins to destroy the perfectly happy matrimonial union of Yusuf and Suraiya. He lures Yusuf into the gulf of vice through gambling and drink. He even forges a letter from Mahmud to Suraiya and involves Yusuf into the murder of Mahmud.
As the police arrive on the scene, Asad deliberately helps Yusuf to abscond. Hearing of Mahmud’s death, poor Sabiya goes mad. With Yusuf in hiding and out of his way, Asad now proceeds to make Syraiya his own. He sends his henchman Nabbo to steal the letter from her house. He obtains the letter, but is caught by the police. Far away from Lucknow, Yusuf finds a job at the quarry of Haji Saheb who is none other than Sabiya’s father.
Yusuf comes back to Lucknow in disguise and his heart bleeds to find Suraiya and child undergoing untold hardships with only the faithful old servant Tehsin (WMKhan) by her side. Asad kidnaps Suraiya’s child and lures her into his secret den. Since she refuses to marry him, he places the child before the cage of a tiger and opens the door. Yusuf comes up in the nick of time, in the disguise of Gunga, and saves the child. Just then the police arrive with Tehsin and others and Asad is arrested. Thus all’s well that ends well.
Let us now enjoy today’s song by Asha Bhosle, from this film.
Song-Bigdi hui taqdeer ka shiqwa na karenge (Paak Daaman)(1957) Singer- Asha Bhosle, Lyricist- Shakeel Badayuni, MD- Ghulam Mohammad
Lyrics
parwardigaa aaar
parwardigaa aa aa aa aa aar
bigdi hui taqdeer ka
bigdi hui taqdeer ka
shiqwa na karenge
shiqwa na karenge
mar jaayege maalik
tujhe ruswa na karenge
mar jaayege maalik
tujhe ruswa na karenge
bigdi hui taqdeer ka
shiqwa na karenge
dukh-dard diye toone
ye ehsaan hai tera aa aa
dukhdard diye toone
ye ehsaan hai tera
ab maut bhi de de
jo mitey gham ka aandhera
gham ka aandhera
ab bhool ke bhi
jeene ki tamanna na karenge
mar jaayege maalik
tujhe ruswa na karenge
barbaad hai phir bhi hai tera humko sahaara aa
barbaad hai phir bhi hai tera humko sahaara
mil jaayega tooti hui kashti ko kanaara
kashti ko kanaara
toofaan se dar jaayen hum aisa na karenge
mar jaayenge maalik
tujhe ruswa na karenge
bigdi hui taqdeer ka
bigdi hui taqdeer ka
shiqwa na karenge
shiqwa na karenge
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
बिगड़ी हुई तक़दीर का
बिगड़ी हुई तक़दीर का
शिकवा ना करेंगे
मर जाएँगे मालिक
तुझे रुसवा ना करेंगे
मर जाएँगे मालिक
तुझे रुसवा ना करेंगे
बिगड़ी हुई तक़दीर का
शिकवा ना करेंगे
दुख दर्द दिये तूने
ये एहसान है तेरा
दुख दर्द दिये तूने
ये एहसान है तेरा
अब मौत भी दे दे
जो मिटे ग़म का अंधेरा
ग़म का अंधेरा
अब भूल के भी जीने की तमन्ना ना करेंगे
मर जाएँगे मालिक
तुझे रुसवा ना करेंगे
बर्बाद हैं फिर भी
है तेरा हमको सहारा
बर्बाद हैं फिर भी है तेरा हमको सहारा
मिल जाएगा टूट हुई कश्ती को कनारा
कश्ती को कनारा
तूफान से डर जाएँ हम ऐसा ना करेंगे
मर जाएँगे मालिक
तुझे रुसवा ना करेंगे
बिगड़ी हुई तक़दीर का
बिगड़ी हुई तक़दीर का
शिकवा ना करेंगे
शिकवा ना करेंगे
Dulhan ban ke saajan ke dwaar
Posted on: June 15, 2024
- In: "Dulhan" song | "sahelis teasing a lady" song | Devnagri script lyrics by Sudhir | Lyrics contributed by readers | Rare song | Songs of 1940s (1941 to 1950) | Songs of 1947 | Songs with missing details in HFGK | Songs with missing details on HFGK | Wedding ritual song | Wedding song | Yearwise breakup of songs | Zohrabai Ambalewaali song
- Leave a Comment
This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : |
5811 | Post No. : | 18346 |
‘Mehndi’ (1947) was produced by Fazli brothers and directed by Sibtain Fazli for Fazli Brothers, Bombay. This Muslim social movie had Karan Diwan, Nargis, Begum Para, Ghory, Murad, Jillo Bai, Pratima Devi, Anwari, Jani Babu, Baby Shyama etc. in it.
This movie had eight songs in it. Seven songs have been covered in the past.
Here are the details of the songs covered so far:-
| SNo in Blog | Song Title | Singer/s | Lyrics | Posted On | Remarks |
|---|---|---|---|---|---|
| 11889 | Ab dil mein hai barbaad tamanna ke siwaa kya | Munawwar Sultana (Singer) | Saaghar Nizami | 27 February 2016 | |
| 12536 | O door jaane waale aati hai yaad aa jaa | Shamshad Begam | Saaghar Nizaami | 7 November 2016 | |
| 12542 | Allah khata kya hai gareebon ki bataa de | Zeenat Begam, unknown male voice | Saaghar Nizaami | 9 November 2016 | |
| 12553 | Chaand raat aayi | Surinder Kaur, Munawwar Sultana (Singer) | Saaghar Nizaami | 13 November 2016 | |
| 12838 | Hai dil hi dil mein dil ki tamanna | Zeenat Begam | Saaghar Nizaami | 21 January 2017 | Post by Sadanand Kamath ji |
| 13751 | Maali ki nigaahon ne tumhen dekh liyaa jee | Zeenat Begam, Munawwar Sultana (Singer) | Saaghar Nizaami | 21 November 2017 | |
| 17188 | Badhe chalo badhe chalo | Chorus | Saaghar Nizaami | 31 May 2024 |
Sadanand Kamath ji while covering one of songs from the movie had provided the story of the movie taken from FilmIndia magazine. Here is the story:
Kulsum (Nargis) and Nadira (Begum Para) are friends. Kulsum is poor while Nadira is rich and fashionable. Kulsum gets married to a poor school teacher (Karan Diwan) who loses his job. With the money raised by selling Kulsum’s ornaments, her husband goes to Europe. He returns and becomes the Principal of a school where he meets Nadira. He is now interested in marrying Nadira without telling her that he was already married to Kulsum.
On the day of the marriage, both friends – Kulsum and Nadira meet. Soon the story gets unfolded in which her husband is exposed. After a long lecture by Kulsum, her husband realises his wrong step and thus saved from the bigamy though with consent, he could have four wives.
The film failed at the box office as audience of those days were already exposed to similar story lines in movies like ‘Pehli Nazar’ (1945) and ‘Dard’ (1947).
Here is the eighth and final song from ‘Mehndi’ (1947) to appear in the blog. This song, as also the penultimate song covered a few days ago were the most obscure songs that were difficult to locate. These songs have become available online just recently and they are difficult to locate unless someone is actually searching for them.
Except for the song O door jaane waale aati hai yaad aa jaa whose singer is mentioned in HFGK, HFGK is silent about the singers of other songs. But we in the blog have been able to find out the identity of the singers of other songs as well. Sometimes we have gone by the name of the singer as mentioned by the uploader and sometimes we have identified the singer by comparing the voice with other voices in the blog where the name of singer is known.
This eighth and final song is one such song whose singers are not mentioned in HFGK. The uploader mentions the singer as Zohrabai Ambalewaali and chorus. The main female voice sounds like Zohrabai Ambalewaali, but I can detect another female voice. I request our knowledgeable readers to help identify this unknown voice.
The seven songs covered so far were penned by Saghar Nizami. But this song is penned by Majrooh Sultanpuri. Ghulam Haider is the music director.
I have not been able to get the lyrics right to my satisfaction at a few places. I request our readers with keener ears to help fill in the blank/ suggest corrections in the lyrics wherever applicable.
With this song, all the eight songs of ‘Mehndi’ (1947) are covered in the blog. The movie thus joins the list of movies that have been YIPPEEE’D in the blog.
Song-Dulhan ban ke saajan ke dwaar (Mehandi)(1947) Singer-Zohrabai Ambalewaali, Unknown female voice, Lyrics-Majrooh Sultanpuri, MD-Ghulam Haider
Chorus
Lyrics
dulhan ban ke saajan ke dwaar
dulhan ban ke saajan ke dwaar
chalo ri bal kha ke
chalo ri ithla ke
chalo ri bal kha ke chalo
mori dulhaniya ki ho o patli kamariya
hoy mori dulhaniya ki ho o patli kamariya
oy teri patli kamariya
oy hoy
teri tirchhi najariya
oy hoy
teri lachke kamariyaa
oy hoy
chamke tere ghunghat ke taar
taar
chamke tere ghunghat ke taar
chalo ri bal kha ke
chalo ri bal kha ke chalo
o o dulha ko ye ghunghat uthaana
mubaarak ho jee
mubaarak ho jee
meri banno ke dulha ko
mubaarak ho jee
mubaarak ho jee
do dhadakte dilon ka taraana
do dhadakte dilon ka taraana
tumko mubarak
gori tumko mubarak ho o
dulha ki sejriya
ho gori tumko mubarak ho o
dulha ki sejriya
tumhen hans hans ke bijlee giraana
tumhen hans hans ke bijlee giraana
mubaarak ho
mubaarak ho jee
mubaarak ho
mubaarak ho jee
tumhen gairon ko apnaa banaana
tumhen gairon ko apnaa banaana
mubaarak ho
mubaarak ho jee
mubaarak ho
mubaarak ho jee
tumhen raas aaye bhanwre ka pyaar
pyaar
tumhen raas aaye bhanwre ka pyaar
chalo ree bal kha ke
chalo ree bal kha ke chalo
dulhan ban ke saajan ke dwaar
dulhan ban ke saajan ke dwaar
chalo ri bal kha ke
chalo ri ithla ke
chalo ri bal kha ke chalo
————————————————
Hindi script lyrics (Provided by Sudhir)
————————————————
दुल्हन बन के साजन के द्वार
दुल्हन बन के साजन के द्वार
चलो री बल खा के
चलो री इठला के
चलो री बल खा के चलो
मोरी दुलहनिया की हो ओ पतली कमरिया
होय मोरी दुलहनिया की हो ओ पतली कमरिया
ओय तेरी पतली कमरिया
ओय होय
तेरी तिरछी नजरिया
ओय होय
तेरी लचके कमरिया
ओय होय
चमके तेरे घूँघट के तार
तार
चमके तेरे घूँघट के तार
चलो री बल खा के
चलो री बल खा के चलो
ओ ओ दुल्हन को ये घूँघट उठाना
मुबारक हो जी
मुबारक हो जी
मेरी बन्नो के दूल्हा को
मुबारक हो जी
मुबारक हो जी
दो धड़कते दिलों का तराना
दो धड़कते दिलों का तराना
तुमको मुबारक
गोरी तुमको मुबारक हो ओ
दूल्हा की सेजरिया
हो गोरी तुमको मुबारक हो ओ
दूल्हा की सेजरिया
तुम्हें हंस हंस के बिजली गिराना
तुम्हें हंस हंस के बिजली गिराना
मुबारक हो
मुबारक हो जी
मुबारक हो
मुबारक हो जी
तुम्हें गैरों को अपना बनाना
तुम्हें गैरों को अपना बनाना
मुबारक हो
मुबारक हो जी
मुबारक हो
मुबारक हो जी
तुम्हें रास आए भँवरे का प्यार
प्यार
तुम्हें रास आए भँवरे का प्यार
चलो री बल खा के
चलो री बल खा के चलो
दुल्हन बन के साजन के द्वार
दुल्हन बन के साजन के द्वार
चलो री बल खा के
चलो री इठला के
चलो री बल खा के चलो
Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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