Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Asha Bhonsle solo’ Category


I have mentioned it earlier that “Mera Saaya” was full of outstanding Lata-Madan Mohan songs that have gone on to become immortal evergreen songs. But pray which of “Mera Saaya” songs became the most popular those days? It was none of these Lata songs, or even the Rafi one.
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O P Nayyar and Asha Bhonsle had forged a long professional relation for 15 years which had turned personal as well. The two had continued an affair that lasted just as long. Towards the early years of 1970s, when O P Nayyar was no longer the top music director of Bollywood and his music was losing its hold over the public, his personal relationship with Asha Bhonsle was on the rocks as well. The two finally split in 1972. Prior to that, they had recorded this song “Chain se humko kabhi aapne jeene na diyaa”. From the voice, lyrics and the music, it is obvious that Asha Bhonsle, the lyricist S H Bihari ( a close confidant of O P Nayyar) and O P Nayyar had given this song their best.
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This is a song from “Gumrah”, a 1963 movie showing Mala Sinha at her sacrificing best. In this movie, the kids of her sister ask her to tell a story, and she sings this song “ek thi ladki” (happy version) which she claims to be the story of one of her friends, but as the audience guess correctly, is her own story.This serves as a lullaby and the kids go to sleep peacefully.
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Shankar Jaikishan were the biggest names among Bollywood music directors for nearly two decades from 1950s to 1960s. It was in 1970 that Jaikishan died. Meanwhile “Mera Naam Joker” flopped big time. All these facts meant that Shankar Jaikishan musical duo was disbanded and moreover Raj Kapoor dropped Shankar Jaikishan ( then effectively only Shankar) from his subsequent movies.
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O P Nayyar had taken the Bollywood music world by storm in 1950s.He dominated the Bollywood music scene in the late 1950s the way R D Burman would later dominate in 1970s. If Kishore Kumar was the singer who helped the domination of R D Burman in 1970s, then it was Asha Bhonsle who played a similar role in O P Nayyar’s dominance.
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In 1940s and 1950s, Bollywood music was undergoing a period of transition. New kinds of music were being introduced. One was the introduction of folk music from different parts of India. Another was a mixture of such folk music with classical music.
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