Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Feelings of heart’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

We have been discussing in this blog scores of songs from lesser known films which are gems but lost out soon after those films failed miserably at the box office. A few among those films even failed to get released. Surely, the producers and financiers of these films must have lost the money they invested. But in the event, the performances of other artists associated with such films went unnoticed. Music Director Vinod was one of such artists who despite the phenomenal success of the film ‘Ek Thhi Ladki’ (1949), could not sustain the success for long as most of his subsequent films did not fare well at the box office despite having melodious songs composed by him for those films. Those songs went out of circulation and faded as quickly as the respective films. Thanks to internet, we now have access to those gems to be shared with the lovers of old Hindi film songs.
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Today (13 january 2013) is the 87th birth anniversary of Shakti Samanta (13 january 1926- 9 april 2009). Some of the most memorable Hindi movies in 1960s and 1970s were Shakti Films production. Movies like “Howrah Bridge” (1958), “China Town” (1961), “Kashmir Ki Kali” (1964), “An Evening in Paris” (1967), “Kati Patang” (1970), “Amar Prem” (1971) were Shakti Samanta’s movies.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In K L Saigal’s films, the songs sung by most of other singers remained on the periphery as compared to his magic spelled songs. Even on Radio Ceylon’s programme on old film songs which used to be broadcasted between 7.30-8.00 a.m. in olden days, I rarely heard songs of other singers in K L Saigal’s films while K L Saigal’s song used to be the final song of the programme. Take for example songs of ‘My Sister’ (1944). There are at least two beautiful solo songs sung by Utpala Sen but as compared with Saigal’s four songs which were hugely popular in my younger days, I had not heard any of her songs from this film until I bought one 78 RPM gramophone record in early 70s on which one side of the record had ‘jal jaane do is duniya ko’. I heard her other song from the film only last year.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Sachin Dev Burman started his musical career as a singer-composer, mainly of non-filmy songs in the 1930s in Calcutta (Kolkatta). After joining the Hindi film industry as a music director in 1946, he sang very few songs in Hindi films and that too only those composed by himself. So I was under the impression that he did not sing any songs in Hindi films under the baton of other music directors. I was wrong in my impression as I found a few days that he sang such songs way back in the beginning of his career. As early as 1941, he had rendered a song for a Hindi film under the music direction of Madhulal Damodar Master. This song happened to be his debut song for Hindi films.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

MAN KI JEET (1944) was produced and directed by W Z Ahmed under the banner of Shalimar Pictures owned by him. Shyam and Nina were in the lead roles. The story of the film was said to be based on Thomas Hardy’s novel ‘Tess of the D’urbervilles’. One of the most popular songs from this film nagri meri kab tak yoon hi barbaad rahegi has been discussed in this blog.
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This article is written by Sadanand Kamath, fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the decades of 30s and 40s, some of the female singers made it to Hindi films as actors thanks to their ability to sing well. It would appear that in those days, it was more of the singing ability than the acting skills which was the deciding factors for the film producers to pick up the female actors. Some of the prominent singing female actors of that period were Khursheed Bano, Noor Jehan, Kanan Bala, Shanta Apte, Suraiya, Amirbai Karnataki, Rajkumari etc.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog

The Voice of Mukesh #10
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The first five years of Mukesh’s career, from 1941 to 1945 were sketchy, and not very productive. The available records show that he sang 14 songs in six films during these five years. His singing did not capture much attention, and Mukesh was a discouraged man, contemplating to leave Bombay and return home to Delhi. But then in 1945, ‘Pehli Nazar’ happened, under the baton of Anil Biswas. And after the release of ‘Pehli Nazar’, Mukesh’s career was on the up and up.
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