Archive for the ‘Ghazal’ Category
Yoon na reh reh kar hamen tarsaaiye
Posted on: June 16, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
A ‘raagini’ coming alive – that would be an experience worth paying for with everything in life, including life itself. Imagine the circumstance – a private ‘sangeet sabha’ – musical congregation. The singer singing at the request of and in the honor of his spiritual guru. He renders Raag Jaunpuri, with such intense affection – and after some time a moment comes to pass where the entire gathering is transported into a magical surrealism, and the people present actually envision a very beautiful lady bedecked in fine jewellery and attire, slowly ambling amongst them. It is not an individual experience, but a vision perceived by many who were present. A worried guru motions the singer to slow down, and fade away the singing. But the vision persists. Eventually, the guru directs the singer to render Raag Bhairavi, and slowly the apparition fades away.
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Bahut purdard hai ae sunanewaalon
Posted on: June 2, 2012
This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
This movie “Birha ki Raat” (1950) had Dev Anand and Nargis playing lead roles, which is a rare occurance. Video links are not available on youtube for the songs of this film, so we make do with only the audio links. Only one song, a duet by Rafi-Lata is posted in the blog so far. When I heard this Rafi solo “bahut purdard hai ae sunnewaalon daastan meri” for the first time, it touched me. Then on second hearing I found it to be a very endearing ghazal.
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Shama par jalke bhi parwaana
Posted on: May 26, 2012
This article is written by Shekher Gupta, a fellow enthusiast of Hindi movie music and a new contributor to this blog.
Without detracting one bit from her merit, capability and musico-longevity, I have to admit that I am not a fan of Asha Bhosle in the same manner as I am of Lataji. That said, there are quite a few of Ashaji’s evergreens – some of them lesser known than her racy raunchy numbers – which touch me more or less the same as some of Lataji’s best.
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Tasweer teri dil mera behla na sakegi
Posted on: May 9, 2012
Talat Mehmood is today mainly known for the songs that he sang in Hindi movies. But he began his career as a non film singer. He had gone to Calcutta in late 1930s when he was still a teenager and he began to create waves there with his ghazals.
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“Pyaar Ki Raahen”(1959) is an obsure movie which was a Thakur Pictures Production. It was directed by Lekhraj Bhakri. The movie had Pradeep Kumar, Anita Guha, Pran, Kuldeep Kaur,Helen, Sunder, Tiwari, Om Prakash, Jeevan, etc in it.
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Dil shaam se doobaa jaata hai
Posted on: April 14, 2012
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
When one would sit down to list and compile a gold collection of Asha Bhonsle, this ghazal is a ‘must have’ in such a compilation. It is a short ghazal, by many standards. Just three verses, but the words are like sharp stilettos of passion that twist and wrench inside the heart. The composition is fairly simple yet emphatic, and the rendition that sounds apparently casual to start with, carries the words with a resounding conviction – almost a categorical statement of resignation to the wiles of fate. There is a compelling question that the singing voice asks at the end of each verse, and one is forced to absorb and contemplate and empathize and feel the restless, and yet a resigned passion that dominates this poetic expression. What a creation this one is !
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
Khursheed Bano ( 14/04/1914 – 18/04/2001), the singer of immortal songs such as “panchhi baawara chaand se preet lagaaye” , “ghataa ghanghor ghor” , “jiske milne ki tamanna thhi wo pyaara mil gayaa” was born as Irshad Begum near Lahore on April 14, 1914. She became an actor at a time when the era of silent movie was about to end. In the advent of talkie films when actors had to sing their own songs, she had to learn singing in furtherance of her acting career. In one of her interviews, she said that it was because of the painstaking efforts by music directors of that time that some of the actors like her could improve their singing skills.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
‘Ghazab kiyaa tere waade pe aitbaar kiyaa’ is a famous ghazal written by Daagh Dehlvi. Ever since I heard this ghazal sung by Mohammed Rafi for the first time in late 60s, I am spellbound by his rendition. In fact, I scouted for a gramophone record in 78 rpm of this song in early 70s and I was able to get a brand new record. I must have played this record many times and now I can tell which points Mohammed Rafi takes a momentary pause while singing this ghazal. This non-filmy ghazal was set to music by Khayyam. This ghazal has also been sung by many well known singers of thesub-continent such as Mehdi Hasan, Pankaj Udhas, Mallika Pukhraj, Farida Khanumand many more. With due respect to all these singers who are numero uno in their own rights, I still prefer to listen to Mohammed Rafi’s version.
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Na tum mere na dil mera
Posted on: March 4, 2012
Kamla Jharia is one of the earliest,biggest and most respected names among singers in the world of Hindi NFS.
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Zindagi jab bhi tere bazm mein
Posted on: March 1, 2012
“Umrao Jaan” (1981) is a treasure of some of the finest ghazals that have been created in Hindi movies. Most of these songs are sung by Asha Bhonsle in the movie, but there are songs in other voices too in this movie.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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