Archive for the ‘Guest posts’ Category
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Recently, I came to know of a film called AAYI PHIR SE BAHAAR (1960) for the first time when I heard a song from this film on a clip of songs from Radio Ceylon programme uploaded on YT. After a few google searches, I came to know the reason why this was an obscure film. It was a dubbed Hindi film of a Tamil film ‘Raja Rani’ (1956) with Hindi songs replacing Tamil songs. The Hindi version had Vedpal Verma as the music director. Since all the songs in Hindi were composed on the original tunes of Tamil songs, one can say that Vedpal Verma was more of a music arranger for the Hindi version songs than the music director.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
We return to the ‘ Melody yatra of the 50s ‘ with yet another song from film Nadaan-51. This film was made by M and T Films, Bombay. Directed by Heera Singh, it was produced by S R Bhattacharya. The Chic Chocolate was the music director. In the credits of the film it was mentioned that the music was given under the “supervision” of C.Ramchandra. The cast of the film was Madhubala, Dev Anand,Mubarak, Madan Puri, Manmohan krishna, Sunalini Devi etc etc.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Though I was born in a non Hindi speaking family and grew up in a Non Hindi speaking region, I was enrolled into a Hindi medium High school by my idealist father. There were many students from Uttar Pradesh and Bihar in the school whose parents were settled in Mumbai (then Bombay). Naturally, we spoke to each other in Hindi. But when they would talk among themselves, they would speak in languages that sounded somewhat different from Hindi. It was at that time that I came to know about the many dialects of Hindi such as Bhojpuri and Awadhi, Brijbhaasha, Maithili Magadhi etc.
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- In: Devnagri script lyrics by Avinash Scrapwala | Duet | Feelings of heart | Guest posts | Kishore Kumar songs | Kishore Kumar-Lata duet | Lata song | Lyrics contributed by readers | Post by Avinash Scrapwala | Regulars' meet at Bangalore | Songs of 1970s (1971 to 1980) | Songs of 1977 | Yearwise breakup of songs
- 3 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 46 #
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This post will finally bring the ‘curtains down’ on the recent ‘Banglore – Gang out’ series. The memories of this ‘gang-out’ (and for me – of the visit to Bangalore) will remain with us forever though.
The post has been delayed, first for uploading of the image and then due to other occasional posts. It is now exactly a month for the gang out and already a new gang-out to be held at Mumbai is being eagerly looked forward to by regulars. Let us enjoy the memories of the Bangalaore gangout till then.
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Dil aashna hai jigar aashna hai
Posted on: November 2, 2016
- In: Background song | Duet | expression of love | Feelings of heart | Guest posts | Multiple version song | Post by Peevesie's mom | Sadhna Sargam Solo Songs | Sadhna Sargam Songs | Songs of 1990s (1991 to 2000) | Songs of 1992 | Suresh Wadkar songs | Suresh Wadkar-Sadhana Sargam duet | Theme song | Title song | Yearwise breakup of songs
- 2 Comments
This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo to all in Atuldom
A very belated Happy Diwali to all those who I missed to wish. Hope it was sweet and well lit for all. We are into the new Samvat and here is the first birthday.
We all know this birthday boy as a winner of 14 filmfare awards. He has a significant fan following in Asia and among the Indian Diasporas across the globe. He is one who dared to pick villainous roles early on in his career –something like say Vinod Khanna or Shatrughan Sinha of the previous generation. He is the pet of the film maker who is considered the king of romantic films in the current era. His paternal grandfather was a Pathan and the family moved to India post 1948. He grew up in Delhi and was educated from schools and colleges there but his road to fame and fortune began when he joined the Theatre Action Group and was mentored by Barry John. Oh yes I am speaking of Badshah alias Raj (naam toh suna hoga?) alias Rahul alias Shahrukh Kkkkhan –like the way he said KKKKiran in one of his early movies.
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Har shai pe jawaani hai
Posted on: November 2, 2016
This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Lata’s Songs NOT YET covered on our Blog – 14
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After that beautiful duet by Lata and Durrani from 1948 film Heer Ranjha, the next Lata’s Song NOT YET covered on our Blog is a song from 1948 film ‘Mandir’. I have tried to get that song from all the sources that I know of, and I am now not very much hopeful to get it. The next song in the line is from the 1948 Film ‘Majboor’.
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Ye husn mera ye ishq tera
Posted on: November 1, 2016
This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
There is one genre of songs that always has me hooked to it. And that is the qawwali.
I don’t know what exactly it is about the qawwali that has me so – I don’t think it is just one thing. Not just the music, or the lyrics, or the synchronized “clapping”, or the setting – I think it is all of these. The entire package, that fascinates me.
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Aankhon mein chitchor samaaye
Posted on: November 1, 2016
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
I am writing this article only because I felt that the song which I listened to today after a gap of over 45 years deserves to be represented in the Blog. In fact, I am wondering how this song escaped my attention for this long. I am equally surprised at the fact that this song has managed to stay un discussed in the Blog till now.
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- In: Biography of artists | Biography of Directors | Biography of Music Directors | Devnagri script lyrics by Sudhir | Ghazal | Guest posts | Lyrics contributed by readers | Poignant Song | Post by Sadanand Kamath | Rare song | sad song | Songs of 1940s (1941 to 1950) | Songs of 1948 | Sulochana Kadam solo | Sulochana Kadam songs | Yearwise breakup of songs
- 5 Comments
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The runaway success of musical films like ‘Khazaanchi’ (1941), ‘Basant’ (1942), ‘Kismet’ (1943), ‘Tansen’ (1943) and ‘Rattan’ (1944) seem to have attracted, many new music directors to join the Hindi film industry in the 1940s. But only a few of them could climb the ladder of success to reach among the top music directors and elongate their successful musical carrier in the 1950s and beyond. Most of new music directors vanished into thin air after composing songs for very few films.
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Jai Jai note hare
Posted on: October 31, 2016
This article is written by Gajendra Khanna, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
There are many movies which come and disappear becoming forgotten over time. It is such movies that take time to make their debuts on our blog. This movie “Kaun Hai Woh?” (1983) is one such movie. Its songs are not available on YouTube. Its artists are no longer in the limelight and the movies songs lie in the dust with some collectors.
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