Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lyrics contributed by readers’ Category


“Aurat”(1953) was produced by Munshi Ram Verma and directed by Bhagwandas Verma under the banner of Verma Films. The movie had Premnath, Bina Rai, Purnima, Ullhas, Hiralal, Roopmala, Nazirabai, Mirabai, Devkishan, Mirza, S. Pratap, Shanta Patel, Nazir Kashmiri, Rajkishore etc in it.
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“Chandan Ka Palna” (1967) was an Aarzoo Films Production. It was directed by Ismail Mohan. The movie had Dharmendra, Meena Kumari, Mehmood, Bipin Gupta, Durga Khote, Meena Kumari, Dhumal, Mukri, Mumtaz, Nazir Hussain, Asit Sen etc in it.
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“Mohabbat Zindagi Hai” (1966) was Produced by K C Gulati for the banner of Roop Chhaaya. Jagdish Nirula was the director of this movie. The movie had Dharmendra, Rajashree, Chand Usmani, Madhavi Mehmood, Nazir Hussain, Deven Verma, Badri Prasad, Sunder, Manmohan, Madhavi, Kundan, Keshav Rana, Parasram, Kirti, Raj Dewan, Deenanath, Johnny Whisky, Prabhu, Neelam, Gitanjali, Sujata, Thelma D`souza, Neeta Sinha, Krishna Duggal, Samina, Subhash, Kumar Anand, Sweety Dutt, Anita etc in it.
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When I began to follow movies in my younger days then at that time Rajesh Khanna was everyone’s favourite actor. Actors of the previous generation, viz Dilip Kumar, Raj Kapoor and Dev Anand were considered as passe, especially by someone like me. I regarded Dev Anand as an old man trying to act as a youngster in his movies instead of acting in roles befitting his age.
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“Mahal” (1949) was a Bombay Talkies production. This movie was directed by Kamal Amrohi who was making his debut as a director in this movie. This movie was the first Hindi suspense movie and it was made in an extremely professional manner. When the movie begins and credits roll on the screen against the backdrop of a spooky looking mansion (Mahal) and accompanied by suspenseful background music, each and every name that appears on the screen turns out to be legendary name, be they actors or background personnel. For example, choreography of dances in this movie was done by Pt Lachchu Maharaj, while the cinematographer of this movie was Josef Wirsching.
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I tend to liken the journey of this blog to a train. But nowadays I find the comparison less appropriate because a train stops at intermediate stations for a while whereas we in this blog do not stop at any of the milestones and keep going along, though we may sometimes become somewhat slower than usual for various reasons. So that way, I find the comparison of this blog with a road journey somewhat more appropriate where one need not stop anywhere, and one can see milestones going past at high speed.
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