Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lyrics contributed by readers’ Category


“Pyaar Ki Pyaas” (1961) was a Anupam Chitra Production. It was produced by Pt Mukhram Sharma and Mahesh Kaul. Pt Mukhram Sharma wrote the story and Mahesh Kaul directed the movie. The movie had Manmohan Krishna, Nishi Kohli, Shrikant, Honey Irani, David Abraham, Manorama, Yashodhara Katju, Lal Bahadur, Gopi Krishna, Kamal Mehra, Indira Bansal, Dulari, Kathana, Hayat, Taneja etc.
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“Samundar” (1957) was a P N Films production where P N Stood for Premnath. The movie was produced and directed by Premnath. It was quite an all family affair in the sense that Premnath, Bina Rai (his wife), Rajendranath (his brother) figuring in the movie. Others in the cast were Nishi, Tuntun, Anmol Krishan, Ram Avtar, Ullas, Heeralal, Sundar, Ridkoo, Paul Sharma, Rajan Kapoor, Habeeb, Azeem, Mahesh, Manohar, Niranjan etc.
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Hindi movie makers have helped create some long lasting myths that most movie watchers tend to believe firmly by now. For instance, one of the myths created by Hindi movies is that Daakus in India ride horses. If Daakus could really afford horses, then why would they need to become daakus in the first place ? This is a rhetorical question that one real daaku had asked, when a movie reporter asked him about his horses.
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When I was growing up in 1970s then I had propounded a theory about the actors and movie makers of Hindi movies. My thoery was that the movie makers needed to take the movie going janta for a ride by serving them fare that they liked. In cruder terms, movie going public had to be fooled into partonising their movies. And the movie makers needed to be on their toes because it was obviously not possible to keep serving them the same fare.
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Watching old Hindi movies (and its songs) is a good way to look back at the past and see how things were back then. Another way of looking back at the past is by going through the publications of those days.

I recall that I was an avid reader of books in my younger days, viz 1970s. I would read each and every book, whether they were meant for kids or grown ups. In addition to being an avid reader, I was an avid collectors of children’s magazines in Hindi. The children’s magazines in Hindi those days used to be “Bal Bhatri”, “Nandan”,”Champak”,”Parag”, “Lotpot”, Chandamama”, “Indrajaal Comics” etc. You name the children’s magazines and I collected them. I not only collected them, I catalogued them systematically too. They were my prized possessions. I would not be averse to get hold of magazines not in my collection, but I would be quite reluctatnt to lend my magazines to others, because the likelihood of the borrower returning the book were remote in most cases. One needed to pester the borrower hard, sometimes by visiting his home, before one could get your book back.
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“Hum Paanch” (1980) was a S K Films Enterprises production. It was produced by Surinder Kapoor and directed by Bapu. The movie had an impressive cast consisting of Sanjeev Kumar, Kanhaiyyalal, Naseeruddin Shah, Mithun Chakraborty, Raj Babbar, Geeta Siddharth, Shabana Azmi, Uday Chandra,Deepti Naval, Gulshan Grover, Amrish Puri, Aruna Irani, A.K.Hangal, Roopesh Kumar, Sunder, C.S.Dubey, Harjeet, Dulari, Ranjeet Sood, Komal Soni, Gurbachan, Sunita, Dev Sharma, Suman, Meghdoot, Yasmin, Vinod, Jamboora, Aditya Sharma, Jugal Kishore, Amir Ali, Yusuf, Raju, C.L.Shah, Kalpana Iyer, Leena Das, Phiroza Cooper, Sujata Bakshi etc.
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“Laal Kothi” (1978) was a movie produced by Tollywood, as the Bangla movie industry is known. The movie was produced in Bangla and Hindi both. Most of the actors were from the Bangla film industry and/or those conversant with Bangla. This movie, produced under the banner of Peacock Films was produced by Ashis Roy. It was directed by Kanak Mukherji and Mohinder Batra. The starcast had Tanuja, Ranjit Mullick, Danny Denzongpa, Utpal Dutt, Anil Dhawan, Tarun Kumar, Master Partha Mukherjee, Swaraj Chatterjee, Arun, Ranjan Mukherjee, Gupte etc.
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“Aplam Chaplam” (1961) is a movie about which very little is known. Fortunately we can count on our beloved inhouse encyclopaedia Mr Arunkumar Deshmukh to provide us all the details about such obscure movies. Here is what he has to say about “Aplam Chaplam” (1961):-
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In old Hindi movies, especially those of 1950s and 1960s, we often see songs picturised on “Taanga”, also called “Tonga”, not to be confused with a country of this name. 🙂

“Taanga” was actually a mode of public transport in India those days. With time, Taanga has all but vanished as a mode of public transport in India. But they have not become extinct. One can still find them in some small towns of India. I have noticed them in small places in Madhya Pradesh, Chattisgarh etc. In fact, one can see them in Fatehpur Sikri near Agra in UP. I recall that we (I, my wife and daughter) actually rode on a Taanga to go to Fatehpur Sikri a few years ago.
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