Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lyrics contributed by readers’ Category


“Raftaar” (1975) was a movie that was not quite A grade, nor it was an entirely B grade movie. In 1970s, such movies, which were neither here nor there tended to have Vinod Mehra and Mausami Chatterji in them as the lead pair. Put another way, they were poor producer’s Dharmendra-Hema Malini.
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“Sargam” (1950) was a Filmistan production. It was directed by P L Santoshi and the starcast included names like Raj Kapoor, Rehana, Om Prakash, Mumtaz Ali, Paro, Ratan Kumar, Chandabai, Rajendra, David Abraham, Tabassum, Radha Krishnan, Samson, Vijayalaxmi, Ramsingh, S. L. Puri, Sudesh etc.
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I am aware of the movie “Laila Majnu” (1976) but I was not aware that a movie called “Daastaan e Laila Majnu” was released two years prior to that. This movie, viz. “Daastaan e Laila Majnu” (1974) was obviously a B grade movie.It was produced and directed by R L Desai. Starcast of the movie included names like Kanwaljeet, Anamika, B. M. Vyas, Dulari, Jayshree T., S. N. Tripathi, K. N. Singh, etc.
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“Sansaar” (1951) was a Gemini Pictures Production. This movie was a remake of their own Tamil and Telugu movies, both called “Samsaaram”. “Sansaar”(1951) was directed by S S Vasan and the starcast consisted of Ishwarlal, M. K. Radha, Vanaja, Mohana, Agha, Meera, J. S. Kashyap, Anil Kumar, Kalla, Ratnappa, Pushpavalli, Swaraj, David Abraham. From the cast, it is seen that most characters of the original South Indian language movie were used in the Hindi version too.
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In our personal lives, we remember various important dates viz bithdays, anniversaries etc of our near and dear ones and greet them on the occasion. Hindi movie personality whom we discuss in this blog also seem like family to us and we discuss them on this blog on important days.
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“Nikaah” (1982) was a movie which was produced and directed by B R Chopra. The movie had Raj Babbar, Salma Agha, Deepak Parashar, Asrani etc in it. Those were the days when Indians regarded “phoren” stuff and people as objects of great curiosity value, even if “phoren” only meant neighbours. Thus Pakistani and Bangladeshi artists were welcomed with open arms in Hindi movies. Runa Laila, Salma Agha, Nazia Hasan were some of the artists who benefitted as a result.
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