Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rare song’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

I am aware that Begum Para and Paro Devi are two different actresses. There is no same name confusion. Yet momentarily, I tend to get confused with the names of these two actresses. If someone to ask me as to which one of these two actresses was in the film ‘Neel Kamal’ (1947), I may have to think for a while before giving the correct answer, that is Begum Para.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Internet allows us to share information as never before in history. Internet, if used properly and with care has the potential to add tremendously to our knowledge base. At the same time, we must guard against incorrect information that often gets spread on internet.

Coming to HFM, the subject of interest to us, a vast ocean of HFM is publicly available for us to enjoy. Thanks to HFM, we also know about the songs that we are missing.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

What is the main feature in three sets of songs given below?
1(i). do dilon ko ek dil milaakar banaana yaad hai – Kamala (1946)

(ii). kat rahi hai bekasi mein har ghadi tere baghair – Deewaani (1947)

2(i). wo dekho udhar chaand nikla gagan mein – Roopkumari (1956)

(ii). nigaahon mein tum ho khayaalon mein tum ho – Jaadoo Nagri (1961)

(iii). ye tan man watan par nichhawar karenge – Kunwaari (1966)

3(i). aaj mausam ki masti mein gaaye pawan – Banarasi Thug (1962)

(ii). ek chameli ke mandve tale – Cha Cha Cha (1964)
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Aastik”(1956) was produced by Gordhan Das Kakkad and directed by S P Kalla for Rani Productions, Bombay. The movie had shahu Modak, Paro, Meenakshi, B M Vyas, Nagpal, Anand Joshi, Pravil Paul, Lotan, Ramesh, Micky, Dinanath, M S Phatak, Naazi, Shaanti, Mithailal, Master Dabboo, Master Babu etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Shaan e Haatim”(1958) was a produced by Moghabhai Desai and directed by Nanubhai Vakil for Desai Films, Bombay. The movie had Chitra, Daljit, Mehmood, Naazi, Hiralal, Tuntun, Meena, Sushil Kumar, Kanchanmala, Kesri, Wazeer Muhammad Khan, Sadiq, Anwari, Burhan, Savitri, Shashimala etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Why am I producing REHANA (1946)?

This was the heading of a full page advertisement issued by the producer G A Thakur, the owner of Girdhar Bahar Productions in October 1945 issue of ‘Filmindia’ magazine. He was announcing his intention of producing ‘Rehana’ (1946), the story of which is based on the Middle-East background. I have paraphrased below the reasons given by the producer in the advertisement:
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

TEEN TASVEEREN (1954) seems to be an obscure film that I became aware of for the first time while listening to a song from the film on Radio Ceylon popular programme ‘purani filmon ke sangeet’ uploaded by eraksoldies on YT. The film was produced under the banner of Ashok Studios and it was directed by S S Solanki, probably a one-film director. The actors who worked in the film were Anil, Kishore, Devendra, Neena Makker, Sharda, Munshi Kanjhar, Kumar etc. I had never heard of these actors’ names except Munshi Kanjhar who had also associated with as screen play-dialogue writer in a few films.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

For the last few days, I have been listening to songs of Dilshad Begum, a name I came to know only a couple of months back while searching for some rare songs of the 40s. In my view, her renditions are different from what I have been used to hear the songs from Lahore-based female singers. I found her voice to be the  softer than those of her contemporary singers like Zohrabai Ambalewaali, Shamshad Begum and Zeenat Begum. Who is Dilshad Begum?
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

All numbers are unique unto themselves – inasmuch as each number has its own claim to fame just by being what it is. And but for the imagination and fancies applied by our minds, which at times picks on certain characteristics and binds some special stature to some of them, all these numbers would be as interesting, or for that matter disinteresting, as any other number. Let me quote the instance of a number that has now become famous as the ‘Hardy – Ramanujan Number’. This anecdote is attributed to a conversation in or about 1919 (wow, ninety seven years ago), that happened in London. Indian mathematician Srinivas Ramanujan, who was based in London for some time, was ill and confined to his bed at his residence. His friend, Godfrey Hardy, another mathematician (who had invited and arranged for Ramanujan’s travel etc. to London), came visiting him. The initial conversation was about Hardy’s journey to see Ramanujan. He mentioned off hand that the number of the taxicab in which he had travelled, was 1729 – for all intents a most uninteresting and boring number. To this comment, Ramanujan replied that ‘1729’ was a very special number. In fact it is the smallest number that can be represented as the sum of two cubes, in two different ways. (I am avoiding the calculation details; interested readers can google this for more details).
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

OONCHI HAVELI (1955) was produced under the banner of Sharad Productions and it was directed by Dhirubhai Desai. The star cast included Karan Diwan, Nirupa Roy, Lalita Pawar, B M Vyas, Yashodara Katju, Bhagwan, Janakidas, Indira Bansal, Heera Sawant, Niranjan Sharma etc. The film appears to be an obscure one as no other details are available. From the title of the film as well as a few still photographs of the scenes from the film, the story looks to be about the conflict between a royal family and a commoner.
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