Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Wedding song’ Category


This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6358 Post No. : 19715

A R Rahman – The Musician of 21st Century – 9

This is a group song from the film ‘Saathiya” (2002), written by Gulzar. The singers are Richa Sharma, Mahalakshmi Iyer and Vaishali Shoma. Recently another song from this film is posted as post no. 7 of the series.

The lyrics of “Chhalka chhalka re” were waiting in drafts for some days now. But I thought will post the wedding songs later, exactly what is the reason for the other song going before this is the Sonu Nigam factor and the natural scenery plus the colourful. Also, once the words registered, they just had to be dissected for what they said and meant.

The star cast here is Rani Mukherji, Vivek Oberoi, Tanuja, Satish Shah, Sharat Saxena, Swaroop Sampat, Virendra Saxena, Sandhya Mridul etc. Most of these actors are visible in the song, except for Satish Shah. Rani Mukherji’s cousin is getting married, and Vivek Oberoi is part of the baraat as the groom’s friend.

This film was the Hindi remake of the hit Tamil film “Alaipayuthey” (2000), directed by Mani Ratnam. All A.R. Rahman compositions from the original film were reused in this film, except for “Naina Milaay Ke” and “Mainda Yaar Mila De Saaiyan”, which were new compositions.

The bride’s emotions in the tears flowing from her eyes, are stated as ‘Chhalka Chhalka re kalsi ka paani”. Different way of expression, as are some other terms in the song.

In the middle of the song, in between the playful antics between the bridal party and groom’s friends, Vivek Oberoi is trying to find out Rani Mukherji’s name. He bumps into the father and asks him for Rani’s name. The father says “Ladke, baaraat mein aaye ho warna tumko paraat mein daal ke goondh detaa”. I have never heard such threats.

Years ago, when my son was young, once he watched me making the dough. He was standing beside me watching with fascination. I still remember him saying “aata akela hogayaa”. I said “akelaa nahin ek ho gayaa”. Different way of seeing and understanding. The flour is, we don’t know comes from which wheat, from which field and here it comes to us in the flour form. We mix it with water, and it becomes one, several lakh different seeds. Only to get separated / divided and cooked in different chapatis.

Great, this Gulzariology is adversely affecting me, 😊.

It is another one of critically acclaimed songs by A. R. Rehman.

Audio :

Video :

Song-Chhalkaa chhalkaa re (Saathhiya)(2002) Singers-Richa Sharma, Mahalakshmi Iyer, Vaishali Samant, Shoma Bannerjee, Lyricist-Gulzar, MD-A R Rahman

Lyrics:

Dum dum dumak
Dam dam damak
Dum dum dumak dam dum
dum dum dumak
dam dam damak
dum dum dumak dam dum

ae dum dum dam dam
damak dum dum
dum dum dum dumak
dum dum dum
hey

dam dam dam dam dam
dam dam dam dam dam
damak dam dam damak
dam dam damak
dam dam damak
dam dam
dam dam dam dam dam
dam dam dam
dam dam dam dam dam
dam dam dam dam damak
dam dam damak
dam dam damak
dam dam damak
dam dam dam

Chhalka
chhalka re
kalsee ka paanee
chhalka
chhalka re
oo aankh na maanee
chhalka
chhalka re
kalsee ka paanee
chhalka
chhalka re
ho aankh na maanee
maiyya boley jaana naheen
bhaiyya kabhee maana Naheen
baabul boley
bas ek din kal kaa
chhalka
gudda boley jaana Naheen
guddee boley jaana naheen
sakhee boley
bas ik din kal kaa
chhalka
chhalka re
kalsee ka paanee
chhalka
chhalka re
oo aankh na maanee
chhalka
chhalkaa re
kalsee ka paanee
chhalka
chhalka re
ho aankh na maanee

bhole bhole pairon se chalee
chalee re
baabu teree chhotee thhee galee ee
ee eeee eeee
aaaa aa aaa aaa
beete mere peechhe reh gaye
reh gaye
paakhiyon ke neeche reh gaye
gaiyya meree pyaasee reh gayee
reh gayee eeeeee
reh gayee
reh gayee
reh gayee eeee
Tuslee waalee baatee reh gayee
reh gayee
chulha main jalaatee reh gayee
ee eeee
chhalka chhalka re
kalsee ka paanee
chhalka
chhalka re
ho aankh na maanee
maiyya bole jaana nahin
bhaiyya kabhee maana Nahin
baabul boley bas ek din kal kaa
chhalka
kaakaaa boley jaana nahin
jogee bole jaana Nahin
karta(?) bole
ik din aur kal kaa
chhalkaa aa aa aa

baabulaa
chhodaa tera angnaaraa aa aa
angnaaraa angnaaraa
ho chhodaa tera angnaaraa
chhoda tera andnaara
angnaaraa angnaaraa
ho chhodaa tera angnaaraa
chhodaa tera angnaaraa
angnaaraa angnaaraa
ho chhodaa tera angnaaraa
angnaaraa
angnaaraa
chhodaa tera angnaaraa
chhodaa tera angnaaraa

ab ke jo ghar aayegee
aayegee
heere walaa chhalla laayiyo
aa aa aa aa
aaaaa aaaaa
godee mein khilaaye sakhiyaan
godee mein khilaaye sakhiyaan
sakhiyaan
nanha munha lalla laiyyo
ab ke jo saawan aayegaa
ab ke ae ae ae
ab ke
ab ke
ab ke ae ae
doosree bidaayee dolegee
dolegee ee
piya kee judaayee bolegee eee
chhalka
chhalka re
kalsee ka paanee
chhalka re
kalsee ka paanee
chhalka
chhalka re
o aankh na maanee
chhalka
chhalka re
oo aankh na maanee
chhalka
chhalka re
kalsee ka paanee
chhalka
chhalka re
kalsee ka paanee
chhalka
chhalka re
oo aankh na maanee


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6330 Post No. : 19604

Today’s song is from the film Bhakta Dhruva-1947.

It was a film by Prakash Pictures, which had become famous for religious films, after their blockbuster film Ram Rajya-1943. The film Bhakta Dhruva-1947 was directed by Shanti Kumar and the music was by the veteran Shankar Rao Vyas, who tuned the lyrics by Pt. Indra and Moti, B.A. ( he was actually M.A.).
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6315 Post No. : 19553

Today’s song is from the film Aahuti-1950.

This unknown film was made by Sansar Movietone, Bombay. Produced by L.Shankar, it was directed by Kulbhushan. The story, screenplay and the dialogues were by a team of H.C.Jaiswal, G.Saran and L.Shankar. The music for the 12 songs of the film was given by D.C.Dutt. There is not much information available about D.C.Dutta, not even what the initials D.C. stand for.

All of us know that Lata Mangeshkar had to struggle very hard in her initial attempts to get into Playback singing in Hindi films. In her early struggle, 3 Duttas helped her. The first was of course Datta Davjekar who gave her the first opportunity to sing a Playback song for his film Aapki sewa mein-1947. The second was K.Datta or Datta Korgaonkar, who, after his favourite singer Noorjehan left India, took Lata under his wings and gave her songs. The third Dutta was this-D.C.Dutt. No information is available about him whatsoever, except what is printed in HFGK and its duplication in Pankaj Raag’s book “Dhunon ki Yatra”. Thanks to this, we know that his debut was through the film Sona Chandi-1946. Out of 12 songs of the film, only two were his and one of them was by Lata Mangeshkar.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6252 Post No. : 19337 Movie Count :

5123

‘Baat Ban Jaaye’ (1986) was produced by Anil Hanspal and Nitin Manmohan which was directed by Bharat Rungachary. The cast included Sanjeev Kumar, Zeenat Aman, Utpal Dutt, Mithun Chakraborty, Raj Babbar, Amol Palekar, Aruna Irani, Jalal Agha, Shakti Kapoor, Adi Irani, Imtiaz Khan, Jagdeep, Prema Narayan, Viju Khote etc. The film belongs to the family comedy genre. It was the first film for Nitin Manmohan (son of actor, Manmohan) as a producer and second film as a director for Bharat Rungachary. Sanjeev Kumar passed away before the release of the film. However, he had completed all his work for the film.

The credit title of the film did not mention the names of the actors. Probably director felt that that since each actor in the film had his share of comedy, to present the film as a collective efforts of the entire cast in creating a family comedy film rather than showcasing the individual actors by mentioning their names. Incidentally, Sanjeev Kumar, Amol Palekar, Raj Babbar and Mithun Chakraborty were in the role of the prospective bridegrooms for the wealthy businesswoman, Zeenat Aman in the film.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6245 Post No. : 19315 Movie Count :

5119

‘Rachna’ (1983) was produced by Girdhar Bhatia and Pravin Paul and was directed by Satish who also wrote story and screenplay. The cast included Anil Kapoor and Beena in lead roles supported by Deepak Shankar (debutant), Pravin Paul, Nazir Hussain, Shivraj, Birbal, Lalita Kumari, Indira Bansal, Tabassum, Gufi Paintal, Savita Bajaj with the friendly appearances of Iftekhar, Chandrashekhar, Shammi, Asit Sen, Keshto Mukherjee and Jagdeep. It was Anil Kapoor’s first released film in a lead role though he had signed first for a lead role in ‘Kahan Kahan Se Guzar Gaya’ (1986) which had a delayed release. This was the only lead role Beena had performed in her entire Hindi film career. Incidentally, in ‘Lovers’ (1983) which was released in the same year, Beena had played the role of the mother to Kumar Gaurav.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6245 Post No. : 19313

Today’s song is from the ” Kam sune – Unsune ” film Pensioner-1954.

When you say that ‘Colgate is No. 1 Toothpaste’, it does not mean that everyone in India uses Colgate. It only means that the majority of people use Colgate and hence it is called No. 1 toothpaste. The decade of the 1950s was known as’ The Golden Era of Film Music’. It did not mean that there were no films with mediocre or poor music. It only means maximum films had wonderful music. In this decade there were few – only few – films whose music was not famous, for whatever reasons. Today’s film was one such film.

In the war period from 1939 to 1945, the British Government in India had coaxed the filmmakers to make films which would help the war efforts. These were called ‘ Propaganda Films’ and the Government gave special subsidies and other concessions ( like extra quota of Raw Film at control rates) to the producer. During the 1950s the Indian Government wanted to boost the ‘Small Savings’ habit among the citizens. Some films were made upholding this scheme. Today’s film Pensioner-1954 was one such film.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6237 Post No. : 19283

उर्मिले त्रिवार वंदन तुला (Urmile trivaar vandan tulaa) is a Marathi non-film bhajan rendered by Ram Phatak which I used to listen on the radio in my younger days. The meaning of the first line is ‘hey Urmila, my thrice salute to you’. The salutation by the poet is because she was an unsung character in Ramayan. She was the wife of Lakshman and younger sister of Seeta. When Ram was exiled along with Seeta for 14 years, Lakshaman decided to accompany Ram and Seeta to protect them during the exile. Urmila also wanted to join Lakshman. But she was asked by Lakshman to stay back and take care of his aged parents in Ayodhya during their absence. During those 14 years, Urmila is said to have slept continuously so that Lakshman can remain awake to protect Ram and Seeta.

I had forgotten about this Marathi song for a long time. While I was researching on Khayyam for writing a tributary article on the occasion of his 6thth Remembrance Day on August 19, 2025, I realised that his wife, Jagjit Kaur was the ‘Urmila’ in his life who sacrificed her aristocratic life to marry a struggling music director. While the selflessness of Urmila cannot be strictly comparable as Jagjit Kaur and her husband Khayyam spent their life together. But, apart from her aristocratic comfort, she sacrificed her playback singing career after her marriage with Khayyam sometime in 1954 in her own volition as she had said in her interviews. She did not seek playback singing assignments either from her husband or from others. Instead, she decided to assist her husband in whatever manner – either professionally or on the domestic front. She had said in an interview as late as 2019 that she recorded the song under Khayyam only because the scheduled playback singers did not turn up for recording the songs or the producers/directors of the films suggested her name for the songs.
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This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6219 Post No. : 19218

“Achcha Bura”(1972) was directed by Mohammad Hussain for Upkar Productions, Bombay. This “social” movie had Anupama, Dev Dutt, Dev Kumar, N A Ansari, Neelam, Sushma, Tuntun, Meena T, Mohan Choti, Praveen Pal, Sham Kumar, Polson, Shefali, V Gopal, P S Khan, Shammo, Ridku, Baby Yasmeen, Asit Sen, Bela Bose, Madhumati, Rajni etc in it.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6170 Post No. : 19048

Hullo Atuldom

Wishing our in-house Encyclopedia, whom I love to address as GURUJI, otherwise called Shri. Arunkumar Deshmukh a very Happy BirthdayEmojiEmoji. May he continue to enlighten us with his painstakingly researched knowledge about all things connected with Indian Films as a WHOLE. He loves South Indian films as well as Made-In-South films possibly because of having been in Hyderabad in his formative years.

May his zeal to write posts never dim. Posts, that have a definite content, form and buildup leading to the featured film, artists and songs contained in the film. Posts that are not necessarily about the golden oldies or the middle generation films. I like what he says, “it is not necessary that only old songs are melodious, there are good songs in the later decades too”.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6054 Post No. : 18834

Today’s song is from the first film of Nargis as a Hindi film heroine – Taqdeer-1943.

The film was made by Mehboob Khan for his banner, Mehboob productions, Bombay.

In the history of Hindi Cinema, Mehboob Khan’s name would be written prominently as one of the great directors, who rose from scratch to a height attained by few other directors. Mehboob Khan directed 8 films for Sagar, 3 films for National and 11 films for Mehboob productions.
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