Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Yearwise breakup of songs’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mera Dil Jal Rahaa Hai” – a dialogue that is delivered with a measured viciousness, with lancet eyes looking daggers at you, lips pinched and nose screwed, with both hands half raised in a dismissive directive to all and sundry – an utterance of extreme frustration and deepest contempt. This expression and this articulation, is a signature hallmark of the one and only comical-vampish-diabolical mother-in-law cum scheming aunt or sister. Yes, the one and only in her class in the Hindi film world – Erin Issac Daniels.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rare Performances – Things Unique and Unexpected #4
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Poets as singers may not be an uncommon expectation. Poets are known for their singing prowess in mushairas and in kavi sammelans. They are expected to present their verses in ‘tarrannum’. However, not many have ventured into singing in the films. It is quite strange, because they are the one’s who best know the words, their intent, and their meaning. They also have a fair idea about an underlying melody that hides behind the meter and rhyme that they have created. Lyricist DN Madhok was famous for providing a basic ‘dhun’ to the music directors, for every song he wrote. But still, one does not find many singing in the films in their own voice.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Film making had started in India in early 1900s and many enthusiastic lovers of making images were doing a lot of work in this field. By the time the First Talkie Film came in 1931, there were quite a few film producing centres engaged in making silent films, like Bombay, Calcutta, Lahore, Poona, Kolhapur, Bangalore, Madras, Hyderabad etc. However,Bombay, Lahore and Calcutta were the three main centres ones where the bulk of movies were was made. In those days, India was vertically divided into two parts-Calcutta on the Eastern part and Lahore and Bombay on the Western part for Hindi films. Madras,Bangalore and Hyderabad were busy in making southern language films.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mehlon Ke Khwaab” (1960) was directed by Muhafiz Haider for Madhubala Pictures. This movie had Madhubala, Kishore Kumar, Pradeep Kumar,K.N.Singh, Chanchal, Praveen Paul,Om Prakash, Pran, Cuckoo, Sulochana Chatterjee, Leela Chitnis, Ram Avtaar, Anoop Sharma, Khataanaa, Balam, Rashid Khan, Parvin Paul, Haroon, Daraaz, Ravi Kant, Uma Dutt, Satish Batra, Ram Lal, Sham Lal etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is my small tribute to Ustad Amir Khan (15/08/1912 – 13/02/1974) on the occasion of his 40th death anniversary which falls on February 13, 2014. He was the founder of the Indore Gharana though personally he did not like to be associated with any gharanas. He maintained that he belonged to the Hindustani gharana and other gharanas were like its sub-branches. But his disciples gave the name of Indore gharana for his unique style of rendition.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Writing about old films and old songs is not an easy job. Particularly,if you are writing about Debut Films and Debut songs,it is a Herculean task to find out which is the real Debut song/Film. This is because, as I always say, we are a poor nation as far as recording film history is concerned. There are conflicting claims made by Internet sites and so called experts. Even books are not reliable, as I found recently. Therefore, it is very difficult to verify any information.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Fakira” (1976) was produced by N N Sippy and directed by C R Dixit. The movie had Shashi Kapoor, Shabana Azmi, Asrani, Aruna Irani, Danny Denzongpa, Asit Sen, Ramesh Deo, Madan Puri, Shetty etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Jungle Mein Mangal” (1972) was produced and directed by Rajendra Bhatia for Kiron Productions. The movie had Pran(in double role),Kiran Kumar, Reena Roy, Narendranath, Jayshree.T., Meena.T., Sonia Sahni, Balraj Sahni(in a special appearance), Upendra Trivedi, Aravind Trivedi, Meena Roy,Jagadish Raj, Chaman Puri, Birbal, Bharat Kapoor, Padma Khanna,Chandrashekhar, Gulshan Bawra, Paintal, V.Gopal, Krishan Dhawan, Sono, H.L.Pardesi, Yogesh Chhabra, Bhatnagar, Menon, Shashi Kiron, Rajni Gupta, Ashok Tanki, Chanda Bai, Arpana, Mona Saxena, Uma Khosla, Prem, Neel Oberoi,Rajan Verma, Prematesh Mehta, Bhanumati, Hari Yogesh etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Dil Bhi Tera Ham Bhi Tere” (1960) was directed by Arjun Hingorani for Kanwar Kala Mandir Productions. The movie had Balraj Sahni, Usha Kiran, Kumkum, Sushil, Mohan Choti, Jankidas, Dharmendra, Hari Shivdasani etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Neelofar”(1957) was directed by P N Arora for All India Pictures. The movie had Suresh, Chitra, Sunder, Helen,Nishi, Amar, Shyam Kumar, W. M. Khan etc in it.
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