Archive for the ‘Yearwise breakup of songs’ Category
- In: Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Ghazal Presented as a Qawwaali | Guest posts | Lyrics contributed by readers | Nirmala devi solo | Nirmala Devi song | Post by Sudhir | Rare song | Songs of 1950s (1951 to 1960) | Songs of 1959 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The stock photograph that is available shows a very suave and handsome Sikh gentleman. The beard is neatly packed, the moustache is starched razor sharp, and the turban is a perfect construct. Six feet plus, with a very fair skin – all attributes put together make up a very attractive and becoming personality. By his own admission, he labels himself to be a romantic – and that he had to be in love to be able to create music. The others called him a “ladies man”.
Remembering Sardul Kwatra on the anniversary of his passing away today (6th July).
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Balihaari re kukkad koon bol
Posted on: July 6, 2015
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Sharda”(1942) was produced and directed by A R Kardar. It was the debut film for his Kardar Productions. The movie had was Mehtab, Ulhas, Wasti, Nirmala devi, Badri Prasad, Pratima Devi, Shyam Kumar etc. in it.
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Tu shaitaanon ka sardaar hai
Posted on: July 6, 2015
- In: Children's song | Feelings of heart | Guest posts | Kids song | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Mukesh and his composers | Mukesh songs | Parent Child song | Post by Mahesh Mamadapur | Series of articles | Songs of 1970s (1971 to 1980) | Songs of 1976 | Yearwise breakup of songs
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This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mukesh and his Composers – 3
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The off-screen romance between Dev Anand and Suraiyya was well known. On-screen, if there was any song which symbolized the relationship it was this romantic duet from Vidya 1948 sung by Mukesh and Suraiyya.
Hold on. Mukesh giving playback for Dev Anand?. Well, yes, there were 3 occasions in which this rarity occurred. A solo and a duet in Vidya and a duet in Shair with Lata under Ghulam Mohammed.
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- In: Biography of artists | Biography of lyricist | Dance song | Devnagri script lyrics by Sudhir | expression of love | Feelings of heart | Folk Dance | Folk song | Guest posts | Lata song | Lyrics by Prakashchandra | Lyrics contributed by readers | Post by Sudhir | Songs of 1950s (1951 to 1960) | Songs of 1960 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Songs to Tickle Your Memory – 23
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‘Aankhen’ was released in 1950. Most people remember it for being the debut film of music director Madan Mohan. Amongst all the wonderful songs that caught the attention of the listeners, there is this lovely melody in the voice of Meena Kapoor, that really steals away your heart – “Mori Atariya Pe Kaaga Bole, Mora Jiya Doley, Koi Aa Rahaa Hai”. For me, it is this one song that makes this film and its music memorable. This is one of the two songs that Bharat Vyas wrote for this film.
Remembering Bharat Vyas on the anniversary of his passing away (5th July).
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Atul often says that inspite of the blog having already clocked five-digit number of songs, there are still plenty of very good songs out there that have still not found their way to the blog.
In my opinion, that is not a bad thing, because it keeps our journey of discovery interesting and exciting. Compiling songs on this blog is as much about the journey as about the destination – and we take as much pleasure in the journey as in getting closer to our destination. We have milestones, minor and major, that keep beckoning to us to approach them – and as we pass each milestone, we not only celebrate it but also set our sights on the next one.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Sharda”(1942) was produced and directed by A R Kardar. It was the debut film for his Kardar Productions. The movie had was Mehtab, Ulhas, Wasti, Nirmala devi, Badri Prasad, Pratima Devi, Shyam Kumar etc. in it.
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Gori ki chatak matak mein mera dil
Posted on: July 5, 2015
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
What do film stars do when they retire or stop working ?
Actually, the artistes can be divided into two parts. One, those who stop working voluntarily or retire by choice and Two, those who stop getting work and are compelled to retire. Of course the first category has definite plans post retirement, so they do what was planned. However those who stop getting work or are compelled to call it a day have either to fall back on their savings or do something else to survive.
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- In: Asha Bhonsle songs | Dance song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | Post by Sudhir | Raj darbaar song | Song sung by three or more singers | Songs of 1960s (1961 to 1970) | Songs of 1965 | Usha Mangeshkar songs | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Fabulous Foot Tappers – 5
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Sometimes it so happens that some song is so well ingrained in memory that it appears as if, oh well, everyone must remember this song. And further, it simply cannot be so that this song is not yet on the blog. But then, surprises never cease, right?
This wonderful song is a keen memory from the childhood radio listening days. As I am browsing through my collection of the 1960s, I come across the 1965 film ‘Sindbad, Alibaba, Alladin’. The list of songs rang a few bells I just happened to check the list on the blog. Two songs from this film are absolute foot tappers. One of them is already posted – “Mera Naam Jinny, Soney Ki Ginni”. But this song, is still waiting to be showcased. Well, here it is.
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- In: "expectant parents" song | "Naughty" song | Duet | Feelings of heart | Guest posts | Lalita Deulkar songs | Lyrics contributed by readers | Mukesh songs | Mukesh-Lalita Deulkar duet | Post by Sudhir | Rare song | Songs of 1940s (1941 to 1950) | Songs of 1948 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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The Voice of Mukesh #69
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Such discoveries do not happen often. Finding unknown songs that one is not aware of. Today is one such occasion, and this Mukesh song is one such song. And the credit for searching it out and sending it to me, goes to Mahesh ji Mamadapur. A simple email from him yesterday – saying that he has found a song online that he cannot locate on the blog. Since we have definitely covered and accounted for, all songs of Mukesh till the mid 1950s, how come this song from the 1948 film ‘Mera Munna’ does not appear on our blog? I scrambled to check, and I found the following.
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Shaam Se Aankh Mein Nami Nami Si Hai
Posted on: July 3, 2015
- In: "Aankh" song | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | Missing the loved ones | Mukesh solo | Mukesh songs | Post by Sadanand Kamath | Rare song | Song from unreleased movie | Songs of 1960s (1961 to 1970) | Songs of 1968 | Yearwise breakup of songs
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Recently, I read ‘In the Company of a Poet – Gulzar in Conversation with Nasreen Munni Kabir’ (2012). The book gives a bird’s eye view on the life of Gulzar – from setting his foot in Bombay (Mumbai) in mid-1950 to his continuing association with Bollywood. Before reading this book, I was under the impression that, like many others who came to Bombay to fulfill their aspirations to work in Bollywood, Gulzar was one of them. It was not so as revealed from his conversations in the book. Gulzar came to Bombay not by his own choice but as a part of his father’s plan to divide the financial responsibility of his large family following his post-partition migration from Dina (in Pakistan) to Delhi.
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