Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Actor-Singer


This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This is the only song left from the film Bhoot Bungla (1965) on this blog. The title song of the film is unique in many ways. This features the first song by the composer himself. Not only does he sing but also act in this song. He plays the main lead, Mehmood’s best friend, which he also was in the real life.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regulkar contributor to this blog.

Folk music has played an important role in popularising Hindi film songs. The films’ producers and more so the music directors knew that folk music based film songs bring instant connectivity with the cine goers especially in the semi-urban and rural areas. The beats and rhythms of most of the folk music are good inspirations for music directors to customise the Hindi film songs accordingly. In the early years of Hindi film music following the advent of talkies, songs were mostly based on classical and semi-classical tunes which included the traditional devotional music. The earliest Hindi film songs recorded on a folk based tune as per my search of the Hindi film songs on the internet was a song bande naav ka langar chhod from ‘Kangan’ (1939) which appears to be based on a bhatiali ( boat man’s) folk song of Bengal. There may be a few more Hindi film songs in the 30s based on folk music.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This is his 500th writeup in the blog !

Gosh, it has been a long trek already, and the night is very late as I complete the preparation and the write up for this post. And I am thinking about the 29 months, that seem to have flown by already. I had signed up for getting email notifications from this blog on 1st October, 2010, and today, it is exactly 2 years and 5 months. And what a heady and euphoric journey it has been so far. And all along the way, it has been raining music – most wonderful, and the best. Many beloved and favorites, many loving memories refreshed again with the help of friends on this bandwagon, and yes, so many, oh so many unheard gems to fall in love with on the first hear.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I was aware of four popular folklores of Punjab-Sind provinces which are now in Pakistan – Heer Ranjha, Mirza Sahiban, Sohni Mahiwal and Sassi Punnu. These are the tragic love stories in which the lovers die at the end. The common features of all these four folklores are (i) the female character is extremely beautiful, (ii) families of both the lovers resent their unions, (iii) female lovers are forced by their families to marry other man and (iv) at the end, female lovers die first followed by the male lovers except in case of Mirza Sahiban where the two lovers die in the reverse order.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Films made in the early era of Indian Talkie are a national heritage. Unfortunately, most of the films from the period 1931 to 1939 are not available . Very few films of that era are available. Even the leaflets and film books of these films are not traceable in most cases. In few books like Encyclopaedia of Indian Films the short notes on some films are to be found.
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“Mad Bhare Nain”(1955) was a Fortune Films unit production. It was directed by Hem Chunder. The movie had Kishore Kumar, Bina Rai, Misra, Badri Prasad, David Abraham, Durga Khote, Yashodhara Katju, N. Hussain, Achla Sachdev, Bhupendra Kapoor etc in it.
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