Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Actor-Singer


This article is written by Shekhar Gupta, a fellow enthusiast of Hindi movie music and a contributor to this blog.

My all-time favourite Lata-Kishore duet is from the Famina Production’s Fareb (1953) ” Aa, mohabbat ki basti basaayenge hum”, in which the duo are at their soulful best in expressing the pangs of separation of the two lovers, so poignantly captured in Majrooh Sultanpuri’s breath-taking imagery “dekh dharti se aakaash hai kitni door!”
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This article is written by Khyati Bhatt, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Ramlal Chaudhary, known as a Ramlal in hindi film industry was a composer who is famous for composing songs of two films, Sehra-63 and Geet Gaaya Pattharon Ne-64. Both were produced and directed by V Shantaram.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I had never heard of the film SANYASI (1945) until a few months back. The film was produced under the banner of Kardar Productions and directed by A R Kardar. The cast included Shamim Bano, Amar, Shyam Kumar, Ghulam Mohammed. I checked the available songs on internet and found to my surprise that there were 10 songs in this film out of which 7 songs were sung by Zohrabai Ambalewali (both solo and duets). These songs were written by Pandit Madhur and set to music by Naushad. Other than these, I am not able to get other details about this film such as genre and box office success or otherwise of the film.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In the 30s and 40s, female actor-singers like Noor Jehan, Khursheed, Rajkumari, Amirbai Karnataki and Zoharabai Ambalewali dominated the Hindi film industry. These artists were based in Lahore and Bombay (Mumbai). Kanandevi who was based in Calcutta(Kolkatta) held somewhat higher status of a superstar actor-singer for nearly two decades both in Bengali and Hindi film industries. Today, April 22nd is the birth anniversary of Kanandevi who was born in Howrah to a poor family. Her adoptive father died early which forced her to take the responsibility of looking after her family at a young age of 10 years. A well wisher introduced her to Jyoti Studios where she was given a small role in a Bengali silent film Joydeb(1926). Thereafter she worked in some more silent films. It took about 10 years for her to be noticed as an accomplished actor in the film Khooni Kaun (1936).
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This article is written by Khyati Bhatt, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Punar Milan was made in 1940 by Bombay Talkies.THe movie as well as its songs were well known during its time. Music lover like Arunji would know how famous were the songs. I don’t know anything about the story of this movie, I had heard several songs from this movie, especially this one from my parents.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Khursheed Bano ( 14/04/1914 – 18/04/2001), the singer of immortal songs such as “panchhi baawara chaand se preet lagaaye” , “ghataa ghanghor ghor” , “jiske milne ki tamanna thhi wo pyaara mil gayaa” was born as Irshad Begum near Lahore on April 14, 1914. She became an actor at a time when the era of silent movie was about to end. In the advent of talkie films when actors had to sing their own songs, she had to learn singing in furtherance of her acting career. In one of her interviews, she said that it was because of the painstaking efforts by music directors of that time that some of the actors like her could improve their singing skills.
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This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a regular conributor to this blog.

Here is another song from Achhoot Kanya. This has to be one of the first bullock cart songs. In the early years of the past century, the hero and heroine did not, or could not get physical during romantic numbers. Despite that constraint, Ashok Kumar and Devika Rani share a lovely chemistry during this song. They sit close together, lean into each other and smile often.
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