Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘S P Balasubrahmaniam


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4920 Post No. : 16749

Hullo Atuldom

It is winter and the temperatures in Bangalore and adjoining regions have taken a dip. I am sure North India will be much colder, I don’t know what is the experience of those in western and eastern India. But then, winter is the feature for the entire Northern hemisphere at this time of the year.

We have categories on the blog, that songs are tagged under. The Category “Rain” and “Saawan” have around 86 and 109 posts/ songs respectively. “Saawan” is used to talk of rains and is also the month in the Hindu calendar, when the Indian sub-continent experiences heavy monsoon rains.

In sharp contrast we have only 2 posts for “Summer” category and 5 for the “Snowy Mountain” category. No separate category for winter, cold winds etc. Does that mean that there are no songs in Hindi films that are filmed in winter, when the cold winds blow etc.? No. I recall songs from “Junglee”, “Kasmir Ki Kali”, “Aap Ki Kasam” and hundreds of other films that have ever-so-popular songs that were filmed on the snowy slopes of the many hill-stations that the Himalayan range offers. But when songs from these movies were being posted on the blog, in the infancy stages of the blog i.e., Atulji may not have thought of this particular category; if he had, then this category would have had lots of songs. Today’s song will fit the bill for “Snowy Mountain”.

This song is from the 1992 release, Mani Ratnam directed and K. Balachander produced “Roja”. It had a cast of Pankaj Kapur, Madhoo (billed as Madhubala), Arvind Swamy, and a whole lot of South Indian actors. This is because “Roja” was made in Tamil and later its dubbed versions were released in other languages. The movie had some melodious songs that were written by Vairamuthu (in the Tamil original) and P.K.Mishra (for the Hindi dubbed version). The playback singers used (in Hindi) were Hariharan, Minmini, Sujatha Mohan, Shweta Rao, Baba Sehgal, S.P. Balasubramaniam, KS Chitra. The music director was A R Rehman.

“Roja” was the story of a gritty- young lady. The lady, Roja (Madhoo) is married to a man who was selected as a prospective groom for her older sister. But the to-be-groom (Rishi) takes a liking for Roja. She agrees to the marriage after getting to know that her older sister is happy that she was rejected (she had her heart set on marrying another guy). Roja settles in her husband’s (Arvind Swamy) home when she gets to know that he has been selected to go on deputation to Jammu-Kashmir for helping the army communication center with military intelligence. The young couple find themselves in alien yet beautiful land. Roja’s life turns upside-down when her husband is abducted by Kashmiri terrorists demanding the release of a leader of their’s in exchange. The movie shows how Roja runs from pillar-to-post to get assistance in rescuing her husband, specially when she has a language problem too- she can communicate only in Tamil. (This part got diluted in the Hindi-dubbed version though).

The song with this post happens when the young couple- Roja and Rishi- are exploring the snow clad Baramulla, and honeymooning. It is in the voices of SPB sir and K S Chitra.
The Tamil version of the song was sung by Sujatha Mohan and Unni Menon.

With this post we are wishing the music director, singer, Oscar-award winner A R Rehman on turning a year older today. In addition to the Oscars he has a few Filmfare and National awards to his name. Plus the government of India has conferred the Padma Shri and Padma Bhushan on Rehman. We wish him health and happiness and hope to have lots of great music from him.


Song-Ye haseen waadiyaan ye khula aasmaan (Roja)(1992) Singers-K S Chitra, S P Balasubrahmaniam, Lyrics-P K Mishra, MD-A R Rahman

Lyrics

yeh haseen waadiyaan
yeh khula aasmaan
aa gaye hum kahaan
ai mere saajna
in bahaaron mein dil ki kali khil gayi
mujhko tum jo miley
har khushi mil gayi
tere hontho pe hai husn ki bijliyaan
tere gaalon pe hai zulf ki badliyaan
tere baalon ki khushboo se mehke chaman
sangmarmar ke jaisa yeh tera badan

mere jaanejaan yeh hai teri chaandni
chhed do tum aaj koi pyaar ki raagini
yeh haseen waadiyaan
yeh khula aasmaan

aa gaye hum kahaan ae mere saajna

yeh bandhan hai pyaar ka
dekho toote na sajni

yeh janmon ka saath hai
dekho chhoote na sajna
tere aanchal ki chhaanv ke taley
meri manzil mujhe mil gayi

teri palkon ki chhaanv ke taley
mohabbat mujhe mil gayi
yeh haseen vaadiyaan
yeh khula aasmaan

aa gaye hum kahaan ae mere saajna
in bahaaron mein dil ki kali khil gayi
mujhko tum jo miley
har khushi mil gayi
yeh haseen waadiyaan
yeh khula aasmaan

aa gaye hum kahaan ae mere saajna

jee karta hai saajna
dil mein tumko bithha loon
aa masti ki raat mein
apna tumko bana loon

uthne lage hain toofaan kyon
mere seene mein ae sanam
tumhen chaahoonga dil o jaan se
meri jaane jaan teri kasam

yeh haseen waadiyaan yeh khula aasmaan
aa gaye hum kahaan
ai mere jaanejaan

in bahaaron mein dil ki kali khil gayi
mujhko tum jo miley
har khushi mil gayi

mere jaanejaan yeh hai teri chaandni
chhed do tum aaj koi pyaar ki raagini
yeh haseen waadiyaan
yeh khula aasmaan
aa gaye hum kahaan
ae mere saajna
yeh haseen waadiyaan
yeh khula aasmaan
aa gaye hum kahaan
ae mere saajna


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4914 Post No. : 16735 Movie Count :

4555

Hullo Atuldom

Time for a yearly roundup!!!! 2021 coming to a close. 2022 just a sunrise away. Hope we have different experiences in 2022, experiences that make us glad and bring a smile to our lips which stays the whole year.

I am sure Atulji or Sudhirji or one of the other blog-contributors, who have the patience to go through the statistics etc., will give us a table of how many new movies debuted on the blog in 2021, and other related info about which date saw how many posts etc. But the best that happened this year, IMO, is the series that Atulji undertook to enlist all the movies, music directors etc that Lata Mangeshkar was associated with in her looonnngg career.

On the way out of 2021 here is a song from the 1993 release “Shatranj”. A movie that I saw at the time of its release on cable TV, before the Satellite TV Tsunami hit us. It was produced by Arun S. Thakur, directed by Aziz Sejawal, had music by Anand Milind, and Sameer was the lyricist. S P Balasubramaniam, Abhijeet, Udit Narayan, Jolly Mukherjee, Kumar Sanu, Sudesh Bhonsle, Jayshree (popular as Bombay Jayshri in classical music circles), Poornima, Sadhana Sargam (i.e. all the good singers of the 90s) were used in the movie.

Kadar Khan was the dialogue writer of the movie which begins like “Chalti ka Naam Gaadi” (CKNG) which means we have three brothers -bachelors- who are reared by the eldest brother Dharamraj (Kadar Khan), the other two brothers being Dino and Dinky (Jackie and Mithun). The eldest brother has a problem with the female gender of the populace (like Ashok Kumar in CKNG), the other two don’t have any such issues and Renu & Radha (Divya Bharaati and Juhi Chawla) are their girl friends. Then there is a female called Rosie (Jamuna who appeared in a few films in the 80s and 90s, not much is known about her) who is shown to like the elder brother Dharamraj since childhood (Sarfaraz Khan, Kadar Khan’s own son played the younger Dharamraj). The reason for Dharamraj’s problem with females is shown as his step-mother who was nasty to him and his brothers as children.

The story has the necessary villain in the character of Prajapati (Kiran Kumar) the manager to the brothers’ father’s (Vikas Anand) business and also his killer. He is cheating the brothers’s step-mother and step-brother (Shakti Kapoor) and using their business as a front for his illegal activities (what else). The brothers have some misunderstandings with Dharamraj when Renu & Radha enter their lives, which get resolved; then the hard-feelings towards the step-family also is sorted out and the cause of all the problems in their lives (Prajapati) is brought to his logical end. And then “The End”.

Oh I forgot to mention a few more tributes that the movie paid to CKNG. CKNG had ‘Mohan Garage’ here the brothers have ‘Dharam Garage’. There was a ‘car’ in CKNG even this movie had a ‘car’ important to the story. CKNG begins with a song on the pet car, this one too begins with a song on the car. Additionally the brothers have a pet Monkey/ Chimpanzee. So let us have the movie debuting on the blog with the film-opening song that shows us the bonding between the brothers. This song is in the voices of SPB, Abhijeet and Udit Narayan.

There used to be a show called ‘Superhit Muqabla’ on Doordarshan Metro of those years (28 years back) which was on the lines of the legendary Binaca Geetmala. The show used to retire songs from the list of popular songs, which were complied based on vinyl records and cassette sales & and viewership of the show as such, after a 25 week run to make place for newer songs, very much like Binaca Geetmala. And songs of “Shatranj” (1993) were on this show for many weeks.

With this song we also say thank you to the entertainer Kadar Khan who left us today, in 2018, in Canada, where he was staying with his sons following his retirement from Bollywood. His last release was ‘Hogaya Dimaagh ka Dahi” in 2015 October (after a gap of seven years when ‘Mehbooba’ and ‘Deshdrohi’ released). He was a recipient of three Filmfare awards viz:

Best Dialogue for “Meri Awaz Suno” in 1982.

Best Comedian for “Baap Numbri Beta Dus Numbri” in 1991.

Best Dialogue (again) for “Angaar” in 1993.

He was conferred the Padma Shri, posthumously in 2019 by the Government of India.

He was 81 when he passed away.

Video


Audio

Song-Ek se bane do do se bane teen (Shatranj)(1993) Singers-S P Balasubrahmaniam, Abhijeet, Udit Narayan, Lyrics-Sameer, MD-Anand Milind

Lyrics

ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
humsa koi hoga nahin
arre humsa koi hoga nahin
Londan ho chaahe ho cheen
tara rum pum pum pum
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen

apni yeh gaadi hai
sabse agaadi hai
dekho ajooba hai yeh
apni yeh gaadi hai
sabse agaadi hai
dekho ajooba hai yeh
koi ye jaane na
isko pehchaane na
apni mehbooba hai yeh
hum jo bulaate hain
yeh daudi aati hai
hum jo bulaate hain
yeh daudi aati hai
jeevan ki raahon mein
khushiyan lutaati hai
aisi yahaan gaadi kahaan
sabse hai ye behtareen

chham chham
chham chham
chham chham
kaali saadi waali (chham chham)
ladki bholi bhali (chham chham)
aise na bal kha ke chal (chham chham)
gori gori baahen (chham chham)
qaatil teri adaayein (chham chham)
dil mera jaayen machal
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen

uthhte hain sote hain
hanste hain rote hain
rehte hain hum saath saath
sapne sajaate hain
masti lutaate hain
chaahe ho din chaahe raat
hum ek dooje ka
daaman na chhodenge
mar jaayenge lekin rishta na todenge
hum jo miley
toh hai wahi
tasveer aisi haseen
tara rum pum pum pum
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
humsa koi hoga nahin
hey humsa koi hoga nahin
londan ho chaahe ho cheen
tara rum pum pum pum
ek se bane do
do se bane teen
hum jidhar se guzrein
woh safar ho rangeen
ek se bane do
do se bane teen
hum zidhar se guzrein
woh safar ho rangeen


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4798 Post No. : 16562

Hullo Atuldom

The song with this post is one that I have been wanting to present on the blog for years. I have kept looking for its link on YouTube and finally found that someone has uploaded it in May 2019. Then I looked for the movie’s songs on our blog and found one song was posted with lyrics contributed by Avinashji.

In the comments to that song Prakshchandraji has written this about the movie:-

“Shubh Kaamna is a remake of famous Telugu hit movie “Shubh Lekha(1982) (directed by the same famous director K.Vishwanath) starring famous Telugu Hero (now turned into politician) Chiranjeevi and Sumalata. The film dealt with the Dowry system and Utpal Dutt`s acting in Shubh kaamna is very good. And the music of Pancham is also very good. Kiran Vairale acted very well. But I think, somehow the southern flavour of the movie was not accepted by northern audience. But I enjoyed the movie very much.”

Prakashji had also mentioned that the videos related to the movie are not easily available.

The movie had a cast of Rati Agnihotri, Kiran Vairale, Ashalata, Rakesh Roshan, Vinod Mehra (think it was a special appearance), Sujit Kumar, Utpal Dutt, Asrani, Omprakash, Satyen Kappu, and South actor Sudhakar played Utpal Dutt’s younger son and Kiran Vairale’s love interest. The songs were written by Majrooh Sultanpuri. I had seen this movie with family at the time of its theatrical release; and loved the concept of the movie. There was something to do with Allwyn watch company in the movie and some portion of the movie was shot in the factory, if my memory is correct. Also the beaches of Andhra Pradesh served as location for much of the movie.

Today’s song is a stage song which has Rakesh Roshan singing at a cultural program at the college where Rati Agnihotri is a lecturer and Kiran Vairale (her sister) is a student. The song is in a few dialects(editor’s- it is in Bangla).

Today happens to be Rakesh Roshan’s birthdate. He started his career at 21 or 22 after the untimely death of his father -the music director Roshan. He began as assistant to director Mohan Kumar in films like ‘Anjaana’. He was recommended by Rajendra Kumar to Soodesh Kumar and he got a supporting role in ‘Ghar Ghar Ki Kahani’ All through his acting career he has acted in many heroine-centric movies like ‘Paraya Dhan’, ‘Khoobsurat’, ‘Aankhon Aankhon Mein’, ‘Bahurani’, ‘Humari Bahu Alka’ etc. He played a few grey characters too as in ‘Jhootha Kahin Ka’, ‘Dil Aur Deewar’, ‘Daasi’, ‘Aakhir Kyon?’ etc. When he started his own production house his first movie was ‘Aap Ke Deewane’ which starred Tina Munim opposite two heroes- Rishi Kapoor and Rakesh Roshan. His next was ‘Kaamchor’ which had Jaya Prada as the central character. this was followed by ‘Jaag Utha Insaan’ and ‘Bhagwan Dada’ both of which had Sridevi in important roles. He turned a full-fledged filmmaker i.e. a producer director with ‘Khoon Bhari Maang’ which was on Rekha’s character. ‘Bahurani’ (1989) and ‘Aurat Aurat Aurat’ (1996) where the last movies where he had a substantial part to play. He has since been seen in guest appearances in ‘Koi Mil Gaya’, ‘Krrish’ and ‘Om Shanti Om’. He has been in the enterainment industry for 50 years now.

Here is wishing Rakesh Roshan lots of health and happiness as he turns 72.


Song-Paathhshaala te indur elo (Shubhkaamna)(1983) Singer-S P Balasubrahmaniam, Lyrics-Majrooh Sultanpuri, MD-R D Burman

Lyrics

aaaaa aaaaa
haa haaa haaaaa
haa haaaa
haa aa aa
la la la la
la la la la
beautiful
pa ma ga pa
ma ga ma ga

paathshaala te indur elo
sheekhte bole lekha podha
shono shono golpo shono
shono shono golpo shono
paathshaala te indur elo
sheekhte bole lekha padha
shono shono golpo shono
shono shono golpo shono

(guru bollen
lekha podha seekhte
tomar guru
gonesher kaacha jaao
aekhaane keno
hmm
)

na na koro na aadesh
goneshaar nai je gonesh
haan haan na na koro na aadesh
goneshaar nai je gonesh

{main jo kehna cha raha hoon,
aap log samajh rahe hain?
ek chhooha, likhaayi padhaayi seekhne ke liye school aaya
toh guruji ne kaha , tum toh Ganeshji ke vahaan ho,
aur Ganeshji toh vidya ke devta hain, unse jaa kar seekho.
Toh chhoohe ne kaha, ke aaj kal Ganeshji bhi paisa maangte hain.
}

na na koro na aadesh
goneshaar nai je gonesh
takaay chhaada guru gonesh debe na
aamayi kono shikha
aamayi kono shikha
paathshaala te indur elo
sheekhbe bole lekha paadha
shono shono golpo shono
shono shono golpo shono

rangshaala mein seekhne gaana
koyal aayi koyal aayi
suno suno katha suno
suno suno katha suno
rangshaala mein seekhne gaana
koyal aayi koyal aayi
suno suno katha suno
suno suno katha suno

{guru ne kaha
sangeet vidya
seekhne ke liye yahan kyun aayi ho
sangeet toh tumhaare mata pita ki sampatti hai
wahan jaao naa
}

na na mujhe wahan nahin jaana
woh na sikhaayenge gaana
haan haan na na mujhe wahan nahin jaana
woh na sikhaayenge gaana
na na mujhe wahan nahin jaana
woh na sikhaayenge gaana
maata pita bhi paisa liye bina
dete nahin shikshaa
haan haan
dete nahin shikshaa
rangshaala mein seekhne gaana
koyal aayi koyal aayi
suno suno katha suno
suno suno katha suno

guruji ke pass seekhan ko naach
morni aayi
morni aayi
suno suno katha suno
suno suno katha suno

{guru ne kahaa
arre morni
tumhare premi mor se accha kaun naachta hai
wahaan jaao na
}

haar gayi usko manai ke
taal de bahaana banai ke
hoye hoye
haar gayi usko manai ke
taal de bahaana banai ke
haar gayi usko manai ke
taal de bahaana banai ke
ek din bola mufat naache de ne
pehle deyi de paisa
pehle deyi de paisa
ho o
ha a
hmm mm
guruji ke pass sikhan ko naach
morni aayi morni aayi
suno suno katha suno
suno suno katha suno


This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4770 Post No. : 16519 Movie Count :

4494

Yearwise discussion of Lata Mangeshkar songs in HFM: Part XLVI: Year 1992
———————————————————————————————————

In this episode, we discuss Lata Mangeshkar songs that she sang in Hindi movies released in 1992.

In 1991, 100 Hindi movies containing 646 songs were released. Lata Mangeshkar got to sing in 12 of these movies and she sang 25 songs in these movies. So Lata Mangeshkar’s voice was heard in 12 % of the movies released in 1992. Her voice was heard in 4 % of the songs appearing in the movies of 1992.

Here are the details of songs sung by Lata Mangeshkar in Hindi movies released in 1992 :-

S N Movie Music director Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Lyricists
1 Angaar Laxmikant Pyarelal 0 2 1 1 0 0 Anand Bakshi
2 Bewafa Se Wafa Usha Khanna 0 3 3 0 0 0 Saawan Kumar
3 Geet Bappi Lahiri 0 1 1 0 0 0 Indeewar
4 Heer Ranjha Laxmikant Pyarelal 0 2 1 1 0 0 Anand Bakshi
5 I Love You Ram Laxman 0 4 1 3 0 0 Kaushik
6 Inteha Pyaar Ki Anand Milind 0 1 1 0 0 0 Sameer
7 Khuda Gawaah Laxmikant Pyarelal 0 1 1 0 0 0 Anand Bakshi
8 Khel Rajesh Roshan 0 1 0 1 0 0 Javed Akhtar
9 Police aur mujrim Bappi Lahiri 0 1 1 0 0 0 Anjaan
10 Radha Ka Sangam Anu Malik 0 3 0 3 0 0 Hasrat Jaipuri
11 Saatwaan Aasmaan Ram Laxman 1 3 1 2 0 0 Suraj Sanim
12 Vansh Anand Milind 1 3 1 2 0 0 Sameer
Total 12 movies 7 MDs 2 25 12 13 0 0 9 lyricists

Lata Mangeshkar worked with 7 music directors and 9 lyricists in these 12 movies released in 1992. Laxmikant Pyarelal were the most prolific music directors with Lata, with 659 songs in HFM with Lata Mangeshkar by the end of 1992. Shankar Jaikishan with 457 songs in the voice of Lata Mangeshkar were in the second position. R D Burman with 331 Lata Mangeshkar and Kalyanji Anandji with 307 songs were next ahead of C Ramchandra with 274 songs. Other top music directors for Lata Mangeshkar were Chitragupta (239), Madan Mohan (195), S D Burman (179),Naushad (145), Roshan (144), Hemant Kumar (127), Anil Biswas (120), Husnlal Bhagatram (108), Bappi Lahiri (110), Salil Chaudhary (109), Rajesh Roshan (106) and Vasant Desai (104). Together these seventeen music directors composed 3714 songs out of 5034 songs that Lata Mangeshkar had sung in Hindi movies till end of 1992. Anand Bakshi with 679 songs was the top lyricist with Lata Mangeshkar. Other leading lyricists with Lata Mangeshkar were Rajinder Krishan (555), Majrooh Sultanpuri (405), Shailendra (361), Hasrat Jaipuri (301), Prem Dhawan (201), Bharat Vyas (193), Shakeel Badayuni (189), Sahir Ludhianvi (161) and Indeewar (154). These ten lyricists had penned 3200 songs sung by Lata Mangeshkar till that time.

Here is the summary of Lata Mangeshkar’s playback career in Hindi movies till end of 1992 :

Year Movie count Lata song in the blog Lata HFM songs recorded in the year Lata solo songs Male duet Female duet Other songs Remarks
1946 3 movies 4 4 4 0 0 0
1947 3 movies 5 5 3 1 0 1
1948 16 movies 50 50 37 6 4 3
1949 38 movies 138 157 103 35 12 7
1950 36 movies 115 143 93 32 14 4
1951 49 movies 189 223 158 52 10 3
1952 43 movies 150 177 138 31 4 4
1953 45 movies 170 195 149 35 5 6
1954 43 movies 142 172 144 23 4 1
1955 50 movies 171 218 177 30 10 1
1956 49 movies 174 204 153 35 13 3
1957 47 movies 132 160 110 38 7 5
1958 35 movies 104 132 95 25 10 1
1959 58 movies 189 211 131 68 12 1
1960 48 movies 142 166 102 50 9 5
1961 44 movies 128 152 88 55 5 4
1962 40 movies 119 129 84 40 5 0
1963 37 movies 105 111 62 38 8 3
1964 46 movies 123 133 91 31 8 3
1965 42 movies 84 91 71 17 1 2
1966 49 movies 105 133 110 14 8 1
1967 44 movies 94 106 67 38 8 3
1968 33 movies 84 84 59 19 5 1
1969 43 movies 78 97 67 27 2 1
1970 54 movies 91 130 84 39 3 4
1971 52 movies 107 126 71 52 3 0
1972 62 movies 99 151 86 60 3 2
1973 60 movies 93 138 94 37 3 4
1974 55 movies 71 104 66 33 0 5
1975 45 movies 61 90 50 35 3 2
1976 41 movies 58 97 53 39 1 4
1977 50 movies 50 96 59 27 8 2
1978 46 movies 59 90 48 34 3 5
1979 42 movies 38 66 37 25 2 3
1980 43 movies 28 71 43 21 3 4
1981 46 movies 40 88 48 34 2 4
1982 45 movies 28 82 41 37 1 3
1983 33 movies 29 73 36 37 0 0
1984 39 movies 11 70 32 33 4 1
1985 40 movies 21 72 39 31 0 2
1986 27 movies 3 41 22 17 0 2
1987 12 movies 4 21 13 8 0 0
1988 21 movies 9 43 24 17 1 1
1989 19 movies 9 38 20 16 1 1
1990 9 movies 3 12 3 9 0 0
1991 16 movies 5 57 35 20 1 1
1992 12 movies 2 25 12 13 0 0
Total upto 1992 1810 movies 3714 5034 3312 1404 206 112

It can be seen from the table of 1992 that Lata Mangeshkar sang 25 songs in 12 movies released in 1992.

2 songs sung by Lata Mangeshkar in movies of 1992 have been covered in the blog. That leaves us with 23 songs from 12 movies of 1992 that are yet to be covered.

Alphabetically “Angaar”(1992) is the first movie of 1992 that offers us a Lata Mangeshkar song to be covered in the blog.

“Angaar”(1992) was produced by S M Arif and Shashilal K Nair and directed by Shashilal K Nair. The movie had Jackie Shroff, Dimple Kapadia, Nana Patekar, Om Puri, Mazhar Khan, Meghraj Siddharth(aka Siddharth Ray),Kader Khan, Achyut Potdar, Sulbha Deshpande,Neena Gupta, Firoz Irani, Anang Desai,Tom Alter, Chandrakant Gokhale, Virendra Saxena, Ajit Vachani, Lalit Mohan Tiwari, Sudhir, Deepak Qazir, Prajakta Kulkarni, Aadesh Srivastava(Late Music director), Urmila Bhatt, Sunil Rege, Javed Rizvi, Ghanshyam Rohera, Sunil Shende etc. Kiran Kumar made a special appearance.

“Angaar”(1992) had six songs in it. Voice of Lata Mangeshkar song was present in two of these songs.

Here is a song from “Angaar”(1992). This song has two solo version. Female version is sung by Lata Mangeshkar and male version by S P Balasubrahmaniam. The song is picturised on Dimple Kapadia, and Jackie Shroff. Others are also visible in the picturisation.

Lyrics of the song and other details were sent to me by Prakashchandra.

With this song, “Angaar”(1992) makes its debut in the blog.

Lata Mangeshkar version
Video

Audio

S P Balasubrahmaniam version
video

audio

Song-Mushqil mein hai kaun kisi ka samjho is raaz ko (Angaar)(1992) Singer-Lata/ S P Balasubrahmaniam, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

————————————————-
Lyrics(Provided by Prakashchandra)
————————————————-

—————————-
Lata Mangeshkar version
—————————-

mushkil mein hai kaun kisi ka
samjho is raaz ko
lekar apna naam kabhi tum
khud ko aawaaz do
mushkil mein hai kaun kisi ka
samjho is raaz ko
lekar apna naam kabhi tum
khud ko aawaaz do
mushkil mein hai kaun kisi ka
samjho is raaz ko

aur nahin to kam se kam
itni to takleef karo
aur nahin to kam se kam
itni to takleef karo
logon ki taareefon mein
kabhi apni bhi taareef karo
sabse to tum khush ho
apne aap se kyun naaraaz ho
mushkil mein hai kaun kisi ka
samjho is raaz ko
lekar apna naam kabhi
tum khud ko aawaaz do
mushkil mein hai kaun kisi ka
samjho is raaz ko

jeene ka na shauk rahe to
kya rakkha hai jeene mein
jeene ka na shauk rahe to
kya rakkha hai jeene mein
ik qaidi ki tarah pada hai
kab se ye dil seene mein
pinjre ka darwaaja todo
panchhi ko parwaaz do
mushkil mein hai kaun kisi ka
samjho is raaz ko
lekar apna naam kabhi
tum khud ko aawaaz do
mushkil mein hai kaun kisi ka
samjho is raaz ko

jaago hosh mein aao
phir se josh mein aao
jaago hosh mein aao
phir se josh mein aao
khoon bahe nas nas mein
bebas man ho bas mein
band labon ko kholo
aankhon se kuchh bolo
chehra khaali khaali
na gussa na gaali
bolo mere jaanu
main kaise tumhen pahchaanoon
ye zulfon ka saaya
ye palkon ki chhaaya
ye bharpoor jawaani
pyaar ki rut mastaani
ye nainon ke jhoole
tum ye sab kuchh bhoole
yaad karo tum apna
toota sundar sapna
tukda tukda jodo
ye maayoosi chhodo
khel ye hans kar khelo
haath mein haath ye lelo
tum balwaan nahin ho
par bejaan nahin ho
meri kasam uthhaao
pahla kadam uthhaao
saathi saath badhe hain
sab taiyyaar khade hain
saathi saath badhe hain
sab taiyyaar khade hain

bina lade mat haaro
dushman ko lalkaaro
bina lade mat haaro
dushman ko lalkaaro

geet puraane gaao
chhedo dil ke saaz ko
geet puraane gaao
chhedo dil ke saaz ko

lekar apna naam kabhi tum
khud ko aawaz do
lekar apna naam kabhi
tum khud ko aawaaz do
geet puraane gaao
chhedo dil ke saaz ko
lekar apna naam kabhi
tum khud ko aawaz do
geet puraane gaao
chhedo dil ke saaz ko
lekar apna naam kabhi tum
khud ko aawaz do

———————————-
S P Balasurahmaniam version
———————————-

(whistling sound)

mushqil mein hai kaun kisee kaa samjho is raaz ko
mushqil mein hai kaun kisee kaa samjho is raaz ko
lekar apnaa naam kabhi tum khud ko o aawaaz do o
laaa laalaa laaaa laaa
aey hey aey ae ae
raa aa raaa aaa
mushqil mein hai kaun kisee kaa samjho is raaz ko
lekar apnaa naam kabhi tum khud ko o aawaaz do o
mushqil mein hai kaun kisee kaa

jeeney ka na shauq rahey to
kya rakhaa hai jeeney mein
aaa hha haa
jeeney ka na shauq rahey to
kya rakhaa hai jeeney mein
ek qaidee ki tarhaa padaa hai
kab se ye dil seeney mein aen
pinjrey ka darwaazaa todo
panchchi ko parwaaz do
lekar apnaa naam kabhi tum khud ko aawaaz do o
mushqil mein hai kaun kisee kaa samjho is raaz ko
mushqil mein hai kaun kisee kaa

laallaala lallalallaaa
laalalaalal lalaallaaaa
laallaalaaa lallallaaa
laalalaalal lalaallaaaa

doston ye zindagi ek imtihaan hai aey ae
doston ye zindagi ek imthihaan hai aey ae ae
jeenaa to mushqil hai
marnaa aasaan hai aey ae ae
aasaan hai aey ae ae
o jeeney waalon zindagi ko koyee andaaz do
lekar apnaa naam kabhi tum khud ko aawaaz do o
mushqil mein hai kaun kisee kaa samjho is raaz ko
mushqil mein hai kaun kisee kaa

(aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa
aa aa aa aa aa

aur naheen to kam se kam
itni to taqleef karo o
aur naheen to kam se kam
itni to taqleef karo o
logon ki taareefon mein
kabhi apni bhi taareef karo o
sabse to tum khush ho
apney aap se kyon naaraaz ho
lekar apnaa naam kabhi tum khud ko o aawaaz do o
mushqil mein hai kaun kisee kaa samjho o is raaz ko
lekar apnaa naam kabhi tum khud ko o aawaaz do o
laaaa laaa laa aa
laalaa laalaaa
roo roo rooo
roo roo roo
roo roo roo rooo


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws

Blog Day :

4725 Post No. : 16439

Hullo Atuldom

“Andaaz Apna Apna” which released in November 1994 was a comedy, laugh riot, and a ‘comedy of errors’ which had nothing to do with the original ‘comedy of errors’. I am a huge fan of this movie and so is every member of my family. There is always a smile playing on the lips, waiting to turn into a burst of laughter, whenever we discover the movie on any channel. The comedy was in the scenes and dialogues. The movie had stand-out characters that have stayed in public memory after all the intervening 27 years.

Think of Deven Verma being hoodwinked by his ‘get-rich-quick-scheming’ son Aamir Khan (playing Amar) and you smile or grin. Specially when the son tells the father “main aaj bahut khush hoon” and the father replies “tu jab bhi khush hua hai mera kuch na kuch nuksaan hua hai” and proceeds to list a few incidents. Then we have the barber Jagdeep getting similar treatment from his son Salman Khan (playing Prem). The scene that happens between Mehmood (who plays a casting agent) and Jagdeep is another standout. One thing about this comedy movie was we had seasoned players like Deven Verma, Jagdeep, Mehmood and Aamir Khan who (imho) thought making faces (contorting is not the right word) and Salman Khan who thought saying ‘aila’ in a squeaky tone was comedy. The ladies were spared as they didn’t need to be comic as also the father character of Paresh Rawal. Shakti Kapoor’s character ‘crime-master Gogo’ was more comic than scary as was Paresh Rawal’s Teja (character). Crime-master Gogo’s oneliner (Takiya kalaam) “aaya hoon kuch na kuch leke jaoonga” used to be oft-quoted in my family. The story tried to create comedy by giving the male lead actors filmy names of Amar and Prem trying to pay tribute to the 70s classic.
To have an idea about the movie we should read this post which was written by SURPRISE! (re-visit the post to find out)

Tushar Bhatia was the music director of this movie which had 6 songs. As per this article two songs were deleted from the movie to give it a better look (I suppose). Majrooh Sultanpuri was the lyricist and Asha Bhonsle, Abhijeet, S P Balasubramanyam, were the playback singers with a few new names Behrouz Chatterjee, Mangal Singh, Vicky Mehta which were heard for the first time in Bollywood.

Today’s song has Salman Khan serenading the millionaire, heiress Raveena with a song and dance in the middle of the night but with a tiny “dholak” instead of a guitar or violin (as is the general norm for this kind of situations). It is only at the end of the song that Salman (Prem) realizes that the lady with him is Karisma and not Raveena. We have Amar (Aamir Khan) first thinking that Raveena is the one who is responding to Prem but his fears are laid to rest when he sees Raveena outside his window. Then we have Shehzad Khan (a spitting image of his father Ajit) and Viju Khote (playing helpers around the household) also enjoying this midnight entertainment.

Incidentally, the girls switch names, in the movie, to test prospective grooms so Karisma Kapoor who is the actual Raveena (daughter of the millionaire) introduces Raveena Tandon as Karisma (who is the daughter of the millionaire’s munim). So, there is a bit of confusion in the minds of Amar and Prem once the girls reveal their true names and identity. Hope the situation is clear and we now get on to the song which is sung by Asha (Tai) and SPB (Balu Sir)

With this post we also wish Lolo on turning a year younger. Lolo which is the pet name of Karisma Kapoor, the first person from the fifth generation of the Kapoor Khandan to step into Bollywood and carve a niche for herself. She made a name for herself enacting a variety of roles from plain inane to high voltage emotional characters. We saw her play a serious character in the song which was posted two years back. Today we will see her with a cute and endearing smile.

Audio

Video

Song-Ye raat aur ye doori tera milna hai zaroori (Andaaz Apna Apna)(1994) Singer-S P Balasubrahmaniam, Asha Bhonsle, Lyrics-Majrooh Sultanpuri, MD-Tushar Bhatia

Lyrics

ye raat aur ye doori,
tera milna hai zaroori
ye raat aur ye doori
tera milna hai zaroori
ke dil mera
ke dil mera dhak dhak doley
deewana liye jaaye hichkoley
ke dil mera dhak dhak doley,
deewaana liye jaaye hichkoley
ye raat aur ye doori
tera milna hai zaroori
ye raat aur ye doori
tera milna hai zaroori
ke dil mera
ke dil mera dhak dhak doley
deewana liye jaaye hichkoley
ke dil mera dhak dhak doley
deewana liye jaaye hichkoley
ye raat aur ye doori

kehna chaahoon tumse ae
tumse main kitni baatein
iss hasrat mein kaatin
kaatin hain kitni raatein
kehna chaahoon tumse
main kitni baatein
iss hasrat mein kaatin
hain kitni raatein
tu chhat par aa bhi ja,
jhalak dikhla bhi ja
tu chhat par aa bhi ja
jhalak dikhla bhi ja
haa haaa haa haaa
haal hai jo tera
wahi haal mera
haal hai jo tera
wahi haal mera,
piya haal wahi hai mera
karoon pyaar chori chori
tauba itni majboori
karoon pyaar chori chori
tauba itni majboori
ke dil mera
ke dil mera dhak dhak doley
deewaana liye jaaye hichkoley
ke dil mera dhak dhak doley
deewaana liye jaaye hichkoley

ye raat aur ye doori

ho o o
ho o o
ho o o ho o o

sun le mere khwaabon ki,
khwaabon ki o shehzaadi
aawaazein deta hai,
deta hai kab se fariyaadi
sun le mere khwaabon ki o shehzaadi
arre aawaazein deta hai kab se fariyaadi
sitamgar aa bhi ja aa,
karam farma bhi ja
sitamgar aa bhi ja,
karam farma bhi ja
haa haa haa haa
dard hai jo tera
wahi dard mera
dard hai jo tera
wahi dard mera
piya dard wahi hai mera
karoon pyaar chori chori
tauba itni majboori
karoon pyaar chori chori
tauba itni majboori
ke dil mera
ke dil mera dhak dhak doley
deewana liye jaaye hichkoley
ke dil mera dhak dhak doley
deewana liye jaaye hichkoley

ye raat aur ye doori
tera milna hai zaroori
ye raat aur ye doori
tera milna hai zaroori
ke dil mera

ke dil mera dhak dhak doley
deewana liye jaaye hichhkoley
ke dil mera
dhak dhak doley
deewana liye
jaaye hichkoley
ke dil mera
deewaana liye
ke dil mera
deewaana liye
ke dil mera


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4495 Post No. : 16026

Hullo Atuldom

“Saagar” (1985) had a cast of Dimple Kapadia, Rishi Kapoor, Kamal Hasaan, Saeed Jaffery, Nadira, Sharat Saxena, Shafi Inaamdar, Satish Kaushik, Lilliput and Madhur Jaffery. It was directed by Ramesh Sippy and was produced by G P Sippy’s ‘Sippy Films’. It was a vehicle for Dimple’s comeback into Bollywood after her sabbatical brought on by marriage and family life. She was making a comeback after a gap of about 11 years. Her heroes were also her age group so they made an eye-pleasing team.

“Saagar” was a simple love story of a rich boy falling in love with a ‘not-so-well off girl’ who helps her father run a tavern in a fishing village . She has a childhood friend (Kamal) who loves her but cannot get himself to profess it. Into this village the rich boy (Rishi) walks in, befriends Raja (Kamal) and falls in love with Mona (Dimple). There is also friendship between the three, almost reminiscent of Raj Kapoor’s “Sangam”. We have Ravi’s (Rishi) grandmother playing the spoke in the cartwheel of the lovers. We also have one friend sacrificing his love for the happiness of the other two.

All-in-all nothing spectacular just that the movie was entertaining and we had the lead actors giving good performances. The songs were written by Javed Akhtar, and RD Burman was the composer. He had Kishore Kumar (who won a Filmfare award for “Saagar kinaare”), Lata Mangeshkar, S P Balasubramaniam, Asha Bhonsle and Shailendra Singh singing the songs in the movie.

I am writing this post to wish the superstar of South Indian cinema on his 66th birthday. He has been in the industry from a young age. He began as a child-actor and I have written a brief about him in this post of mine four years ago. So let us get directly to the song and marvel at this actor’s ability to emote with his eyes.

The song is sung by SPB and is a party song which is a celebration of the characters birthday. It has Nadira and Lilliput who are aware of Raja’s feelings and Saeed Jaffery and others who are oblivious. The song also begins with RD’s trademark of making music with unusual instruments; here he has used a comb.

Wishing Kamalhassan all health and happiness today on his 66th birthday.

Audio

Video

Song-Sach mere yaar hai (Saagar)(1985) Singer-S P Balasubrahmaniam, Lyrics-Jawed Akhtar, MD-R D Burman
Chorus

Lyrics

sach mere yaar hai
bas wohi pyaar hai
jiske badle mein koi to pyaar de
baaki bekaar hai
yaar mere
ho o yaar mere
sach mere yaar hai
bas wohi pyaar hai
jiske badle mein koi to pyaar de
baaki bekaar hai
yaar mere
ho o yaar mere

jis haathh mein ik haathh hai
us haathh ki ee kya baat hai
kyaa faasle ae kya manzilen
ik humsafar gar saath hai
jiski kismat koi yoon sanwaar de
wohi dildaar hai ae
yaar mere
ho o yaar mere

sunte thhe hum ae zindagi
gham aur khushi ka mel hai
hum ko magar aaya nazar
ye zindagi wo khel hai
koi sab jeete
sab koi haar de
hahaha
apni to haar hai
yaar mere
haan yaar mere
sach mere yaar hai
bas wohi pyaar hai
jiske badle mein koi to pyaar de
baaki bekaar hai
yaar mere
haan yaar mere
laalalalalaa
laalaalaa
laalalalalaa
laalaalaa
laalalalalaa
laalaalaa
laalalalalaa
laalaalaa
laalalalalaa
laalaalaa


This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4454 Post No. : 15924

Tribute to S. P. Balasubramaniam
—————————————————

The great playback singer of south india left for heavenly abode after his month long illness and Covid – 19 related complications, which had him hospitalised since August. He is said to have recorded his last song on 5th August at Hyderabad. Some sources are reporting he has total 40000 songs to his credit. This calculates to more than two songs per day, in a 50 year career. The career spanning 5 decades and active career he was much revered and loved in the south India’s movie and music fan. The four primary languages of the south, namely Kannada, Telegu, Tamil and Malayalam have the major share of his songs.

When thinking of his songs, the first film that comes to mind is “Ek Duje Ke liye” (1981). When I looked up the songs of this film and found this info about how S. P. Balasubramaniam finally got to sing the songs of this film:
This was singer S.P. Balasubramaniam’s debut Hindi film. Music directors Laxmikant – Pyarelal were not keen on using him for the film since they had not worked with him before. Director K. Balachander convinced them that S.P. Balasubramaniam was the right choice since his imperfect diction would suit the role of South Indian man played by Kamal Haasan in the film.

When S.P. Balasubramaniam first met Laxmikant – Pyarelal for this film, the music director duo had asked him to sing a song. The singer first sang the title song of “Mere Mehboob” (1963) composed by Naushad. The composers then asked him to sing a simple song and he sang “Jaanewalo Zara Mud KeDekhoMujhe” (“Dosti”, 1964) composed by Laxmikant – Pyarelal themselves. According to S.P. Balasubramaniam, it was this song that convinced the composers of his abilities.

Tere Mere Beech Mein (Duet) – This duet with Lata Mangeshkar was the first song S.P. Balasubramaniam had recorded for this film. He spoke a few Tamil lines in this song including “Nee romba nallapaadarae” meaning “You sing very well”. He later said that he found the words ironical since they came from a newcomer like him and were addressed to the legendary Lata Mangeshkar. He was apparently so nervous during the recording that he had accidentally spilt tea on her saree. Understanding his plight, Lata had praised S.P. Balasubramaniam during the rehearsals in order to put him at ease.

These details finally made me decide that I want to post a song from this film. I found that only two song from this film is posted in the blog till date:
Mere jeewan saathi pyaar kiye jaa
Solah baras ki baali umar ko salaam

And this beautiful song which was all the rage in the 80’s is not yet posted, which has two solo versions. One is by Lata Mangeshkar, a happy solo and other is by SPB a sad, very sad solo. Lata version is beautifully shot in picturesque locales of Goa with Rati Agnihotri singing and Kamaal Haasan, not comprehending the hindi song, trying to understand where she is pointing in the other direction. The last scene of this song, with both Rati Agnihotri and Kamaal Haasan, standing with their backs to the rock outcroppings, looking out to the see from the vantage point, with the beach below and the mountains just beyond, was the picture perfect poster on the movie hoardings, even in theatre’s.

The SPB version is shot in a hotel room, where both Kamal Haasan and RatiAgnihotri find themselves in adjoining room. They have promised Rati’s mother that they will not contact and meet each other for a year, so cannot meet. How inane is that, if they met by accident and not by design, than it is divine intervention. But this was an opportunity to create an intense song situation, with Rati doing more histrionics, with a sea-shell:). In an earlier scene, Rati’s mother burns the photo of Kamaal Haasan. Rati, in a fit of inspiration to prove her true love, mixes the burnt carbon remains of the photograph with tea and drinks it. I think the mother was played by Shubha Khote.

The song also won the following awards :
1981 – National Film Awards – Best Male Playback Singer – Tere Mere Beech Mein (Male) – S.P. Balasubramaniam
1981 – Filmfare Awards – Best Lyricist – Tere Mere Beech Mein (Duet) – Anand Bakshi

So I am presenting a song, which won SPB a National Film Award for best playback singer in 1981, as a tribute on his passing away. Of course his memory will be forever alive through his numerous songs. May his soul rest in eternal peace.

S. P. Balasubramaniamversion :

Lata Mangeshka rvesion :

Song-Tere mere beech mein kaisa hai ye bandhan anjaana (Ek Dooje Ke Liye)(1981) singer-S P Balasubrahmaniam/ Lata, Lyrics-Anand Bakshi, MD-Laxmikant Pyarelal

Lyrics

SP Balasubrahmaiam version:
———————–
tere mere beech mein
tere mere beech mein
kaisa hai ye bandhan anjaaaaaana
kaisa hai ye bandhan anjaaaaaana
main ne nahin jaana
tu ne nahin jaana
main ne nahin jaanaaa
tu ne nahin jaana
tere mere beech mein
kaisa hai ye bandhan anjaaaaaana

ik dor kheenche doojaa
dauda chala aaye ae
ik dor kheenche doojaaaa
dauda chala aaye ae
kachche dhaage mein
bandhaa chalaa aaye
aise jaise koyee
ho o o aise jaise koyee
deewaaaaaana
aise jaise koyee
deewaaaaaana
main ne nahin jaanaaa
tu ne nahin jaana
tere mere beech mein
kaisa hai ye bandhan anjaaaaaana

neend na aaye mujhe
chain na aaye ae
neend na aaye mujhe
chain na aayeea
laakh jatan karoon
rokaa na jaaye
sapnon mein teraa
ho oo
sapanon mein teraa
aana jaanaa
sapanon mein teraa
aana jaanaa
main ne nahin jaanaaa
tu ne nahin jaana
tere mere beech mein
kaisa hai ye bandhan anjaaaaaana
kaisa hai ye bandhan anjaaaaaana

—————————
Lata Mangeshkar version :
—————————
ooooo
oooooooo
tere mere beech mein aen
tere mere beech mein
kaisa hai ye bandhan anjaaaaaana
kaisa hai ye bandhan anjaaaaaana
kaisa hai ye bandhan anjaaaaaana
maine nahin jaanaaa
tu ne nahin jaana
maine nahinjaanaaa
tu ne nahinjaana
tere mere beech mein
kaisa hai ye bandhan anjaaaaaana

ik dor kheenche doojaa
dauda chala aaye ae
ik dor kheenche doojaaaa
dauda chala aaye ae
kachche dhaage mein
bandhaa chalaa aaye
aise jaise koyee
ho oo aise jaise koyee
deewaaaaaana
aise jaise koyee
deewaaaaaana
main ne nahin jaanaaa
tu ne nahin jaana
tere mere beech mein
kaisa hai ye bandhan anjaaaaaana

oh ho
aapadiyaa

aah ha ha
jaise sab samajhgayaa

pehnoongi main tere haathhon se kanganaaa
pehnoongi main tere haathhon se kanganaaa
jaayegi meri doli tere hi anganaa
chaahe kuchh kar le
ho o
chaahe kuchh kar le
zamaaaaaana
chaahe kuchh kar le
zamaaaaaana
maine nahin jaanaaa
tu ne nahin jaana
tere mere beech mein
kaisa hai ye bandhan anjaaaaaana

(Tamil words)
rumba
ye rumba ruka kya hai

kitni zubaanen bolen log hamjolee
kitni zubaanen bolen
log hamjolee
duniyaa mein pyaar ki
ek hai boli
bolen jo shama’a
ho oo
boli jo shama’a
parwaaaaaana
bolen jo shama’a
parwaaaaaana
main ne nahin jaanaaa
tu ne nahin jaana
(tamil words)
kya
tere mere beech mein
tere mere beech mein
kaisa hai ye bandhan anjaaaaaana
kaisa hai ye bandhan anjaaaaaana
kaisa hai ye bandhan anjaaaaaana


What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where “new” songs are added every day, and that has been the case for over THIRTEEN years. This blog has over 16900 song posts by now.

This blog is active and online for over 5000 days since its beginning on 19 july 2008.

Important Announcement

(© 2008 - 2022) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

Total number of songs posts discussed

16949

Number of movies covered in the blog

Movies with all their songs covered =1313
Total Number of movies covered=4587

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