Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘R D Burman


This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This is the last song from the film Ajanabee. This is one of the lesser known songs from this movie. From its sound it hardly seems to be from Pancham except at times during the interludes. A common situation in Indian films for songs is where the lovers reach a village or a tribal camp on one of their rendezvous. Once there, they are persuaded by the locals to participate in their dance and song item. Sometimes the pair starts imagining themselves in the situation of the leading pair singing and dancing.
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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Rains have always provided a nice frame for romance and thus in Indian films we find many rain or monsoon songs. There are rain songs, where the lovers meet, there are rain songs, where one lover is pining for his/her partner or rain songs which celebrates the coming of rain after a long dry season. The latter being less romantic and more practical.
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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This is the last song of Doosri Sita (1974). Quite interesting to see that the film has basically only three songs. Since one of them has three versions, a person watching the film would have the effect of listening to five songs.
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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The failure of Doosri Sita(1974) at the box-office resulted in the disappearance of the good musical score of this film from the collective memory. My favourite from this film is this highly melancholic background song.
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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“Doosri Sita” got released in 1974 and sank without a trace, taking with it the musical score. Only in the course of R D Burman revival, did the songs resurface again. I remember listening to them on radio in the late 70s and early 80s on Vividh Bharati. The name Doosri Sita, though never really registered itself in my mind.
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In Hindi movies there have been songs picturised on several means of transportation, viz horse, bullock carts, tonga, chariots, cars, jeeps, trucks, boats, aircrafts etc. There have been songs picturised on less common methods of transportation too, viz. camels, elephants etc as well.
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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Manoranjan (1974), Shammi Kapoor’s first film as a director, seems to have only four songs. That is a bit surprising for me. I’d expected it to have more. So this could be the last song to come in from this film.
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“Mela” (1971) was produced by A A Nadiadwala and directed by Prakash Mehra. The movie had Feroz Khan, Mumtaz, Sanjay Khan, Rajendra Nath, Randhir, Lalita Pawar, Master Sachin, Master Ratan, Ram Mohan, Nikita, Mumtaz Begum, Dulari, Kanan Kaushal, Brahm Bhardwaj, Raj Kishore, Bhushan Tiwari, Yunus Parvez etc in it.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Hi all

I am discussing another great to watch Jodi today. Anil Kapoor and Madhuri Dixit. This is on farmaish from my daughter. She feels that they did some great work together in “Beta”, “Ram Lakhan”, “Kishen Kanhaiya”, “Khel” etc. These two acted together for the first time in “Tezaab” and Anil Kapoor has said in some interview a long time back that he was so impressed by the (then) young and hard working Madhuri that he recommended her to Subhash Ghai for the then under making “Karma”. And it seems they even shot a whole song after which Ghai thought that it was not wise to waste such a lot of talent for a guest appearance song and took her on for his next “Ram Lakhan”.
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