Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Tabu


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5590 Post No. : 18064 Movie Count :

4910

Hullo Atuldom

The blog has songs from “Shri 420” (1955), “Shrimati 420” (1956) & “Ustaad 420” (1969) – from which “Shrimati 420” is one short from being YYIIPPEEEED. Hindi films have a few more ‘420’ (char sau bees). There is a “Khiladi 420” which came in 2000 & “Chachi 420” which released in 1997. These are the 420/s that I know of, there may be one or two more films with ‘420’ in their title.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5499 Post No. : 17940 Movie Count :

4861

‘Astitva’ (2000) was simultaneously produced in Marathi and Hindi under the banner of Friends India and Satyashwami Entertainment. The film was directed by Mahesh Manjrekar who also wrote the story and the screenplay. The main cast consisted of Tabu, Sachin Khedekar, Mohnish Behl, Smita Jaykar, Ravindra Mankani, Sunil Barve, Resham Seth and Kishore Nandlaskar with a friendly appearance by Namrata Shirodkar. Most of the actors came from Marathi theatre background.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5354 Post No. : 17558 Movie Count :

4785

Vishal Bhardwaj’s Trilogy of Shakespeare plays – 1: ‘Maqbool’ (2004).

Williams Shakespeare’s plays have been very popular with the Indian theatres since the theatre movement started sometime in the later 18th century. It was in the late 19th century that some of the famous Shakespeare’s plays were adapted in the Indian theatres in Hindi, Urdu and other prominent regional languages like Bengali, Marathi, Gujarati, Tamil etc. The plays were molded into Indian socio-economic and political background. With the advent of silent films in India in 1913 and later the sound films from 1931, the film producers also adapted some of the popular Shakespeare’s plays for their films.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5333 Post No. : 17490 Movie Count :

4773

Maqbool Fida Hussain, popularly known as M F Hussain (17/09/1915 – 09/06/2011) has been one of the internationally celebrated artists known for his narrative, satirical, somber and paintings. He has also done paintings in series forms – Ramayan, Mahabharat, Mahatma Gandhi, Urban and Rural India etc. Some of his paintings have sold in the auction at record amounts. Some of his paintings had become controversial and drawn protests from a section of the people.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5326 Post No. : 17460

The other day when this song from the film Takshak(1999) appeared in the blog, it invoked memories of another film song of the same actors, a similar dance song, where Tabu is dancing with a group of girls, in day light this time. The song is from the film “Vijaypath”(1994), already posted in the blogAaiye aapka intezaar thhaa.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5306 Post No. : 17390 Movie Count :

4750

Govind Nihalani joined Hindi film industry as a Cinematographer in 1974. In the initial period, he mainly worked with Shyam Benegal as a Cinematographer, both for his documentary and feature films. In 1980, he turned director and directed some socially relevant films such as ‘Aakrosh’ (1980), Vijeta (1982), ‘Ardha Satya’ (1983), ‘Aghaat’ (1985), ‘Drishti’ (1990), ‘Drohkaal’ (1994), ‘Hazaar Chauraasi Ki Maa’ (1998). Almost all his films, both as a Cinematographer and the Director were critically acclaimed.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4414 Post No. : 15818

This is Gulzar !

— KITAABEN —

Kitaaben jhaankti hain band almaari ke sheeshon se
badi hasrat se takti hain
mahinon ab mulaqaaten nahin hotin
jo shaamen unn ki sohbat mein kata karti thhin, ab aksar
guzar jaati hain computer ke pardon par
badi bechain rehti hain kitaaben
unhen ab neend mein chalne ki ‘aadat ho gayi hai

badi hasrat se takti hain
jo qadren wo sunaati thhin
ke jin ke cell kabhi marte nahin thhe
wo qadren ab nazar aati nahin ghar mein
jo rishte wo sunaati thhin
wo saare udhde udhde hain

koyi safha palat-ta hoon to ik siski nikalti hai
kayi lafzon ke ma’ani gir pade hain
bina patton ke sukhe tund lagte hain vo alfaaz
jin par ab koyi ma’ani nahin ugte
bahut se istelaahen hain
jo mitti ki sakoron ki tarah bikhri padi hain
gilaason ne unhen matruk kar daala

zaban par zaiqa aata thha jo safhe palatne ka
ab ungli click karne se bas ek
jhapki guzarti hai
bahut kuchh tah-ba-tah khultaa chalaa jaata hai parde par
kitaabon se jo zaati raabta thha kat gayaa hai
kabhi seene pe rakh ke let jaate thhe
kabhi godi mein lete thhe
kabhi ghutnon ko apne rehal ki soorat bana kar
neem sajde mein padha karte thhe, chhute thhe jabeen se
wo saara ilm to milta rahegaa ‘aayinda bhi
magar wo jo kitaabon mein milaa karte thhe sookhe phool aur
mehke huey ruq’ae
kitaaben maangne, girne utthaane ke bahane rishte bante thhe
unn ka kya hogaa
wo shayad ab nahin honge !

—– GULZAR

I think the above poem is enough as introduction and ta’aruf of Gulzar Sahab.
Faced with such ‘qalaam’, what does it matter when and where he was born. Yes, Gulzar sahab has turned 86 today. May he live to be 186 or more, as long as he creates such ‘naayab nageene’ as nazmen and naghme.
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This article is written by Ava Suri, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

4285 Post No. : 15334 Movie Count :

4328

Let me tell you a bit about the background of this post. My nephew works as an RJ for a radio station and he has a slot called ‘Golmaal Gagan ne bol diya to bol diya‘, which is an audio review of latest movies. The way things are these days I am sure he goes through a lot of pain watching substandard movies. He praised a recently released movie called ‘Jawaani Jaaneman’ (2020).  After listening to his review of this film I decided to watch it. Just as I was mulling over when to go to watch the movie, I got a message from our fellow Atulite Avinash. He wanted me to write up a bidaai song that was used in the film. Very kindly, he even sent me the lyrics of the song to help me.
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This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hullo to all in Atuldom

On this blog, Atul has a page for birthdays of various Hindi film artistes. He has meticulously kept track of these dates and makes it a point, as much as possible, to post a song honouring the artiste on the concerned date. That is like a doctor treating his patients.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Amitabh – The Later Decades – 1
—————————————————

A super star status that has outlived and outlasted all other sovereignties in the history of the Hindi film industry.  A persona that has matured and changed with times, with a grace that is unequalled.  Amitabh Bachchan, a phenomena in the Hindi film world that goes beyond the normal definitions of a super star.
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