atul's bollywood song a day- with full lyrics

Archive for the ‘Love song’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The twinkling eyes and the arresting smile get to your heart when she sings “Kabhi Aar Kabhi Paar Laaga Teer e Nazar”. An accomplished dancer, who has the capability to take a song, many levels higher.  Witness that in “Diya Na Bujhe Ri Aaj Hamaara” (‘Son of India’, 1962), “Dagaa Dagaa Wai Wai Wai” (‘Kaali Topi Laal Roomaal’, 1959), “Tera Jalwa Jisne Dekha Wo Tera Ho Gaya” (‘Ujaala’, 1959), “Tera Teer O Bepeer Dil Ke Aaram Paar Hai”, (‘Sharaarat’, 1959), “Madhuban Mein Radhika Naache Re” (‘Kohinoor’, 1960), “Rang Rangeela Saanwra Mohe Mil Gayo Jamna Paar” (‘Baarood’, 1960), “Ab Na Chhupo Re Chhalia” (‘King Kong’, 1962), “Kaanha Jaa Re Teri Murli Ki Dhun” (‘Tel Maalish Boot Polish’, 1962), “Zulmi Hamaare Saanwariya Ho Ram” (‘Mr X In Bombay’, 1964), “Tujhse Wo Neha Lagaaye” (‘Shreeman Funtoosh’, 1965), “Door Kahin Door Hamen Le Chalo Sanam” (‘Ek Sapera Ek Lutera’, 1966), “Main To Khadi Re Khadi Re, Aankh Ladi Re Ladi Re” (‘Sab Ka Ustad’, 1967), “Mera Naam Hai Chameli, Main Hoon Maalan Albeli” (‘Raja Aur Runk’, 1968), and many more.  Once again request Atul ji to create a new category – ‘Kum Kum Dances’.

Greetings to Kum Kum on her birth anniversary today (22nd April).

Yes, takes the entertainment value of a song many notches higher.  That is the ‘abhinaya kala’ that she has mastered as an accomplished Kathak dancer.  Her Guru – the legendary Shambhu Maharaj of Lucknow gharana.  Nothing more to be added for her art, other than to say, take a view of the sampler list of her dance songs given above.  And you will know.  All that she communicates with the minutest of twitching eyebrows, the slight curl of the lips, and the graceful steps across the dance floor.  The performance itself is the statement enough.

She was born Mehru-nisa, in Husainabad in Bihar.  She did her schooling in Benaras and Lucknow, and then trained in Kathak in Lucknow.  Much else is not known about her early life.  She started her career in Hindi films in the early 1950s.  After brief appearances in ‘Aansoo’ (1953) and ‘Mirza Ghalib’ (1954), Guru Dutt gave her an opportunity for a song in his film ‘Aar Paar’ (1954).  The performance caught the attention, and Kum Kum was a busy actress after that.  Her dancing prowess is well documented in the sampler list given above.  She would soon begin to appear in leading roles, well through the better part of 1960s, albeit she was never able to successfully break into the A grade cinema. ‘Bombay by Night’ of 1976, opposite to Sanjeev Kumar, is probably her last film. She got married and left for Saudi Arabia, taking a final bow out of the film industry.  There are references that say she is currently back in India and living a retired life in Bombay.

Today’s song is an off-the-mainstream Hindi cinema, from the Bhojpuri film ‘Ganga Maiya Tohe Piyari Chadhaibo’ (1963).  This is the first Bhojpuri film that was made in India.  An interesting anecdote behind its creation.  At an film awards ceremony in late 1950s, the then President of India, Babu Rajendra Prasad, who hails from Bihar, spoke with Nazir Hussain, the renowned character actor, also from Bihar.  The president queries why not make films in Bhojpuri language.  In fact Nazir Sb was already preparing a script for a Bhojpuri film, with this title.  He promised the president that it will happen soon.

Nazir Husain discussed the script with Bimal Roy, but he did not express any great amount of interest in the project.  A later chance meeting with Bishwanath Prasad, a businessman and a film distributor and exhibitor in Bihar, led to a more interested commitment, and the film was launched with financing from the businessman.  The film was completed in 1962.  A special screening was arranged for the President, before the public release.  The film was released to public in 1963.

The title of the film refers to a tradition in Bihar that says, ‘Mother Ganga, I will offer you the auspicious yellow sari’. The word ‘piyari’ represent the yellow sari.  The tradition is that people will pray to Mother Ganges, and place their wish to her, in their prayers.  On the fulfillment of their wishes, they will make an offering the auspicious yellow sari, to Mother Ganges.

The song is a lovely melody that has remained in memory from the radio listening days.  The song is created by Shailendra and the music is by Chitragupt.  The singing voice is that of Lata Mangeshkar.

Ah yes, we have a century celebration today, attached to this song.  Music director Chitragupt completes 300 songs on the blog.  That is a superlative achievement, for an artist who never really got into the grade A cinema. And yet, this number here is a testimony to the quality of his music. The pleasing melodies that are his handiwork have a lasting characteristic that have kept alive his songs in the minds of music lovers.

A superb song that will tug at the heart strings.  The words are simple, and the song is very hummable.  View, listen and enjoy.


Song – Kaahe Bansuriya Bajaule Re Sudh Bisraule (Ganga Maiya Tohe Piyari Chadhaibo) (1962) Singer – Lata Mangehskar, Lyrics – Shailendra, MD – Chitragupt

Lyrics

kaahe bansuriya bajaule
re sudh bisraole
gayil sukh chain hamaar
kaahe bansuriya bajaule
re sudh bisraole
gayil sukh chain hamaar
kaahe bansuriya bajaule

kantvaa kankaria
kuchh naahin dekheli
ho kuchh naahin dekheli
kantvaa kankaria
kuchh naahin dekheli
ho kuchh naahin dekheli
khojat khojat tohe
ihaan chali aayli
kaahe ke matiya phiraule
re dagari bhulaole
gayil sukh chain hamaar
kaahe bansuriya bajaole

gaon giraamin
maarela boliya
ho maarela boliya
gaon giraamin
maarela boliya
ho maarela boliya
sang ke sahelia
karela thitholia
kaahe ke naam dharaule
re dagiya lagaule
gayil sukh chain hamaar
kaahe bansuriya bajaole

tori baansuriya mein
ginti ke chhedwaa
ho ginti ke chhedwaa
tori baansuriya mein
ginti ke chhedwaa
ho ginti ke chhedwaa
manwaa hamaar piya
chhalnee bhailwa
kaahe peereeti badhaule
re agiyaa lagaule
gayil sukh chain hamaar
kaahe bansuriya bajaole
re sudh bisraole
gayil sukh chain hamaar
kaahe bansuriya bajaole

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Hindi script lyrics (Provided by Sudhir)
——————————————

काहे बंसुरिआ बजौले
रे सुध बिसरौले
गइल सुख चैन हमार
काहे बंसुरिआ बजौले
रे सुध बिसरौले
गइल सुख चैन हमार
काहे बंसुरिआ बजौले

कटवा ककरिया
कुछ नाहीं देखेली
हो कुछ नाहीं देखेली
कटवा ककरिया
कुछ नाहीं देखेली
हो कुछ नाहीं देखेली
खोजत खोजत तोहे
इहाँ चली आईली
काहे के मतियाँ फिरौले
रे डगरी भुलौल्रे
गइल सुख चैन हमार
काहे बंसुरिआ बजौले

गाँव गीरामिन
मारेला बोलिया
हो मारेला बोलिया
गाँव गीरामिन
मारेला बोलिया
हो मारेला बोलिया
संग के सहेलिया
करेला ठिठोलिया
काहे के नाम धरौले
रे दगीया लगौले
गइल सुख चैन हमार
काहे बंसुरिआ बजौले

तोरी बांसुरिया में
गिनती के छेदवा
हो गिनती के छेदवा
तोरी बांसुरिया में
गिनती के छेदवा
हो गिनती के छेदवा
मनवा हमार पिया
छलनी भइलवा
काहे पीरीति बढ़ौले
रे अगिया लगौले
गइल सुख चैन हमार
काहे बंसुरिआ बजौले
रे सुध बिसरौले
गइल सुख चैन हमार
काहे बंसुरिआ बजौले


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The first lady of Bangla cinema. And the first lady singing superstar of Indian cinema. It is said that at the height of her popularity, she required protection when she was traveling.

Remembering Kanan Devi on the anniversary of her birth today (22nd April). (It is her 99th anniversary)
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Not many debuts can be better than starting with the song “Afsaana Likh Rahi Hoon. . .” (‘Dard’, 1947).  His innings lasted for 23 years.  A long time in which he could not even complete a century of films.  He has written about 750 songs in 89 films across his career.  Typecasting, or more correctly to state, pairing groupism was responsible for this state of affairs.  All along his career, his partnership with music directors remained primarily confined to just three – Naushad Sb, Ghulam Mohammed Sb and Ravi.  His films with other music directors are really few and far between.

Remembering Shakeel Badayuni on the anniversary of his passing away today (20th April).
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 11 # Duet-1 Hemlata, Suresh Wadkar
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For this post I was specially looking for a ‘duet’ and I think this ‘lighthearted’ and ‘typical Ravindra Jain musical’ fits in this series of ‘seventies’ very much.  This one is from the 1978 Film ‘Madhu Maalti’ sung by Suresh Wadkar and Hemlata. Listening to this song reminds us of the popular  “Vrishti Pade Tapor Tupur” from the film ‘Paheli’ (1977), by same team.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 16
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Dil Ka Soona Saaz Taraana Dhoondhega” (‘’Ek Naari Do Roop’, 1973) – a song that has become an everlasting signature memory of its creators.  The singing voice of Rafi Sb that instills a restless, discontented pathos into the words of remorse that follows accomplishments.  The words that are written by Asad Bhopali, touch the theme of an unfulfilled genius.  And the music, it comes from the mind of Ganesh, to whom the sentiments and the theme of this song, fit to the very end.

Remembering music director Ganesh on the anniversary of his passing away (28th March).

The name of Ganesh is associated with an illustrious family of musicians.  Son of Ram Prasad Sharma, and younger brother to Pyaarelal Ram Prasad Sharma (of the Laxmikant Pyaarelal duo).  Besides Pyaarelal, his other brothers have reaped fame for themselves in the film and non-film music arenas.

In the beginning of 1960s, the name of Ganesh came to be acknowledged as the key contributor to the success of the music of Laxmikant Pyaarelal.  The effect of this impression in the industry was so strong that by the mid 1960s, he got about 10 assignments as an independent music director, even before a single film with his music had even got to the studio floors.  In 1966, when the films with his music started to appear in theatres, the audiences were swept with the stunning sounds of “Hum Tere Bin Jee Na Sakenge Sanam” (‘Thakur Jarnail Singh’, 1966), “Hum Jahaan Hain Wo Maqaam Husn Aur Ishq Hai” (‘Husn Aur Ishq’, 1966), “Intzaar Ka Aalam Tanhaai Aur Hum” (‘Shera Daku’, 1966) and more.  1967 was no less with songs like “Zulfon Ka Rangeen Saaya Hai Tauba Khudaaya” and “Main Jo Galey lag Jaaungi Tera Badan Jal Jaayega” from ‘Anjaam’, and in 1968 the audiences were treated to songs like “Raja Aana Hamaare Banlge Pe” and “Main To Khadi Re Khadi Re Aankh Ladi Re Ladi Re” from ‘Sab ka Ustad’.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 15
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A little over two years ago, we had celebrated the century of this remarkable and versatile artist, as a music director, when I had posted the song “Nanha Sa Dil Deti Hoon Pardesi Preet Nibhaana”.  A peerless master of the classical tradition, whose typecasting in the industry was so intense that he mostly remained confined to B/C grade mythological films for most of his career of nearly five decades.

Remembering SN Tripathi on the anniversary of his passing away (28th March).
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 5 # Mohammed Rafi – 2
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I am sure that music lovers remember the song ‘Paani Mein Jaley Mera Gora Badan Paani Mein’ – it became quite popular in its time.  But I wonder if folks will remember the name of the film it is from.  It is sung by Suman Kalyanpur and is from a lesser known movie ‘Munim ji’ of 1972. I remember that it was frequently played on the radio in those years (my childhood years  :) ).  And I am wondering it is yet to be posted on this blog.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 4 # Suresh Rajvanshi -1
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The journey through the HFGK is  getting more excited and thrilling day by day, though so far I have been able to glance through only the few preliminary years of this decade 1971-1980.  And I am realizing that apart from ‘Bhoole Bisre Geet’ we do also have some ‘Bhoole Bisre Artists’, like the singer of this song that is being presented today.
Read more on this topic…


This article is written by Peevesie, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

[Belated Happy Birthday, to Peevesie (23 Dec) :) ]

Himalayan Diaries – 1
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Sometimes people end up giving really deep insights to you about yourself. But during the conversation, you do not grasp it and brush it off. This happened to me during my first jury at NID. First let me explain the concept of jury. Jury is what happens, when instead of exams, the college decides that a student should have only half an hour every semester to display every scrap of work they did for 4.5 months and justify that he/she did learn something. If one manages to do that, then they give you a decent grade and pass you for the semester. Nahi toh, Thakur toh giyo!
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“Saugandh”(1942) was a New Theatres Production. It was directed by Hem Chander. The star cast of this film includes Pahadi Sanyal, Bharti, Asit Baran, Chandrawati, Suprabha Mukherjee, Shrilekha, Chhavi Biswas, Vinay Goswami, Khagen Pathak, Farouk Mirza, Dar Kaashmiri, Nemo, Tulsi Chakravarty, Puttan, Narayan Rao, Maya Bose, Gopal Das, Kaali Ghosh, Heera Bai, Natwar, Jawahar Lal, Kaalo, Dwijen Sanyal. The songs of this film are penned by Pt. Natwar, and the music is RC Boral.
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(© 2008 - 2015) atulsongaday.me The content of this site is copyrighted and it may not be reproduced elsewhere without prior consent from the site/ author of the content.

What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 11000 song posts by now.

Total number of songs discussed

11091

Number of movies (All songs covered)

662

Total visits so far

  • 6,759,530 hits

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