atul's bollywood song a day- with full lyrics

Archive for the ‘Missing the loved ones’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Life is short but art and for that matter music is permanent. There is no death of a true art and so is it with music.”

These are the words of one who is known as the ‘Gentleman Musician’ amongst the community of music directors and musicians, both in Bombay and in Calcutta.  Vistas Ardeshir Balsara – a name that is part of a long list of very talented musicians, whose contributions to the making of the film music has been immense.  These musicians, instrumentalists and arrangers, most of whom were  experienced and capable of being music directors in their own right, rarely got to appear in the limelight and be recognized for their work.  V Balsara is one such gifted musicians who did get the opportunity to step out from behind the curtain, and be known for his art.  I am sure all will remember the iconic song “Ae Mere Dil Kahin Aur Chal” (‘Daag’, 1952) in all its flavors.  The piano accordion in this song is played by him.

Remembering V Balsara on the anniversary of his passing away (24th March).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The Many Colors of Love #28 – The Stories of Broken Hearts
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And so wrote the scribe

ik dil ke tukde hazaar huye
koi yahaan gira koi wahaan gira
(‘Pyaar Ki Jeet’, 1948)

Walking the passages of love, one encounters enchanting emotions and charming music – heady feelings that will lure heart and mind into gardens with blossoming springs, chirping birds and fragrant flowers.  But the discerning eyes will also see, the pathways strewn with fragile fragments, unobtrusively lying by the side, that tell another story.  These are the delicate pieces of broken hearts that have suffered the pains of separation and the agony of desertion, an agony that is at times, too intense for the sensitive hearts to bear.  And the feelings inside are as if the heart has been torn asunder, crushed and broken into a thousand pieces.  And then thrown by the wayside.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – The Incomparable – 2
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We all know that Mohammed Rafi Sb is the one playback who had many singers copying and imitating his singing style during his lifetime.  After his passing away, the tendency only increased.  There are a few shining examples like Sonu Nigam who started with Rafi Sb’s style and made a name for themselves.  He is, in my view, closely followed by Udit Narayan and Mohammed Aziz.  During the 1970s, when Rafi Sb was alive, there was Anwar who reportedly trained under him, and Rafi Sb himself regarded him highly.  All these singers strived to imitate the inimitable Rafi magic.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (6 february 2015) is a very special day for HFM. It was this day 100 years ago that Ramchandra Narayanji Dwiwedi was born in Ujjain. I am sure that most people will wonder who was this person and why he was so special for HFM.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Zid”(1945) was directed by H S Rawail for Bharat Laxmi Pictures. The movie had Ramola, Hiralal, Sundar, Zahoor Shah , Manorama, Ramesh Sinha etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bahaadur” (1953) was a Ranjit Film Company Production. It was directed by Ratibhai Punatkar. The movie had Suresh, Shyama, Roopmala, Amarnath, Anwar Hussein, Shammi etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Geet Gaata Chal”(1975) was produced by Tarachand Barjatya and directed by Hiren Nag for Rajshree Productions. This movie marked the debuts of Sachin and Sarika (erstwhile child artists) in lead roles in Hindi movies.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Garib”(1942) was directed by Ramchandra Thakur for National Studios, Bombay. This movie had Surendra, Rose, Baby Meena, Veena Kumari, Santaka, N A Ansari, Agha, Pesi Patel etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hindi film industry is like an ocean.Several small and big rivers join it and the ocean too gracefully accepts everything. Once inside, the individual rivers lose their identity and become a part of the ocean. Similarly, people from all corners of India join this industry, but only few get proper opportunity and recognition here. The rest simply disappear in this ocean. Success, they say, has no formula. Famous composer C.Ramchandra had once said, ‘If only there is anyone who can predict correctly what will succeed and what the public will like, such a person can earn millions here !’
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Raajraani Damyanti”(1952) was a mythological movie which was produced by Mahipat Rai Shah-Anupchand Shah and directed by Raja Nene for Roopkamal Chitra, Bombay. The movie had Nirupa Roy, Trilok Kapoor, Usha Kiran, Vikas, Baby Tabassum, Ratan Kumar, Prakash, Vasant Kaanse, Shakeela, Shakuntala, Uma Devi, Yashwant Dave, Ram Singh etc in it.
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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 11000 song posts by now.

Total number of songs discussed

11071

Number of movies (All songs covered)

660

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