atul's bollywood song a day- with full lyrics

Posts Tagged ‘Actor-Singer


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This is his 400th article in the blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

MISSING GEMS FROM THE GOLDEN 50s…Song No. 18….LAST SONG OF THIS SERIES
—————————————————————————
Today’s song is from film Bewaqoof-60. This is the last song of this series. This series has been very interesting and it gave a pleasure of discussing songs from the 50’s decade. Some of the songs were well known and popular in those times and the most others were good enough to provide nostalgic feelings.

Today’s article happens to be my 400 th article on this Blog. I started writing consistently on this Blog from 1-10-2012. Thanks to ATUL ji’s encouragement and active substantial help in writing Lyrics for me,I was able to reach the figure of 400 articles on songs in 30 months. This is an average of about 13-14 songs every month. During these months,our readers from all over the music loving world gave comments of appreciation,which worked as a motivation for me. In this period,I did 21 series of songs on different Themes. My endeavour has always been to present forgotten pearls from Hindi films and side by side,provide useful,unique information on films, songs, singers, composers, actors, directors, production houses, mythology and behind the scene stories.

In the course of this musical yatra my favourite and memorable articles have been he ones on Abhram Bhagat, Master Vasant, Film Yatrik songs, the series on Migrants and C.Ramchandra’s life story series. I had to stretch myself to an extreme extent to collect data for these series especially and all in general, to collect relevant data, because I would only write that which can be defended with references,if questioned. I tried to ensure that only confirmed, genuine and authentic information was provided in my articles. The main reason was, the credibility of the Blog as a reference site was to be maintained. I could not compromise on that at any cost.

In my endeavour,well wishers like shri Harish Raghuwanshi ji, Rajnikumar Pandya ji, Girdharilal Vishwakarma ji, Kamlakar Pasupuleti ji helped me from time to time. There are many helpers, whom my thanks are due.

It has been a great pleasure to me – reaching Deadlines, changing songs at the last minute, changing the entire write up at times and at the same time replying to numerous mails asking for information or pressing for articles (by other Blogs/sites), collecting data from sources, reading books unendingly to get just one reference etc. etc. After finishing a series, the feeling of relaxation is what I enjoyed the most.

I take this opportunity to thank Atul ji, Sudhir ji and many of my friends on this Blog for their cooperation.

1960 was an year which signified few things. At the beginning of the decade, Nehruvian Socialism was the ‘in’ thing. Obviously this had influenced Hindi films too and it was reflected in the topics/themes and handling of the films. At least two major filmmakers- Mehboob and Raj Kapoor – were open advocates of Socialism. Most of their films depicted stories of of poor people, in their own styles. Cities were developing offering employment to village folks and there was a flow of population towards the cities. So, City life became a major topic of discussion in films. The ills of modernisation like crime, murders, alcoholism, Gambling,club culture etc was being shown in films. Importance of Joint families was being stressed and and romantic films were thriving. Old values were being revisited and stressed…of course to no avail !.

This was a decade of good directors. Bimal Roy, Satyajit Ray, Hrishikesh Mukherjee, Mehboob, Raj Kapoor, V.Shantaram, Nitin Bose, Guru Dutt etc made superior films. This was also a decade when certain actors were branded- Dilip kumar-Tragedy king, Meena Kumari-Tragedy queen, Durga Khote- Dadi maa, Lalita Pawar- a shrewish mother in law, Leela Mishra- mausi, Baby Nanda- sister, Shaikh Mukhtar- kind hearted Gunda etc. Films had solid contents and strong story lines. Lyricists were a learned lot of top quality. Most were respected names in literature world before joining films, like Hasrat, Majrooh, Shakeel, Rajendra Krishna, Pradeep, Sahir, Shailendra, Bharat Vyas etc. Composers were real knowledgeable musicians like Anil Biswas, Shankar jaikishan, Madan Mohan, Roshan, Vasant Desai, S D Burman, C Ramchandra, Salil Chaudhari, O P Nayyar etc. Among singers ,for half of the decade a mix of old and new singers were available providing a variety of voices to choose from.

A system of appointing a Stunt Director started from Aan-51 onwards. Screen and Film Fare magazine started in this decade. Also magazines like Chitra, Movie world, Shama, Sushama etc came up strongly. Regional movie journals also became popular. Hand painted poster Hoardings and Trailers were popular. Radio Ceylon ruled the waves. Programmes like Binaca Geetmala were the topics of hot discussions in friendly groups and families.

All this was carried forward to the decade of 60s, but more about that decade some other time…may be…

The film Bewaqoof-60 was one of those films films from a period when film makers used to run after Kishore Kumar with rolls of money and roles to offer. Stories were written specially for him. His films rarely had a strong storyline, but Kishore had the ability to carry the entire film on his shoulders alone. Kishore acted in 91 films in his career plus one unreleased film. Half of these films came in the 50s decade itself. Kishore acted in 43 films from 1951 to 1960. This means an average of one film every 3 months for 10 years continuously. Many of his films became popular due to their music.

Bewaqoof-60 also heralded an age in which films were made with titles with adjectives like Aflatoon, Aklamand, Awara( Abdulla), (Banarasi)Thug, Band Master, Bluff master, Budtameez, Chaalbaaz, (Chaar)Darvesh, (Chaar) Chakram, Dada, Dagabaaz, Ganwaar, Jaalsaaz, Jhumroo, Junglee, Laatsaheb, Lutera, Matlabi(Duniya), Mujrim, Mulzim, Naughty Boy, Ziddi etc.

The cast of the film, story etc and all details were already given once along with the song “dekh idhar”on 18-8-2014, so I am not repeating it here. Today’s song is sung by Kishore kumar and Asha Bhonsle, with one line in Manna Dey’s voice slipped in, which was I S Johar’s way to tell the discerning listeners from the not so discerning ones.

The film had 9 songs. Today’s song will be the 7th song on this Blog. Surprisingly, this was the most popular song from this film. The main line of this song was in Italian- Tu Mi Piaci, Cara, which means -I like you, dear! Lucky for me that this song had remained unposted till now.

So far, films which were made in colour like Aan and Jhanak Jhanak paayal Baaje were the only successful colour films. The grand failure of Jhansi ki Rani-53, made in colour by Sohrab Mody, sent cold shivers down the spines of producers and colour films were not much attempted in this decade. There were two major additions to the Film World so far. One was Sound and the other was Color. Sound was accepted almost immediately but colour films took much longer time to get established. In fact colour films were made regularly only from the later part of the 60’s decade. Till then, films were made “partly in colour “, like today’s song.

So, enjoy this colour song video from the film Bewaqoof-1960.


Song-Tu Mi Piaci, Cara hoon hoon hoon grazia (Bewaqoof)(1960) Singers-Kishore Kumar, Asha Bhonsle, Lyrics–Majrooh Sultanpuri, MD-S D Burman
Manna Dey
Unknown male voice 1
Unknown male voice 2

Lyrics

grazia
tu mi piaci cara

ye kaun si zabaan bol rahe hain
ye Italy ki jabaan hai
tu mi piaci cara
ka matlab
main tumhe pyaar karta hoon
aur grazia ka matlab
shukriya

haan
ladki achchi hai

Shan toshe shishu
rarararara
rarararararaa
raa
shanta re zu u
u u u u
tararararaa

raa
shantara zu
u u u
tara ra ra raaaa
Tara ra ra ra ra ra ra raa
rararara
raa aa aa

Tu Mi Piaci, Cara
hoon hoon hoon grazia
Salaam lo hamaara
ho ho ho shukriya

Tu Mi Piaci, Cara
hoon hoon hoon grazia
Salaam lo hamaara
ho ho ho shukriya

Tu Mi Piaci, Cara
hoon hoon hoon grazia

Nayi gali naya shahar
sambhal ke chaliye haan

Pukaar ke kahoonga main ke tu hai meri jaan
Nayi gali naya shahar
sambhal ke chaliye haan

Pukaar ke kahoonga main ke tu hai meri jaan
Main aur teri jaan
arre ladkhada gayi jabaan
Hosh mein nahin ho tum
kuchh aaj pi gaye ho kya

Tu Mi Piaci, Cara
hoon hoon hoon grazia
Salaam lo hamaara
ho ho ho shukriya

haaye
Tu Mi Piaci, Cara
hoon hoon hoon grazia
ho ho ho
ho ho ho
grazia
aa haa haa
aa ha ha
shukriya

ho ho
ho ho
grazia
ho ho ho
ho ho ho
shukriya

Ye ajnabi nazaare
hum pe hans na de kahin

Kahoge khoob muskuraaye hum ko gham nahin
Ye ajnabi nazaare
hum pe hans na de kahin

Kahoge khoob muskuraaye hum ko gham nahin
Ye ghair ka hai desh
arre dil pe deejiye na thhes
Koi dekh le to phir kaho hamen kahega kya
haay
Tu Mi Piaci, Cara
hoon hoon hoon grazia
Salaam lo hamaara
ho ho shukriya

Tu Mi Piaci, Cara
hoon hoon hoon grazia

haa ha ha ha haa
hahahaha
he he he he
hahahaaha
ho ho ho ho
hahahaha
haahaahaa
hahahaha
haa haa haa haa
hahahaha
he he he he
ho ho ho ho ho
haa haa
hahahaha

Hato ji meri baahen kyun pakad rahe ho tum
Haseen ye sama hai
ismein ho na jaao gum
Hato ji meri baahen kyun pakad rahe ho tum
Haseen ye samaa hai
ismein ho na jaao gum
Ji phir to hum chale
arre dil mera jale jale
Ungli thhaam thhaam tumne haath bhi pakad liya
haay
Tu Mi Piaci, Cara
hoon hoon hoon grazia
Salaam lo hamaara
ho ho ho shukriya

Tu Mi Piaci, Cara
hoon hoon hoon grazia
hoon hoon
Grazia aa aa aa
ho ho
shukariya aa aa aa

haay haay haay haay
haan
haay haay haay haay
haan
haay
haan
haay
haan
haay
haan

deewaanapan ye chhod do
tumhen meri qasam

samajh ke boojh ke
huye tere deewaane ham
deewaanapan ye chhod do
tumhen meri qasam

samajh ke boojh ke
huye tere deewaane ham
tumhen to kya kahen
arre ham bade shareer hain
tum shareer ho
to ham bhi kam nahin
samajh liya

haaye
Tu Mi Piaci, Cara
hoon hoon hoon grazia
Salaam lo hamaara
ho ho ho shukriya

Tu Mi Piaci, Cara
hoon hoon hoon grazia
Salaam lo hamaara
ho ho ho shukriya

Tu Mi Piaci, Cara
hoon hoon hoon grazia
Salaam lo hamaara
ho ho ho shukriya

Tu Mi Piaci, Cara
hoon hoon hoon grazia


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

One of the 8 films made and released in 1938 from the ‘factory’ of Ranjit Movietone was an obscure movie PROFESSOR WAMAN, M.Sc. (1938). The film, belonging to the genre of crime and mystery, was directed by Manibhai Vyas who made his debut as a director with this film. The star cast included E. Billimoria, Mazhar Khan, Sunita Devi, Beg, Sitara Devi, Rajkumari, Waheedan Bai etc. The film had 8 songs written by P L Santoshi and were set to music by Gyan Dutt. The film was released on 10th December 1938.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Aap Beeti”(1948) was directed by Kumar for Kumar Studios Limited, Bombay. The movie had Khursheed, Kumar, E Bilimoria, Agha, Leela Mishra, Pramila, Mehdi Raza, Agha Peer Jaan, Hamid, Shabnam, Girdhari, Chandrakala, Afroz Bano, Indira Acharya etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Pyaar Kiya Jaa”(1966) was directed by Sridhar for Chitralaya. The movie had Kishore Kumar, Shashi Kapoor, Kalpana Mohan, Rajashree.T(south->Introducing), Mehmood, Mumtaz, Om Prakash, Shivraj, Chaman Puri, V.D.Puranik, Veena Kumari, N.S,Bedi, Shyamlal etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Mehlon Ke Khwaab”(1960) was produced by Madhubala under the banner of Madhubala Pvt. Ltd. The film was directed by Muhafiz Hyder. The star cast included Madhubala, Pradeep Kumar, Kishore Kumar, Chanchal, Pran, K N Singh, Om Prakash, Praveen Paul, Rashid Khan, Sulochana Chaterjee, Cuckoo etc.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Girl Friend”(1960) was directed by Satyen Bose for Basu Chitra Mandir, Bombay and it had Kishore Kumar, Waheeda Rehman, Bipin Gupta, Nazeer Hussain, Leela Mishra, Jagdev, Dhumal, Gautam, Keshto, Master Anwar, Daisy Irani etc in it. This is perhaps the only movie where Kishore Kumar and Waheeda Rehman were paired together in lead roles.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Do Dooni Chaar”(1968) was one of several movies that was based on William Shakespeare’s “Comedy of Errors”. “Angoor”(1980) too was based on the same story.

“Do Dooni Chaar”(1968) was directed by Deboo sen for Bimal Roy Pictures, Bombay. The movie had Kishore Kumar, Tanuja, Asit Sen, Sudha Sharma, Surekha Pandit, Rashid Khan, Vinod Sharma, Ifthikar, Chandrima Bhaduri, Lata Arora, Bhola, baby Sonia (Neetu Singh) etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Girl Friend”(1960) was directed by Satyen Bose for Basu Chitra Mandir, Bombay and it had Kishore Kumar, Waheeda Rehman, Bipin Gupta, Nazeer Hussain, Leela Mishra, Jagdev, Dhumal, Gautam, Keshto, Master Anwar, Daisy Irani etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Ilzaam”(1954) was produced and directed by R C Talwar. The movie had Kishore Kumar, Meena Kumari, Shammi, Randhir, Meera Devi, Amar, Jagdish Kamal, Om Prakash, gadish Sethi etc in it.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Naya Andaaz”(1956) was produced and directed by K Amarnath. The movie had Meena Kumari, Kishore Kumar, Pran, Gope, Kumkum, Murad, Jayant, Ramesh Thakur, Johny Walker, Uma Devi, Sapru etc in it.
Read more on this topic…


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What is this blog all about

This blog discusses Bollywood songs of yesteryears. Every song has a brief description, followed by a video link, and complete lyrics of the song.

This is a labour of love, where "new" songs are added every day, and that has been the case for more than six years. This blog has over 11000 song posts by now.

Total number of songs discussed

11088

Number of movies (All songs covered)

662

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