Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 23 # Duet – 6 # Kishore Kumar – Lata Mangeshkar #
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Festivals are integral part of our culture and traditions. And the films, songs associated with mythological themes, festivals are integral part of nostalgia of music lovers like me and those who grew up listening such songs in their respective ‘formative years’ of life.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Does the name Sunil Sikanderlal Kapoor ring a bell in our minds? No? But if I say “Nandu, sabka Bandhu”, will that help us to identify the person I am talking of? I think the answer will be yes, by some of the regulars in the blog. Now one more famous line from this actor—“main crime master GO-GO, ankhen nikal ke goti kheloonga”. I can quote so many of his dialogues that I will stop here or the readers will say –“Samajhta nahin hai yaar” (she is boring us). Now I am sure that all of you would have come pretty close to identifying the actor who celebrated his 58th birthday yesterday (3rd September).
(Note: The article was received in good time yesterday, but could not be posted in time. 🙂 )
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 24
– – – – – – – – – – – – – – – – – –

It is not that Arvinder ji has requested this song loong back. His request is fairly recent. But he has been so consistently persistent that he has been reminding me at least twice a day (somedays even more than twice) to post this song. A song that has been in the memory for oh so long. But he could not find it anywhere on the internet and YouTube. When he checked with me a few days ago, I confirmed to him that yes, I have it. Then last week, it so happened that he was riding with me in my car, and I had the very CD in the player, that contains this song. When the song played, wow, the excitement on his face was something that has to be seen to be believed.
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Genius of Jaidev – 24
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The 1957 film ‘Anjali, produced by Kala Kunj, Bombay (to the surprise of younger generation, our state was called ‘Bombay’ then) and directed by Chetan Anand had music by our Jaidev with lyrics by Nyay Sharma.  This theme song was often repeated in the film. The film starts with melodious ‘alaaps’ by Lata, following the hymns ‘Buddham Sharanam Gachchhaami ….’. Later on there is a chorus lead by Rafi. I am sure this must have been repeated several times.  In the end the video of the last stanza surprisingly emerges on YouTube. (This raises our hope that there must be video of the film available in video cassette form, which may surface anytime, in future, to our delight.)

Since the title portion would not qualify individually, to be posted on our Blog, having no singing words, I combined it in the beginning of the main Rafi and chorus song.  Again the short video of the last stanza emerged, so that too, was combined for this presentation. (achchha kiya na?)

Since Sheila Ramani and Chetan Aanand are seen in the concluding scene, there must have been two heroines in this film – Sheila and Nimmi – for lucky Chetan Aanand.

Jaidev, composed nine melodious tunes, out of ten, for this film. But as far as this classic Buddha prayer is concerned, he totally copied lying down with closed eyes, the Sinhalese original version.


Song – Kunj Kunj Gunjan Bhanware Ka. . . Buddham Sharnam Gachchhaami (Anjali) (1957) Singer-Lata, Mohammed Rafi, Unidentified Male Voice, Lyrics – Nyay Sharma, MD – Jaidev
Male Chorus, Female Chorus

Lyrics

buddham sharanam gachchhaami
dhammam sharanam gachchhaami
buddham. . . . . gachchhaami
(ooo oooo ooooo ooooo)
dhammam sharanam gachchhaami
(ooo oooo ooooo ooooo)

aaaaaa aaaaaaa aaaaaa aaaaaa
aaaaaaaaaaaaa
aaaaaaaa aaaaa aaaaaa

hooooo ooooo ooooo ooooo 
aaaaaaaaa aaaaa aaaaa aaaaa aaaaa
hooooo ooooo ooooo ooooo 
aaaaaaaaa aaaaa aaaaa aaaaa aaaaa

aaaaaaaa aaaaaaaa
aaa aaa aaaaaaaaaaa aaaa aaa aaa

hooooo ooooo ooooo ooooo 
aaaaaaaaa aaaaa aaaaa aaaaa aaaaa
 
hooooo ooooo ooooo ooooo
buddham sharanam gachchhaami
hooooo ooooo ooooo ooooo
buddham sharanam gachchhaami

buddham sharanam gachchhaami
buddham sharanam gachchhaami

hooooo ooooo ooooo ooooo 

hooo oooo
ooooo ooooooo
oooooo ooooooo oooooo

kunj kunj gunjan bhanware ka
kunj kunj gunjan bhanware ka
karta kis ko tanman arpan
karta kis ko tanman arpan
kunj kunj gunjan bhanware ka
nadiya ki leheron ke paayal
nadiya ki leheron ke paayal
chhanak chhanan chhan chhananananan
ho oo oo karta kis ko tanman arpan
kunj kunj gunjan bhanware ka
buddham sharanam gachchhaami
hooooo ooooo ooooo ooooo
oooooo ooooooo oooooo
 
usha ke hothon ki laali
usha ke hothon ki laali
yauvan ka chhan bhar ka jeevan
youvan ka chhan bhar ka jeevan
ho oo oo karta kis ko tanman arpan
kunj kunj gunjan bhanware ka
buddham sharanam gachchhaami
 
ho ooo ooo oooooo
oooooo ooooooo oooooo
buddham sharanam gachchhaami

buddham sharanam gachchhaami
buddham sharanam gachchhaami
ho ooo ooo oooooo
oooooo ooooooo oooooo

deepak jalte bujhte aaye
deepak-jalte-bujhte-aaye hoo oo oo
khile phool khil kar murjhaaye
khile-phool-khil-kar-murjhaaye hoo oo oo
dekh(?) bujhe na jalti aasha. . .aaaa aaaaa
(ho oo oo oo oo oo)
pade na feeka mann ka darpan
ho oo oo karta kis ko tanman arpan
kunj kunj gunjan bhanware ka
karta kis ko tanman arpan
kunj kunj gunjan bhanware ka
buddham sharanam gachchhaami
dhammam sharanam gachchhaami
oo oo ooooo
oo oo ooooo

(buddham sharanam gachchhaami)
oooo ooooo
oooo ooooo

(buddham sharanam gachchhaami)

———————————————————-
Hindi script lyrics (Provided by Sudhir)
———————————————————-

बुद्धम शरणम् गच्छामी
धम्मम शरणम् गच्छामी
बुद्धम ॰ ॰ ॰ गच्छामी
(ओ ओs ओss ओss)
धम्मम शरणम् गच्छामी
(ओ ओs ओss ओss)

आssss आssss आssss आssss
आsssssssss
आssssss आsss आsssss

होss ओsss ओsss ओsss
आssssss आssss आssss आssss आssss
होss ओsss ओsss ओsss
आssssss आssss आssss आssss आssss

आssssss आssssss
आs आs आsssssssss आss आs आs

होss ओsss ओsss ओsss
आssssss आssss आssss आssss आssss

होss ओsss ओsss ओsss
बुद्धम शरणम् गच्छामी
होss ओsss ओsss ओsss
बुद्धम शरणम् गच्छामी

बुद्धम शरणम् गच्छामी
बुद्धम शरणम् गच्छामी

होss ओsss ओsss ओsss

होss ओss
ओsss ओsssss
ओssss ओsssss ओssss

कुंज कुंज गुंजन भँवरे का
कुंज कुंज गुंजन भँवरे का
करता किसको तन मन अर्पण
करता किसको तन मन अर्पण
कुंज कुंज गुंजन भँवरे का
नदिया की लहरों के पायल
नदिया की लहरों के पायल
छनक छनन छन्न छननननन
हो ओ ओ करता किसको तन मन अर्पण
कुंज कुंज गुंजन भँवरे का
बुद्धम शरणम् गच्छामी
होssss ओsss ओsss ओsss
ओssss ओsssss ओssss

उषा के होठों की लाली
उषा के होठों की लाली
यौवन का छण भर का जीवन
यौवन का छण भर का जीवन
हो ओ ओ करता किसको तन मन अर्पण
कुंज कुंज गुंजन भँवरे का
बुद्धम शरणम् गच्छामी

हो ओss ओss ओsss
ओssss ओsssss ओssss
बुद्धम शरणम् गच्छामी

बुद्धम शरणम् गच्छामी
बुद्धम शरणम् गच्छामी
हो ओss ओss ओsss
ओssss ओsssss ओssss

दीपक जलते बुझते आए
दीपक-जलते-बुझते-आए हो ओss ओss
खिले फूल खिल कर मुरझाए
खिले-फूल-खिल-कर-मुरझाए हो ओss ओss
देख(?) बुझे ना जलती आशा
(हो ओ ओ ओ ओ ओ)
पड़े न फीका मन का दर्पण
हो ओ ओ करता किसको तन मन अर्पण
कुंज कुंज गुंजन भँवरे का
करता किसको तन मन अर्पण
कुंज कुंज गुंजन भँवरे का
बुद्धम शरणम् गच्छामी
धम्मम शरणम् गच्छामी
ओ ओ ओsss
ओ ओ ओsss
(बुद्धम शरणम् गच्छामी)
ओss ओsss
ओss ओsss
(बुद्धम शरणम् गच्छामी)


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Hearty greetings to all friends and readers on the celebration of the Raksha Bandhan festival today.

Ok, ok, I know the query springing in your mind. No, I have not fallen off the edge of the earth. Very much here, reassuringly. Just that the cycles of fate brought in significant distractions and preoccupation for both Atul ji and myself, at the same time. The postings are just a trickle these days. But things on the personal and work fronts are keeping both of us away. Atul ji has been maintaining the trickle, whereas I have not been able to get anything on to the blog for days on end now. Long stories are often uninteresting, so I will cut it short, and say that days of drought are coming to a close. How soon, you may want to know. Pretty soon, I assure you. 😉 Hopeful to see more activity moving forward, and then we should be back to our regular output shortly.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Yeh Hai Bombay Meri Jaan – 8
– – – – – – – – – – – – – – – –

[NOTE:  This is the transcript of the news bulletin that was broadcast at 9 PM on Friday evening on ASAD-Vaani.  This transcript forms Part 1 of the report on the Atulites Gangout that was organized in Bombay on Friday, the 14th of August, 2015. Part 2 of this report follows this news bulletin.]

 

This is ASAD-Vaani.
The News at 9, read by Yours-Truly.

First, the headlines :-

  • The second plenary Atulite gangout of the Mumbai chapter, was successfully and funfully accomplished at Versova earlier in the day today.
  • Heavy rains reported in Nagpur, all modes of transport underwater.
  • The American online search giant, Google Inc., announces major changes to its customer policies
  • The Public Services department of Brihanmumbai Municipal Corporation (BMC) reported success in locating media material
  • The Department of Census of the Ministry of Home Affairs, Govt of India, reports major population shifts in Chhatisgarh state

And now the news in detail.  Please note that this bulletin will be followed by the regular program ‘Natter Chatter’, with a detailed report from our Delhi correspondent on the Atulite gangout session in Mumbai.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

एक सागर है, आवाज़ का, जिसमे डूबे ही रहने को मन करता है।

These are times to be thankful.  And to feel blessed.  That we are living in the times when this treasure of music was created.  We continue to search and explore and continue finding gems, obscure gems, unheard gems, lost gems – songs that were once created with a lot of enthusiasm and zeal.  Yes, these are times to feel blessed that these gems are available and accessible. I am really anxious about the day, and shrink away from the thought – the day when we will have no more songs of Rafi Sb to post. Life will continue, no doubt.  It has a relentlessness built into it.  But then, we will be carrying with us, an emptiness – that there are no more “unheard” songs to search for.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Wishing Manoj Kumar many happy returns of today (24th July).

Manoj Kumar was born this day in 1937 in Abbottabad (now in Pakistan). His birth name is  Harikishan Giri Goswami. Partition of the country happened when he was just ten years old.  His family migrated to to Delhi. His schooling happened in Delhi and he graduated from Hindu College, Delhi University.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 11300th song post in the blog.

Entertaining Sales Pitch Songs – 10
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[Note of Apology: This write up has been in the making since two nights, including the “telephonic interview”.  Apologies that I was not able to post it before midnight yesterday. But then the thought comes – it is still 19th July somewhere in the world. Ah yes, our Khyati Ben in Los Angeles, USA,  is still working through the 19th.  So in a ‘relative’ way, this post is still on time. A brief summary of the celebration events covered herein – seventh anniversary for the blog, 11,300th song posted, and the completion of the planned ‘Entertaining Sales Pitch Songs’ series. Read on.]

[Note of Apology 2: With due apologies to Atul ji, for having taken some liberties in narrating certain aspects of his household.  I am very sure the permission towards these liberties are/will be granted, even though the same has not yet been formally requested 😉 ]

Einstein has said, and he must have been quoted on this many million times by now, that ‘time is relative’. There are a variety of different explanations and discourses on this single statement, depending on the perspective or the branch of science or maths, or for that matter, any other subject, that one is considering. There is a very interesting anecdote connected with this statement. Once a newspaper reporter asked Einstein to explain in simple terms, what is the meaning of the phrase ‘time is relative’.  And Einstein, without going into any mathematical or philosophical explanations, gave the following response.  He said – consider the situation when someone is holding your feet to the fire.  In such a circumstance, a passage of even 5 seconds would seem as if an hour has passed. Then again, think of a situation, when you are sitting and talking ‘sweet nothings’ with your beloved.  Then, after an hour has passed, it would seem to you as if just maybe five minutes have gone by.  That is what makes time relative. 🙂
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

July 18th is an important date in the life of atulsongaday.me. Actually it marks the eve of the birth of the blog itself. I wonder what must have been Atul ji’s sphere of activity on the day prior to this date in the year 2008 when the blog was launched. Last year on this date we were on a countdown to reach our song number 10,000. With this post, we stand at 11,295.
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