Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Remembering (belatedly) Vijay Anand on the anniversary of his passing away (23 Feb, 2004).

Really very few artists and film makers in the industry have been as versatile as Vijay Anand has been. Active in the industry since the early 1950s, Vijay is the youngest of the three Anand brothers. He did have an advantage of two elder siblings, Chetan Anand and Dev Anand, having made a place for themselves in the industry, when he also decided to take the plunge. And under the umbrella of his illustrious seniors, he had the opportunity to delve and develop a multi faceted career. In a career that spans more than five decades, Vijay Anand, or Goldie as he was known to his friends, made his mark as a screenplay and dialogue writer, as a director, as a producer, as an editor, and as an actor. His works are limited, given the span of his career, but the quality of his work speaks for itself. The films he has directed are outstanding, and he is acknowledged as the best director for picturization of songs, in the Indian film industry. In this aspect of film making, which is supremely significant given the musical nature of Indian cinema, he is without a peer.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

We are having exactly 400 songs composed by S D Burman, 647 of Majrooh and 2210 songs by Lata Mangeshkar in the blog. I am wondering exactly how many of these songs composed by S D Burman are written by Majrooh and sung by Lata. If such an information about all songs of S D Burman or Lata or Majrooh was available in one place in the excel sheet format, than it would be so easy to access that figure.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Remembering Talat Mehmood (24 february 1924- 9 may 1998) on the anniversary of his birth today(24 february 2013).

The soft velvety voice that has lent itself to a wonderful array of musical creations, and made an indelible mark in the annals of Hindi film and non-film music. Whether the song is of happiness or it is of sadness, the first thing that comes to mind on hearing Talat Sb’s voice begin to sing, is a feeling of utmost comfort. A feeling that releases all other compulsions in the mind, and the mind wants to sit back and relax and just listen to this soft sound serenading the matters of heart.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Khayyam is one of the music directors of Hindi film industry who made a significant contribution in propagating the NFSs. By his own admission, he had started declining most of the offers for Hindi films’ music direction during late 50s and early 60s as he did not feel comfortable in working in such films in which interference of producers and distributors in music direction had become the order of the day. It was during this period that he devoted his time and energy in composing some of the finest NFSs especially with Talat Mehmood and Mohammed Rafi.
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“Bhaabhi Ki Choodiyaan” (1961) was a Sadashiv Production movie. It was directed by Sadashiv Rao Kavi. The movie had Sailesh Kumar, Balraj Sahni, Meena Kumari, Seema, Master Aziz, Salvi, Sulochana, Ratnamala, Om Prakash, Durga Khote etc in it.
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“Aarti” (1962) was a Rajshree Productions movie. It was produced by Tarachand Barjatya and directed by Phani Majumdar. The movie had Ashok Kumar, Meena Kumari, Pradeep Kumar, Shashikala, Peace Kanwal, Jagirdar, Rajendranath, Vijaya Choudhry, Surekha, Niranjan Sharma, Ramesh Deo, Chandrima Bhaduri, Keshto Mukherjee etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

My browsing through non-filmy songs on the internet for the last few months have been like a nostalgic journey in the down memory lane. Some of the NFSs I have listened to in the recent period took me back to 60s and 70s when I had heard those on the radio. I had completely forgotten some of them until I rediscovered them on the internet. My latest rediscovery of a non-fllmy ghazal is less than 24 hours old but I have already listened to it umpteen times and still listening. This Shakeel Badayuni’s ghazal is ‘nazar nawaz nazaaron mein jee nahin lagtaa’ sung by Shanti Hiranand, a well known classical vocalist and a disciple of Mallika-e-Ghazal Begum Akhtar. I has heard this ghazal many times in the 60s on the radio but had completely forgotten it until I came across the audio clip of this ghazal again.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The 1976 film ‘Aarambh’ may not be a very well known film, but it does carry a unique distinction. It remains the only Hindi film for which the music has been scored by the famous Anand Shankar.
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