Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The imagination of Indian film story writers is truly very fertile. In fact it runs wild when they have to invent some novel theme for the usual “Ghisa-Pita” story like Tarzan.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I some how reach a Majrooh Sultanpuri song very often. This one is a comic song in the film Maaya (1961). The music director for this film is Salil Chaudhary and it is written by Majrooh. Mohammad Rafi is singing this solo song for Agha. Helen is also seen in the picturization. Agha and Helen are indulging in western style dance using props. Helen is brandishing a small purse and Agha has two props, a hat and a walking stick to dance with. They are also using some extra artist standing around, as ‘Ellora Ajanta Qutub Minar” and Dilli, Bombay and Calcutta.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

If one browses through the Hindi films made in the 1940s, it will be observed that there were many lesser known music directors who had tried their luck in Hindi films. My guess is that the number of such lesser known music directors in the 1940s may be a close to 50. Sadly, most of these talented music directors could not sustain their careers for long in the Hindi film industry. This blog has covered songs of many of lesser known music directors of the 40s such as Neenu Majumdar, Shanti Kumar Desai, Shyambabu Pathak, Madhulal Damodar Master, Ramchandra Pal etc. V Balsara was one among such music directors who started his career in Hindi films but could not sustain it for long as a music director. But he changed the track of his career and became a famous instrumentalist, orchestra conductor, a music teacher and the music director of non-filmy songs and a few Bengali films during rest of his life. I became aware of his name in the 1970s mainly for his beautiful compositions of some non-filmy Hindi songs.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Dev Anand’s dedication and commitment to the medium and the industry is well visible to all. Past the seventies when the box office appeal had shifted to the likes of Amitabh Bachchan, Dharmendra, Shashi Kapoor, Jeetendra, Sanjeev Kumar, and Vinod Khanna etc., he continued to be at the helm of film making, and continued to produce and direct films with an uncanny regularity, all the way till his departure from this world. Majority of his later films did not attract much critical or commercial attention, but nonetheless, that did not deter him from his work and his passion.
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This article is written by Pamir Harvey, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

“Zehreela Insaan”(1974), Rishi Kapoor’s second release flopped badly at the box-office. Prakashchandra, a dedicated contributor to this blog, has commented on it here. This film was also the first one to have Rishi-Neetu pairing. Rishi Kapoor has two heroines to romance in this film. The first is Moushumi Chatterjee, whose father marries her off to somebody else. His sadness at the loss is short, he meets another girl at his college with whom he falls in love with. The song yeh silsila pyaar se chalaa marks the beginning of this tempestuous love story.
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“Sapnon Ka Saudaagar”(1968) was produced by B Ananthaswami and directed by Mahesh Kaul for Screen Gems Production. The movie had Raj Kapoor, Hema Malini, Jayant, Tanuja, Achala Sachdev, David Abraham, Durga Khote, Nadira, Rupesh Kumar, C S Dubey, Satyendra Kapoor etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I started this series with great enthusiasm, thinking that our readers will like to read about a set of films no one talks about. There are no articles or any information on Action films anywhere.

This genre of ” C ” grade films is disappearing fast and in last few years atleast I have not seen a C grade film. One of the main reasons may be that in today’s world of slick films, advanced technology and special effects(SFX) techniques and computerised imaging, the real life stunts are no more exciting. In today’s films you can see the Hero jumping from building to building and run faster that a Bullet Train. Such acts are not possible in old style manual stunts, come what may.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This song is a title song picturized with the titles of the film. Come to think of it, Jagdeep was lip synching Rafi songs as far back as in 1956. In this song, he is doing a Charlie Chaplin like comeo scene of getting up in the morning and greeting the birds, hence the song is ‘ lo bhor huyi panchhi nikle ‘ .
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The original Tarzan story was written by Sir Edgar Rice Burrows and it was first published in 1912, followed by its 23 sequels. The story proved to be immensely popular. No wonder, then, that it attracted the Hollywood producers.
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