Archive for the ‘Asha Bhonsle solo’ Category
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
aaye bahaar ban ke
lubhaa kar chale gaye. . .
These lines would apply to so many artists, especially those whose careers in the industry have been short lived, or curtailed for various reasons. But whatever is the measure of the duration of their work in the industry, it is their creations that continue to delight us, and keeps the memories alive. Even if it is one song. And the fun part is the process of discovery that continues. Some of these lesser known artists ended up working for lesser known banners and films. Their music would only sometimes make it to the mainstream and popular cinema. Most of the time they created songs for movies that remained unknown and obscure. Today, when we dig up such unheard gems, that first encounter is such a charm and a pleasure.
Gopal Bahadur Singh is one such songwriter, whose work mostly remained confined to religious an stunt action films in the 1950s and 60s. We are more familiar with his pen name – Gopal Singh Nepali or GS Nepali, the poet who gave us the timeless bhajan – “Darshan Do Ghanshyam Nath Mori Ankhiyaan Pyaasi Re” in the film ‘Narsi Bhagat’ (1957).
Remembering GS Nepali on the anniversary of his passing away today (17th April).
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo to all at Atuldom
So the world (Atuldom I Mean 😉 ) has changed in the period when I was away in Mumbai. There has been a change on many fronts.
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Tum bade wo ho
Posted on: April 11, 2015
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
MISSING GEMS FROM THE GOLDEN 50s….Song No-14
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Today’s song is from a 1958 film-Night Club.
With great determination and very much reluctantly, have moved away from the songs of 1957. As I mentioned I had shortlisted 17 songs from this year alone. It was ridiculous ! With songs from other years, the series would have become a marathon of about 30 odd songs. This is not acceptable to me. Stretching ONE theme for such a long time,in my opinion loses its meaning,charm and writer’s interest. We have already enjoyed 5 Gems from 1957. This much laxity was enough for 1957. The balance songs, I am sure,will find their way to this Blog,anyway.
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Kaisi bekhudi ka saamna
Posted on: March 31, 2015
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Oomar Qaid” (1961) was produced by Super pictures and directed by Aspi Irani. This movie had Sheikh Mukhtar, Sudhir, Nazima, Helen, Mukri, Hiralal, Sulochana, Mohan Choti, Jeevankala etc in it.
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Dekha kisi ne kuchh aise
Posted on: March 30, 2015
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Bambai Ka Chor”(1962) was directed by S D Narang. The movie had Kishore Kumar, Mala Sinha,Jagdeesh Raj, Amar, Iftekhar, Honey Irani, Helen, Pratima Devi etc in it.
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Maan Jaa Arre Buddhoo Jaan Jaa
Posted on: March 30, 2015
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
#The Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # 6 # Asha Bhosle – 1
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Here is a song from the film ‘Return of Johny’ (1972). I had never heard it before. When I started with noting down its lyrics; the first thing I did was to check up the year of release of the film ‘Kati Patang’. Why!! The answer lies in this song. It reminds us of the famous song “Mera Naam Hai Shabnam… Pyaar Se Log Mujhe Shabbo Kehte Hain” from the 1970 film ‘Kati Patang’. This song seems to be inspired from the ‘Kati Patang’ song.
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Ye Jalte Huye Lab
Posted on: March 29, 2015
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Songs to Tickle Your Memory – 16
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“Dil Ka Soona Saaz Taraana Dhoondhega” (‘’Ek Naari Do Roop’, 1973) – a song that has become an everlasting signature memory of its creators. The singing voice of Rafi Sb that instills a restless, discontented pathos into the words of remorse that follows accomplishments. The words that are written by Asad Bhopali, touch the theme of an unfulfilled genius. And the music, it comes from the mind of Ganesh, to whom the sentiments and the theme of this song, fit to the very end.
Remembering music director Ganesh on the anniversary of his passing away (28th March).
The name of Ganesh is associated with an illustrious family of musicians. Son of Ram Prasad Sharma, and younger brother to Pyaarelal Ram Prasad Sharma (of the Laxmikant Pyaarelal duo). Besides Pyaarelal, his other brothers have reaped fame for themselves in the film and non-film music arenas.
In the beginning of 1960s, the name of Ganesh came to be acknowledged as the key contributor to the success of the music of Laxmikant Pyaarelal. The effect of this impression in the industry was so strong that by the mid 1960s, he got about 10 assignments as an independent music director, even before a single film with his music had even got to the studio floors. In 1966, when the films with his music started to appear in theatres, the audiences were swept with the stunning sounds of “Hum Tere Bin Jee Na Sakenge Sanam” (‘Thakur Jarnail Singh’, 1966), “Hum Jahaan Hain Wo Maqaam Husn Aur Ishq Hai” (‘Husn Aur Ishq’, 1966), “Intzaar Ka Aalam Tanhaai Aur Hum” (‘Shera Daku’, 1966) and more. 1967 was no less with songs like “Zulfon Ka Rangeen Saaya Hai Tauba Khudaaya” and “Main Jo Galey lag Jaaungi Tera Badan Jal Jaayega” from ‘Anjaam’, and in 1968 the audiences were treated to songs like “Raja Aana Hamaare Banlge Pe” and “Main To Khadi Re Khadi Re Aankh Ladi Re Ladi Re” from ‘Sab ka Ustad’.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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