Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Bhajan’ Category


When one looks at the songs picturised on Dilip Kumar, one finds that Dilip Kumar, for much of his career had lip synced mainly in the voices of Talat Mehmood, Mukesh and Rafi. In addition, he had also sung in the voices of G M Durrani and C Ramchandra. Then he had sung for himself as well in a few songs.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In my younger days, I disliked the traditional classical vocal music as I had no patience to listen to a couple of verses umpteen times with longish alaaps. I used to feel that the ‘progression’ in the vocal music was too slow for me to get interested in listening to such recitals. However, I liked the filmy and non-filmy songs based on classical ragas as those would get over in about 3 minutes. My taste on traditional classical vocal music changed when I bought a LP of Pandit D V Paluskar in early 70s mainly for 5 devotional songs contained in the one side, the other side being his full length vocal recital on raag Shri. This LP was a turning point for me and I started liking Hindustani classical music. I felt that he must be a great classical vocalist whose vocal music sounded great to my untrained ears.
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“Meera” (1979) was a Suchitra International Production. It was Produced by Premji and directed by Gulzar. The movie had Hema Malini, Vinod Khanna, Amjad Khan, Shammi Kapoor, Vidya Sinha, Dina Pathak, Dr.Shree Ram Lagoo, OmShiv Puri, Bharat Bhooshan, A.K.Hangal, Dinesh Thakur, Sudha Chopra, Kamal Deep, T.P.Jain, Gauri Kamat, Gurbachan Singh, Shahu Modak, Nasir, Maqsood, J.N.Manchanda, Ashish Chatterjee, Sadhana Khote etc in it.
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Today (24 november) is Amol Palekar’s 67th birthday. Unlike most other heroes, who played larger than life characters in movies, Amol Palekar played the roles of a man next door who has problems and worries like the rest of us. And that is what helped him get his fan following among movie watchers who were intested in watching simple uncomplicated movies.
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This article is wrtitten by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Among the singers of devotional songs, one name that comes to my mind is Lakshmi Shankar. It was almost a daily ritual for me to listen to one of her devotional (bhajan) songs almost every day in the morning on All India Radio, Bombay (Mumbai). At that time, I had no inkling that she was a classical dancer and later a renowned classical vocalist of Patiala Gharana. I was not even aware that she belonged to the illustrious Shankar family.
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“Door Gagan Ki Chhaaon Mein” (1964) was a sensitively produced movie about the travails of a father who has a child who has lost his speech after an accident. When all hopes of his recovery are dashed then the father (played by Kishore Kumar) turns to God for help.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

After listening to some of the evergreen non-filmy songs during the last few days, I have come to the conclusion that non-filmy songs have their own style of compositions with tunes and melody getting primacy over orchestration. The musical instruments used in such songs are minimum. Most of these songs give a feel of devotional songs in one way or the other. In romantic songs, there is the devotion towards lovers/beloved. The patriotic songs are devotion to the country. Of course, the bigger canvass of the devotional songs (bhajans) is the spiritualism and devotion to the Almighty. In the 60s, ghazals and bhajans formed a bulk of the non-filmy songs.
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“Baawri” (1982) is a recent movie by the standards of this blog, but this movie has already been forgotten and its details are not known to most people. This movie was directed by A C Trilogchandar. The movie had Rakesh Roshan, Jayaprada, Yogita Bali, Dr Shreeram Lagoo etc in it.
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