Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Calling the beloved’ Category


“Saaranga” (1960) is a mythological movie with lovely songs in it. Listening to the songs of this movie on a peaceful evening is a wonderful experience. That is how I had first heard the title song of this movie (Saarangaa teri yaad mein(Saarangaa)(1960)) in 1970s in Vividh Bharati in a summer evening.
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When it comes to titles for Hindi movies, most of these titles are one to three words long and then tend to have certain common Hindi/Urdu words in them. Combination of an adjective like Badi/Chhoti plus a noun for a woman itself may yield half a dozen or more titles. Then using words like Afsaanaa/fasaanaa/Kahaani either alone or in combination of a few other words leads to many titles. The possibilities are in fact endless.
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“Dil Ne Phir Yaad Kiyaa” (1966) had a story line that could send movie watchers a headache with its storyline. This movie, despite a good cast- Nutan, Dharmedra, Rehman etc, had a storyline that few people could digest, and few people did.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor of write ups to this blog.

While posting the song “in hawaon mein” from Gumraah (1963) recently, I discussed at length my fascination for BR Chopra films. I will not repeat myself here but I will just say that most of his films had fabulous songs too.
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When I was growing up as a kid in late 1960s and early 1970s, I noticed that old movie makers tended to give their movies the same title as the titles of new movies. 🙂 When radio announcer announced songs from “Andaaz”, “Aankhen”,”Aarzoo”,”Adaalat”, “Parwarish” etc, I expected to listen to songs from the newer movies of 1960s and 1970s and I was very upset when the songs played were from old movies of 1940s and 1950s, which were boring by my definition.
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Suraiyya, who made her debut in Hindi movies as a child artist in 1942, began to get the roles of heroines from 1946 onwards. In “Parwaanaa” (1947), she got to act opposite K L Saigal, then the reigning superstar of the time.
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This post is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor of posts to this blog

When I was growing up in the early 70s, Kishore was easily the dominant male voice in Bollywood. He was everywhere and with every new movie he seemed to only deliver more hits.
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