Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Duet’ Category


During late 1950s, Shashdhar Mukherji and Agha Kashmiri were discussing the next movie of Fimalaya in the formers residence. Shashdhar Mukherji wanted to sign up Shammi Kapoor, but Agha Hashra Kashmiri pointed at the youngster arriving at the home and told Shashdhar Mukherji-“Here is the hero of your movie”. That younster of none other than Joy Mukherji, Shashdhar Mukherji’s son. Shashdhar Mukherji was skeptical but he entrusted the job of grooming Joy Mukherji as a hero on Kashmiri. The movie called “Love in Shimla” (1960) was shot and the movie succeeded at the box office.
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“Suhaana Safar” (1970) is an obscure movie despite being a “recent” movie by the standards of this blog :). The movie was produced by R C Kumar and directed by Vijay. Its starcast had Shashi Kapoor, Sharmila Tagore, David Abraham, Lalita Pawar, K. N. Singh, Om Prakash, Tiwari, Bhagwan, Sunder, Manmohan Krishna, Leela Misra, Randhir, Mukri, Keshto Mukherjee etc in it. Now we know why the movie was obscure despite being a recent movie :).
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I often get confused between the two similarly named movies of 1960s, viz “Shikaar” and “Shikaari”. The confusion is compounded by the fact that both movies had similar storylines, where the hero would go to a jungle for “shikaar” where he would enounter tribals wearing Red Indian/ African kinds of heargears etc and the daughter of the chief would be the chief female dancer among the tribal dance troupe that would sing and dance at the drop of a spear.
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I have heard this song many a times and liked this song too, but all this while I was totally unaware about the details of this song. Now that I have heard this song again, I recall that this song was one of the songs that Sunil Gavaskar had played during the Vishesh Jaimala programme on Vividh Bharati in 1975.
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This song is one that I thought I had already discussed in the blog. The first time I became aware of O P Nayyar was in mid 1970s, when I read about him in a Hindi magazine (Dharmyug,perhaps, where it was mentioned that he made a successful career for himself without using Lata Mangewshkar’s voice even once). This got by curiosity roused. I found out that “Naya Daur” (1957) was a breakthrough movie for him as well as for many others associated with the movie. Ao I became aware of all the songs of this movie. One can see the lyrics of several songs from this movie noted down in a a diary where I used to note down the lyrics of songs that I liked those days. One can say that my diary showed which songs I liked in 1970s. And I liked the songs of “Naya Daur” (1957).
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1970s, especially the first half of it was ruled by R D Burman as a music director. So much so that the other music directors too began to compose music that sounded like R D Burman’s music. And of course they began to use the voice of Kishore Kumar also, who had become the top male singer just as R D Burman had become the top music director.
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When I saw the lyrics “chal chal re naujawaan” in a song from “Ek Phool Do Maali” (1969), I was surprised. People may wonder why I should be surprised if I had watched the movie. Indeed I had watched the movie, but my selective memory ensures that I only recall the details of movie watched in my younger days and details of movies that I watched much later are not retained in my memory (not enough space in the memory, perhaps 🙂 ).
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“Heer” (1956) was a Filmistan Production. It was directed by Hamid Butt and the starcast included Pradeep Kumar, Nutan, Ulhas, Darpan, S. L. Puri, Randhir, Krishna Kumari, Zohra Sehgal, Chaman Puri, Mubarak, Murad, Rashid Khan, Lalita Pawar, Shakuntala etc.
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“Kanhaiyya”(1959) was a movie which was an S P Pictures productions. Sant Singh and Pachhi were the producers and the movie was directed by Om Prakash. Starcast of th movie had names like Raj Kapoor, Nutan, Om prakash, Lalita Pawaar, Raj Mehra, Vishwa Mehra, Madan Puri, Leela Mishra, Pachhi, Jagdish Sethi, Uma Dutt, Nazir Hussain, Sushil, Sarita, Mauji, Uma Khosla, Ratna, Mona Saxena etc.
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