Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Duet’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6298 Post No. : 19494 Movie Count :

5140

‘Mast’ (1999) was a romantic fantasy film which was produced and directed by Ramgopal Varma. The cast included Urmila and Aftab Shivdasani (debutant) in the lead roles supported by Dalip Tahil, Smita Jaykar, Govind Namdeo, Antara Mali, Niraj Vora, Raju Mavani, Suhas Bhalekar, Rajpal Yadav (debutant) etc.

As admitted by Ramgopal Varma in an interview with rediff.com just before the release of the film, during his younger days, he had an obsession with Sridevi. In the later years, he felt that most of the teenagers may be fantasising in their minds about their obsessions with actors. So, he felt that this obsession with an actor can be made into a musical romantic film. Ramesh Khatkar and Vinod Ranganathan jointly wrote the story, screenplay and dialogues for the film based on Ramgopal Varma’s own experiences.
Read more on this topic…


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6298 Post No. : 19492

Mukesh and his NFS – 11

In the annals of HFM, the association of Mukesh with composers Kalyanji-Anand ji will remain inscribed in golden letters for decades to come.

Class, genres, melody, numbers; you name it, you have it.

And, before the readers jump to conclusions, this post is not listing the songs of the combo. That will have to wait for another day since much work is involved in preparation of the long table as the numbers are in 3 digits. It will also involve multiple verifications so that no songs are missed.

In this regard, and in spite of posting 90+ Mukesh songs, it is an incomplete work if the following are not covered.

• Mukesh’s association with Shankar Jaikishen, Kalayanji Anandji and Laxmikant Pyarelal.
• Mukesh’s songs with Lata Mangeshkar and Asha Bhosale.
• Mukesh’s songs for Raj Kapoor.

I am cognizant of this huge lacuna in my work and will endeavor to complete the tasks.

Today, I take up a rather easier task. That of Mukesh’s NFS with Kalyanji Anandji.

Mukesh sang in about 56 Hindi films scored by Kalyanji Anandji and in about 5 films which did not see the light of the day; meaning they remained unreleased.

As far as NFS are concerned, apparently, there are none as such. But, MGK-II lists three songs under NFS category. Guess what? All three NFS have some “film in the making”, “shelved” and “unreleased” sort of tags associated with them.

Here is the short table of the 3 “NFS”.

S. No Name of the song Lyricist
1 Na kajre ki dhaar, na motiyon ke haar Indeewar
2 Main chakori tum gagan ke chandrama Unknown
3 Hey re dayamay apni daya se Unknown

Needless to say, 1 and 3 are already represented on the blog. I would request readers to open the links of the two posted NFS as they are very interesting songs.

1 as I have detailed in the post is probably from an incomplete film “Navagraha”.

3 was from a released film, but the said song itself was not included in the film.

Today’s duet with an unknown female co-singer and an unknown lyricist is also probably from an incomplete film “Poornima”. Please note that the combo also has songs in another released film of the same title Purnima (1965). In this film, Mukesh has 3 glorious songs.

Two solos and an evergreen duet with Lata Mangeshkar. I am tempted to start writing on the songs of the combo now itself, but then that post will have to wait.

For today, we have this last NFS (a duet) of Mukesh under Kalyanji Anandji’s composition with a female singer whose identity is not known.

Editor’s note: The female voice sounds like Suman Kalyanpur.

YouTube link:

Song-Main chakoree tum gagan ke chandrma (Mukesh NFS)(1970) Singers-Mukesh, Suman Kalyanpur, Lyricist-Unknown, MD-Kalyanji Anandji

Lyrics

Ho o o
ho o o
aa aa aa aa aa aa

Main chakoree
tum gagan ke chandrma chandrma
main chakoree
tum gagan ke chandrma chandrma

main adhooraa bin tumhaare poornima
ho main chakoree
tum gagan ke chandrma chandrma

phool apne aap man ke khil gaye ae
phool apne aap man ke khil gaye ae
maine maangee thhee kiran tum mil gaye ae
maine maangee thhee kiran tum mil gaye ae
?? ke aaj baahon mein sama chandrma

main adhooraa hoon tumhaare bin poornimaa
ho main chakoree
tum gagan ke chandrma chandrma

kalpana ke taar kyun phir se hiley
kalpana ke taar kyun phir se hiley
aaj se pehle bhee thhey kya hum miley
aaj se pehle bhee thhey kya hum miley
jaanee pehchaanee lage tu priytama priytama
main adhooraa bin tumhaare poornimaa
ho main chakoree
tum gagan ke chandrma chandrma

maangtee hain mujhse kya ankhiyaan teree
maangtee hain mujhse kya ankhiyaan teree
ho o maang bhar de aaj taaron se meree
maang bhar de aaj taaron se meree
beet na jaaye suhaana ye samaa ye samaa

main adhooraa bin tumhaare poornimaa
ho main chakoree
tum gagan ke chandrma chandrma


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6296 Post No. : 19486

12th October was the date of birth of prominent Indian Urdu and Hindi poet, lyricist and dialogue writer Nida Fazli who’s birth name was Muqtida Hasan Nida Fazli. He was born in 1938, at New Delhi to a father who was also a well-known Urdu poet of his times. He had his education in Gwalior, where he also learnt English literature. Fazli moved to Bombay sometime in 1964 to earn a living. In 1965, eighteen years after the partition of India, his parents and other family members migrated to Pakistan. Fazli, however decided to stay back in India. The departure of his parents was an epochal event in his life, the pain and repercussions of which remained with him all his life.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6294 Post No. : 19481

Today’s song is a duet from the religious film Tulsidas-1954.

The film was directed by B.C.Shukla and Harsukh Bhatt.

Harsukh Bhatt (24-11-2024 to 31-10-1999) was the younger brother of Vijay Bhatt of Prakash Pictures. Shukla and Harsukh had also directed one more film, Naulakha Haar-1953. Independently, Harsukh had directed 13 more films. He started his career as a director with the film Bal Yogi-1952 and his last film was Gayatri Mahima-1977. The music was by the king of melody, Chitragupt and the lyricist was G.S.Nepali. The cast of the film was Mahipal, Shyama, Dulari, Sunder, Raaj Kumar, Chaman Puri Ramji, Uma Dutt, Sitaram and many more.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6288 Post No. : 19464

#the Decade of Sixties – 1961 – 1970 #
———————————————————————

Today’s song is from the 1964 movie ‘Rustom-E-Rome’ which was passed by the Censor Board on 28.03.1964. It was directed by Radhakant for Sargam Chitra, Bombay. This stunt movies had Dara Singh, Azad, Vijaya Chaudhary, Rajan Kapoor, Sundar, Aruna, Madhumati, Rajrani, Arvind Pandya, S.K. Shyam, Ram Raseela, Anand, Jilani, Bihari, Haroon, Qamar, Tiger Joginder Singh, Al Rad Gova, Saudagar Singh, Pal Vachan, Ismail Azad, Jaani Babu, Shery, Indira and others.
Read more on this topic…


This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6285 Post No. : 19456

#the Decade of Seventies – 1971 – 1980 #
———————————————————————
#Bhoole-Bisre Geet #
———————————

Today is the last day of the ten-day long ‘Durga Pooja Utsav’ or ‘Navraatree festival’ of this year 2025. The effigies of the demon Ravana are being burnt all over the country to celebrate the victory of Good over the evil. The ten day long staging of Ram Leela will also come to an end today.

Ram Leela is performed in many parts of our country. I was thinking of the past decades from the mid-eighties onwards and I realised that many changes have taken place in the presentation of Raamleelaa thanks to the advancement of technology with time. This can be noticed when the scene on the stage changes from one part to other, where the set up is required to be changed. In olden times the curtains were rolled down to change the backdrop of the characters performing on stage. My guess is that this would have undergone a sea change nowadays where we have technology to help us.

People born before nineties who would have attended Raamleelaa shows in their town or villages must have been witness to funny situations arising during the plays because of various reasons such as forgetting the dialogues, or disruptions due to sudden power-cut etc. These unplanned events during the show would have created situations of laughter and comedy for the audiences.
Read more on this topic…


This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6285 Post No. : 19454

Hullo Atuldom

Wishing all the followers of the blog a Happy Dassehra. Happy Vijayadashmi. A day which is the culmination of the Sharada Navaratri. Navaratri means nine nights & Vijayadashmi is the 10th day when all the festivities reach a finale.

Much of North India would have had Raam-Leela as part of the festivities & we will witness Ravan-Dahan on the 10th day.

In West India we have the Devi installed in the form of Ambemaa with Aarthis, Garba & Dandiya forming the part of celebrations. Recently, I learnt that the Dandiya-sticks are representative of the weapons that were used by Ambemaa (Durga Maa) in her battle against the Rakshasaa “Mahishasura”.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6283 Post No. : 19447 Movie Count :

5135

‘Dastoor’ (1991) was produced by Harish Munjal and Prem Chugh and was directed by Anil Mattoo. The cast included debutants Dolly Minhas, Pomy Dev in the lead roles supported by Sharmila Tagaore, Suresh Oberoi, Raza Murad, Alok Nath, Manohar Singh, Johny Lever, Kulbhushan Kharbanda, Dinesh Hingoo, Harish Munjal etc. Amita Nangia made her friendly appearance in the film. I have watched the film for the first time only few days back in one sitting. The film is a murder mystery drama with a fast-paced narratives to keep the audience engrossed while watching the film.

The opening scene of the film gives a feel of watching some of the suspense thriller films of the 1960s like ‘Wo Kaun Thhi’ (1964), ‘Poonam Ki Raat’ (1965) and ‘Mera Saaya’ (1966). A girl in white, without any expression, walks through the forest in a dark night with a background song, her destination being an architecturally impressive palatial mansion in which the owner lives alone. The caretkaer of the dmansion is seen smoking his chillum. After some time, he is seen switching off the lights of the first floor of the mansion. Simultaneously, a man in hat is also walking toward the mansion. An unidentified person has killed the watchman of the mansion by suffocating him. Inside the house is a pet eagle which makes a noise, probably giving a notice that someone has entered inside the mansion. Another man is slowly climbing the stairs with camera focussed only on his legs. Now, inside the mansion, there are four persons in addition to the owner of the house – the caretaker, the girl in white, the man with a hat and a person climbing the stairs in the mansion. All these scenes of movements give an indication to the audience that something is going to happen inside the mansion.
Read more on this topic…


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6281 Post No. : 19439

Today’s song is from a fantasy film Gul E Bakawali-1963.

Most Indians have two common traits. One, they are religious and two, they believe in magic. Therefore most of the children liked the stories in which there was fantasy and magic. Ofcourse, I am talking of older times. These days children’s likings have changed and they like to play with modern gadgets, rather than reading books.

When I was in school, there was great demand from students for books on Vedic stories, fantasy and fairy stories, especially the Arabian Night story books in our school library. Students had to put their names on a waiting list for such books, though the library had multiple copies of such books. Once the books were taken home, other members of the family also read them with great taste and nostalgia.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6280 Post No. : 19438

‘Pakhandee’ (1983) was produced by Robert D’Souza and was directed by Samir Ganguly. The cast included Shashi Kapoor, Sanjeev Kumar, Zeenat Aman, Asha Parekh, Ranjeet, Helen, Jagdeep, Asit Sen, Leela Mishra, Anwar Hussain, Kader Khan, N A Ansari, Dinesh Thakur, Sudhir etc. This was Samir Ganguly’s last film as a director.

Samir Ganguly was born in Lucknow in 1936. His father was working in the railway while his mother was a housewife. He was the youngest of the seven children. After the retirement of his father in 1947, Samir was looked after by his brother-in-law (his sister’s husband) in Jaipur who was financially well-off. After his brother-in-law’s retirement, Samir came to Mumbai in 1953 in search of employment during which he stayed with another brother-in-law, Subodh Mukerji who was the younger brother of Filmistan’s boss, Shashadhar Mukerji.
Read more on this topic…


Total visits so far

  • 17,715,177 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Join 1,953 other subscribers
Support the blog

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Historical dates

Blog Start date: 19 July 2008

Active for more than 6000 days.

Archives

Stumble

visitors whereabouts

blogadda

blogcatalog

Music Blogs - BlogCatalog Blog Directory