Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Feelings of heart’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 33
– – – – – – – – – – – – – – – – – –

wo jab yaad aaye
bahut yaad aaye

yes, bahut yaad aaye. . .  that voice – the magic, the magnetism, the feeling of surreal contentment that descends into the being, and ensconces it with a joyous delight. It is a voice, that now lives only in our memories, or in the ethereal sound waves. The memories are such, they will never be detached till the breaths last. And the sound – they say in our culture that sound is forever; it lives in the space for all times to come.  And so will this voice. This voice – of Rafi Sb. This voice that went to sleep 36 years ago, today. 36 years seem to be a long time, a third of a human life already. But it seems just like, well, recently. And the affinity and the magic of this voice has only deepened with time.

Remembering Rafi Sb today, with all humility and respect and love.
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today (31 july 2016) is a day that all music lover know only too well. It seems like yesterday when we heard the unexpected news that Rafi was no more. He was just 55 years old at that time and he still had many years of singing career ahead of him. In a way, his demise signified the hastening of the end of the golden era of HFM, an era which had begun when his himself was making his mark as a playback singer in 1940s.
Read more on this topic…


This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi : The Incomparable (II) – Song No. 05
—————————————————-
‘I live in Australia,’ he said, which wasn’t really an answer. He turned away from her and looked out to sea, changed the subject along with the mood. ‘The sunsets are spectacular here,’ he said, because they were.
Read more on this topic…


This article is written by Mahesh Mamadapur, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

There have been quite a few Ghulam Mohammed compositions posted on the blog in the last few days. Any additions of such great but under-rated composers is always a cause of pleasure. I say un-rated because apart from his most remembered Mirza Ghalib (1954) and a rather un-finished Pakeezah(1971), Ghulam Mohammed’s immense talent remains largely unappreciated. It’s another matter that he himself was also to be blamed for remaining behind the curtains of Naushad’s much celebrated successes. It’s no surprise that not much information is available on him. There are not even many photographs of the great composer. However I did find this blog with a very fair and detailed description of his life and works. The importance of his talent can be measured with this line from the same article about his Pakeezah compositions.
Read more on this topic…


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

 

I was in the midst of writing a short write-up on a song from the film ‘Jawaani Ki Reet’ (1939) produced under the banner of New Theatres. The film was not available to view in DVD/VCD format. Luckily, I could get a short review of the film in February 1940 issue of  ‘Filmindia’ magazine which gave me some indication as to the theme of the story. The story reminded me of the film ‘Kangan’ (1939) produced under the banner of Bombay Talkies, as I had watched the 40-minute snippet of the film on YT a few days back.
Read more on this topic…


This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sureeli Suman – 15
———————–

The original HMV of EMI group was renamed RPG, when purchased by the Goenka Group. Later on in 2000, this major music producing company was aptly named as ‘Sa Re Ga Ma’. During earlier years, it used to sponsor great artists to produce many non-film music albums. Later on, under the false pretext of changing music trends, but mainly due to commercial angles, such publications along with classical music albums ware slowly reduced to very near zero.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 24
– – – – – – – – – – – – – – –

To each his due – that is an adage that basically covers all the destinies, whether right or wrong, whether happy or sad. The struggle to definitively define whether success is destined, or whether it can be achieved through hard work, is a tough task indeed. Logic and arguments work both ways. Believers of destiny even go as far to propound that one will put hard work in life, because that is what the destiny says should be. And sometimes one tends to lean towards that argument – for there are numerous cases we know of people successful without having to put in too much hard work, or having displayed much capabilities. And of course, there are cases, also very numerous, where highly capable people are seen putting in lot of hard work most of their lives, but still, the coveted fruits of success elude them. And so, after witnessing so many such seemingly unfortunate lives, living through such seemingly unfair circumstances, one is eventually resigned to say – to each his due.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 22
– – – – – – – – – – – – – – – – – – – – – – – – – –

‘त’
“तुम्हीं से हुई है शुरू और तुम्हीं पे सनम खत्म होगी कहानी हमारी”

What a gem of a delight this song is, from the 1969 film ‘Mera Dost’. As we continue to delve and search, we continue to come across as yet un-posted songs that are simply out of this world. Such wonders will not cease, I am sure for quite some time yet.
Read more on this topic…


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

एक आवाज़॰॰॰
अब सो गई है
तन्हाइओं में
सिर्फ याद बाकी है

याद बाकी है
उस आवाज़ की
जो दीप के संग जली
जल जल के मरी
कुछ कह ना सकी
और कुछ कहा
तो बस यही
कोई सुने या ना सुने
हम हाल ए दिल सुनाएँगे
Read more on this topic…


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Neelam Pari”(1952) was directed by Dhirubhai Desai for Chandrakala Film company. The movie had Sajjan, Geeta Bali, Sajjan, Sapru, Gope, Kuldip Kaur, Kamal, Samson, Niranjan Sharma etc in it.
Read more on this topic…


Total visits so far

  • 18,449,885 hits

Enter your email address to subscribe to this blog and receive notifications of new posts by email.

Support the blog

Bookmark

Bookmark and Share

Category of songs

Current Visitors

Historical dates

Blog Start date: 19 July 2008

Active for more than 6000 days.

Archives

Stumble

visitors whereabouts

blogadda

blogcatalog

Music Blogs - BlogCatalog Blog Directory