Archive for the ‘Post by Sadanand Kamath’ Category
Kya khoya kya paaya jag mein
Posted on: August 16, 2020
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4412 | Post No. : | 15809 |
Today, August 16, 2020 is the 2nd Remembrance Day of Atal Bihari Vajpayee (25/12/1924 – 16/08/2018), the former prime minister, one of the greatest statesmen, a nationalist, a good orator and a poet.
The political career of Atal Bihari Vajpayee has been an open book and it does not require an elaborate discussion. Suffice to say in brief that at the age of 18, Atal Bihari Vajpayee became politically active by participating in Quit India Movement of 1942 and was imprisoned for one month. In 1957, He became the member of Lok Sabha for the first time at the age of 33. From 1967 to 1984, he continued as a member of Lok Sabha without any interruption. Again from 1991 to 2009, he became the member of Lok Sabha. With nearly 5 decades of experience – both from the opposition and ruling parrties’ sides, one can gauge the vast political knowledge he had gathered to be rightly called as ‘Bhishma Pitamah’ of Indian politics who was admired by both the ruling and opposition parties.
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O gori aaja gaddi vich baithh jaa
Posted on: August 12, 2020
This article is written by Sadanand Kamath, a fellow enthusaist of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4408 | Post No. : | 15798 |
apni kahaani chhod jaa
kuchh to nishaani chhod jaa
kaun kahe iss or
tu phir aaye naa aaye
That is how Balraj Sahni left his mark as an outstanding method actor in most of his nearly 100 films in which he acted during the course of his 27 years of filmy career. Balraj Sahni started his filmy career as an actor almost at the same time as Dev Anand, Dilip Kumar and Raj Kapoor, the trinity of the golden period of Hindi film industry. But he had to struggle hard to establish himself as an actor in demand. It took him more than a decade to do so while his compatriot trinity had become the stars in early 1950s.
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Samjha kya hai duniyaa daana
Posted on: August 3, 2020
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4399 | Post No. : | 15776 |
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Blog 10-Year Challenge (2010-2020) – Song No.49
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In my younger days, I remember to have watched Marathi film ‘Kunku’ (1937) on Bombay Doordarshan (now ‘Sahyadri’ Channel). At that time, I was not aware that ‘Duniya Na Maane’ (1937) was its Hindi version. Even it did not occur to me that the subject chosen for the film was very bold. I have no much recollections of the songs of the film but Shanta Apte’s performance has remained in my mind as it was quite different as compared with the theatrical acting by most of the actors of that time. Even her song renditions were looking natural as against the ‘fixed gaze’ style of song renditions witnessed in most of the films at that time.
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Ye Haseenon Ke Mele Albele
Posted on: July 26, 2020
- In: Devnagri script lyrics by Sudhir | Duet | Feelings of heart | fun timepass song | Geeta Dutt songs | Guest posts | Lyrics contributed by readers | Post by Sadanand Kamath | Shamshad Begam -Geeta Dutt duet | Shamshad Begam songs | Songs of 1940s (1941 to 1950) | Songs of 1947 | Yearwise breakup of songs
- 2 Comments
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4391 | Post No. : | 15757 |
I have carried an impression in my mind for a long time that in the 1940s, Anil Biswas rarely used full-throated playback singers like Shamshad Begum, Zeenat Begum, Zohrabai Ambalewaali, Munawwar Sultana etc. This is based on my listening many songs composed by Anil Biswas during the last about one decade. To check my ‘hypothesis’, I glanced through all the songs composed by Anil Biswas which have been tagged under his name in our Blog.
In addition, I went through a couple of websites on Hindi film songs and my excel-sheets of songs for the period 1931-50, partially taken from HFGK. The main conclusions of my ad-hoc research are as under:
- Zeenat Begum and Munawwar Sultana did not sing for Anil Biswas though both of them had shifted to Mumbai sometime in 1944.
- Although Shamshad Begum had shifted to Mumbai along with the musical team of Ghulam Haider in 1942, Anil Biswas gave her chance to sing under his music direction for the first time in the film ‘Bhookh’ (1947).
- Anil Biswas took Zohrabai Ambalewaali for the first time in the film ‘Gramophone Singer’ (1938) followed by ‘Hum Tum Aur Woh’ (1938). After a gap of nearly 9 years, she got a chance to sing for him in ‘Naiyya’ (1947) which happened to be her last film with Anil Biswas as a playback singer.
- Ameerbai Karnataki and Anil Biswas started their musical career almost simultaneously in Mumbai during 1935-36 and she sang for him in a couple of films as an actor-singer. But as a playback singer, she got a chance to sing under the music direction of Anil Biswas for the first time in ‘Kismet’ (1943). With the popularity of her songs in this film, Ameerbai Karnataki became one of the topmost playback singers of Hindi films.
Shubh Sukh Chain Ki Barkha Barse
Posted on: July 23, 2020
- In: Babul Supriyo Songs | Background song | Devnagri script lyrics by Sudhir | Guest posts | Hindi Songs in Non-Hindi Films | Lyrics contributed by readers | Patriotic song | Post by Sadanand Kamath | Song from regional movies | Songs of 2010s (2011 to 2020) | Songs of 2019 | Yearwise breakup of songs
- 7 Comments
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4388 | Post No. : | 15750 | Movie Count : |
4388 |
Hindi Songs in Bangla Films: 35
‘Gumnaami’ (2019) is a Bangla film with fairly good parts of dialogues in Hindi and English. The film is produced under the banner of Shri Venkatesh Films and is directed by Srijit Mukherjee. The main star cast consists of Prosenjit Chatterjee (as Netaji Subhash Chandra Bose and later as Gumnaami Baba), Anirban Bhattacharya (as journalist, Chandrachur Dhar), Tanushri Chakraborty (as Ronita Dhar), Surendra Rajan (as Mahatma Gandhi), Sanjay Gurubuxani (as Jawaharlal Nehru) etc. The film was released on October 2, 2019. Being a recent release, as of now, the movie is not available on video sharing platforms.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4387 | Post No. : | 15747 |
There are Hindi films in which almost all the songs have become popular. But those films are often identified with a single song in the sense that the name of the film brings back the memory of the most popular song of that film which has been stuck in the minds of the listeners for long. I give below a sample list of five films which are often identified with one of its popular songs:
Aaraam (1951): ae jaan-e-jigar dil mein samaane aajaa
Yahudi (1958): ye mera deewaanapan hai
Bambai Ka Babu (1960): chal ri sajni ab kya soche
Soorat Aur Seerat (1962): bahut diya dene waale ne tuhjko
Bandini (1963): o jaane waale ho sake to laut ke aana
The significance of these five films with songs mentioned thereagainst is that all these five songs have been sung by Mukesh and that too the only song he has rendered in these films. That is the power of Mukesh’s melonchalic voice laced with sadness. Mukesh had said in one of his interviews that if he has a choice of 10 songs to sing, out of which one is a sad song, he would reject remaining nine songs.
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Dilon ka melon ka naam picnic
Posted on: July 19, 2020
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4384 | Post No. : | 15738 |
A week before the 12th birth anniversary of the Blog on July 19, 2020, an idea propped up in my mind. Some time back, I had read the interviews of a 78 RPM record collector of Indore and also of the vintage gramophone turn-table collectors of Pala near Kottayam which were published in some newspapers. Atul ji’s Blog has been in existence for 12 years with almost daily posting of songs. With nearly 15800 songs spread over 4300 films covered and a hit of a little over 1,36,22,000, the Blog must have attained the numero uno position among the musical blogs in India. This is a great achievement. So, I felt that the creator of this Blog – Atul Besra deserves to be interviewed which should get published in newspapers/magazines. This was just my momentary thought.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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4377 | Post No. : | 15720 |
“I worshipped Bimal Roy. For me, his worth as a man was more than his films… It is impossible for me to describe what a man he was.”
The above quote was by Ritwik Ghatak, one of Bimal Roy’s desciples who later became an internationally known director of parallel cinema in Bangla films.
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