Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Post by Sudhir’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 11000th song post in the blog.

As I am musing to start this write up, the two special things that come to mind are auspiciousness and unity.

Samajhne waale samajh gaye hain
Naa samjhe. . .
🙂 🙂

But it is not so that only these two thoughts are flowing in the mind.  Another thought that enters the mind is flee, escape, take flight etc. etc.  Haan, wo bhi hota hai.

I hope you are still with me. 🙂 🙂

Yes, you are right.  I am trying to start the writing of the post for the very very special occasion of today.  We have touched the next Massive milestone after THE MASSIVE milestone that we hit in July of 2014.  It has taken us eight months and eleven days to reach here.  . . . .Ooooops, I said it, when I was not even intending to say it.  But then the calendar is a calendar and if it has taken eight months and ELEVEN days to reach here, then that is what it is – it HAS taken ELEVEN days + eight months to get to today’s milestone.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 17
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The versatility of a writer, especially a song writer, is a direct reflection of his well rounded awareness and understanding of the many aspects of this life and the society that we live in.  Getting into the industry, and writing for the regular social and romantic themes is one level of expertise.  The next dimension to that is to move away from the conventional lines and create unusual verses.  Like the path breaking new sounds that RD Burman created in the 1970s.  An example of a neo+ song that comes to mind is the striking “Dam Maaro Dam” from the 1971 film ‘Hare Rama Hare Krishna’.  The theme and the expressions in this song, well reflect the then ongoing hippie ‘revolution’ that had swept around the globe, starting from west in the second half of 1960s, and making its way east, as an undefined quest.  The song represents the moods of rebel thoughts that drove this movement.  Taking in the changes that were coming along with the newer generations, Anand Bakshi wrote the simple lyrics of this song, that at one time, had become the signature beat for the hippie people.

Remembering Anand Bakshi, on the day of his passing away today (30th March).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 16
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Dil Ka Soona Saaz Taraana Dhoondhega” (‘’Ek Naari Do Roop’, 1973) – a song that has become an everlasting signature memory of its creators.  The singing voice of Rafi Sb that instills a restless, discontented pathos into the words of remorse that follows accomplishments.  The words that are written by Asad Bhopali, touch the theme of an unfulfilled genius.  And the music, it comes from the mind of Ganesh, to whom the sentiments and the theme of this song, fit to the very end.

Remembering music director Ganesh on the anniversary of his passing away (28th March).

The name of Ganesh is associated with an illustrious family of musicians.  Son of Ram Prasad Sharma, and younger brother to Pyaarelal Ram Prasad Sharma (of the Laxmikant Pyaarelal duo).  Besides Pyaarelal, his other brothers have reaped fame for themselves in the film and non-film music arenas.

In the beginning of 1960s, the name of Ganesh came to be acknowledged as the key contributor to the success of the music of Laxmikant Pyaarelal.  The effect of this impression in the industry was so strong that by the mid 1960s, he got about 10 assignments as an independent music director, even before a single film with his music had even got to the studio floors.  In 1966, when the films with his music started to appear in theatres, the audiences were swept with the stunning sounds of “Hum Tere Bin Jee Na Sakenge Sanam” (‘Thakur Jarnail Singh’, 1966), “Hum Jahaan Hain Wo Maqaam Husn Aur Ishq Hai” (‘Husn Aur Ishq’, 1966), “Intzaar Ka Aalam Tanhaai Aur Hum” (‘Shera Daku’, 1966) and more.  1967 was no less with songs like “Zulfon Ka Rangeen Saaya Hai Tauba Khudaaya” and “Main Jo Galey lag Jaaungi Tera Badan Jal Jaayega” from ‘Anjaam’, and in 1968 the audiences were treated to songs like “Raja Aana Hamaare Banlge Pe” and “Main To Khadi Re Khadi Re Aankh Ladi Re Ladi Re” from ‘Sab ka Ustad’.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 15
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A little over two years ago, we had celebrated the century of this remarkable and versatile artist, as a music director, when I had posted the song “Nanha Sa Dil Deti Hoon Pardesi Preet Nibhaana”.  A peerless master of the classical tradition, whose typecasting in the industry was so intense that he mostly remained confined to B/C grade mythological films for most of his career of nearly five decades.

Remembering SN Tripathi on the anniversary of his passing away (28th March).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

The Wonderful Sounds of 1930s – 2
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Almost eighty years ago – ‘Miss Frontier Mail’ from way back in 1936. The caricatures in the video clip stand testimony to the pioneers of Hindi cinema. This is the famous original stunt film from the house of Wadia Movietone, featuring the famous fearless Nadia, the queen of stunt films in the 30s and 40s.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Life is short but art and for that matter music is permanent. There is no death of a true art and so is it with music.”

These are the words of one who is known as the ‘Gentleman Musician’ amongst the community of music directors and musicians, both in Bombay and in Calcutta.  Vistas Ardeshir Balsara – a name that is part of a long list of very talented musicians, whose contributions to the making of the film music has been immense.  These musicians, instrumentalists and arrangers, most of whom were  experienced and capable of being music directors in their own right, rarely got to appear in the limelight and be recognized for their work.  V Balsara is one such gifted musicians who did get the opportunity to step out from behind the curtain, and be known for his art.  I am sure all will remember the iconic song “Ae Mere Dil Kahin Aur Chal” (‘Daag’, 1952) in all its flavors.  The piano accordion in this song is played by him.

Remembering V Balsara on the anniversary of his passing away (24th March).
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 14
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There are many recipes to make memorable songs.  In my experience, one of them is – a B/C grade stunt film (the more obscure and forgotten, the better), an unfamiliar name of the lyricist, the voice of Rafi Sb, and the music of one of the lesser known music directors.  And voila, you have a fabulous and memorable song.  The song itself may be obscure, unfamiliar and possibly unheard for a long time.  But once you hear it – it is all a ‘wow’.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

OK, so there are many a piano songs in Hindi films, and we have seen many an actor play the piano on screen. In this song, I see Pran playing the piano. This is the first time I have seen this happen on screen. Other friends and readers may comment on this, but for me, this is the first time.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Glancing through the comments from the past couple of days, I got a shock to see the RIP comment posted by Avinash ji.  Goodness no, but Krishna Kalle is no more.  I quickly searched for more news online, but am dismayed to see almost nil coverage of this news.  A couple of news sites carried brief items of just a small paragraph or two.  She passed away last Sunday, 15th March, after a brief but serious illness.  The last rites were performed on Monday.  She was 74.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Past few days have been very slow on the blog.  Concerns have been expressed in the mails being exchanged not only between the regular team members, but also enquiries are coming from other readers and friends.  Some expressions include statements saying that this blog has become such an integral part of their individual routine of the day.  And on days when we have no posts – dot balls, or even maiden overs, as Atul ji likes to refer to such days, folks have expressed that something seems to be lacking in the day.  And personally, I wholeheartedly agree with this sentiment.
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