Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Love song’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 34
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“वो चाँद सा चेहरा लिए, छत पर तेरा आना

tu raat khadi thi chhat pe
nee main samjha ke chaand nikla

There is something so uniquely desi about this romantic element – ‘chhat pe’ – ‘on the rooftop’ scenario. If it were the western milieu, the thought would be to go as far as the balcony; the scenario being Juliet present at the balcony and Romeo serenading her from the garden below. No where the western writer has thought of ascending to the terrace, bring in the soubriquet of the moon, and then let the verse take over from there. On the subcontinent, so much romance seems to have happened on the terrace, in the pages of prose and in the lines of verse.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 33
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“ले के सहारा तेरे प्यार का

OK, back again, even a longer absence this time. About these gaps, the less I say is better, because everything sounds like an old story. So I will let it be. 🙂

Coming the next installment in this series of Rafi Sb songs.  Today, I present a solo by Rafi Sb, from the 1960 film ‘Naache Nagin Baaje Been’.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 12700th song post in the blog. This article is the 1000th song post of Kishore Kumar in the blog as a playback singer.

As I write out this post today, I have strong emotions attached to it.

It is a huge honour for me to write this post. I have to thank Atul for giving me the opportunity to do so.

Just a few days ago, Atul sent me an e-mail asking me if I could do a write-up for Kishore Kumar’s 1000th song on this blog. And of course, I immediately mailed back “Sure”. I wouldn’t miss this opportunity – it is indeed a very special occasion and a huge honour for me.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 30
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“मैंने सौ बार ख़यालों में बनाए खाके

jo baat tujh mein hai
teri tasveer mein nahin. . .

It would be an interesting exercise, to do a series of songs, wherein one song is introduced through another song. So many times it happens, a song starts to play, and the mind automatically thinks of another song that expresses similar emotions. I am sure we will be able to list numerous such pairs. There is after all, only so many emotions that the human mind plays with. It is the poet’s mind that will express the same thought in a huge variety of combinations of words.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 28
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बहारों ने छेड़ा खुशी का तराना

The antecedents of this song are somewhat peculiar. As per available information, this song is listed in the Geet Kosh for the film ‘Aansoo’, an unreleased film from 1970s. Also, as I checked for online availability, I find that this song is posted for the film ‘Majboori’, that is listed for the year 1986. I went back and double checked other songs which are listed in the Geet Kosh for the unreleased film ‘Aansoo’, and sure enough, the songs listed in Geet Kosh figure in the film ‘Majboori’. The most likely scenario is that the film was started sometimes in the 1970s, with the title ‘Aansoo’, and the songs were created and released under that film name. The film would have been delayed inordinately, and finally found its release almost a decade later in 1986, albeit under a different title – ‘Majboori’.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

‘Basera’ (1950) was produced under the banner of Watan Pictures and was directed by Inaayat. The star cast included Ramola, Heeralal, Veena Kumari, Roopmala, Chandabai, Budho Advani etc. I have no idea about the film’s story but going by the songs, it is apparent that the film belonged to social genre.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Missing Films of 1960s – 26
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There is a lot of discussion, heated debate, controversy etc. etc. on plagiarism. Given that the entire structure of the music world is founded on simply seven basic notes. Yes, we go on to sub notes and compound notes, and then ragas (combination of notes). But to the uninitiated, and untrained in classical music (like myself), it seems well nigh impossible that one can continue to keep on creating new songs and do not repeat a melody. Every day, hundreds, maybe thousands of new songs are born. It is really an amazing wonder that we do not find many more replications, than we already do.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Today we add one more movie in our endeavor to bring ‘movies with same titles’ on the blog. Today’s movie is ‘Chaltaa Purzaa-1958’
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Songs to Tickle Your Memory – 33
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wo jab yaad aaye
bahut yaad aaye

yes, bahut yaad aaye. . .  that voice – the magic, the magnetism, the feeling of surreal contentment that descends into the being, and ensconces it with a joyous delight. It is a voice, that now lives only in our memories, or in the ethereal sound waves. The memories are such, they will never be detached till the breaths last. And the sound – they say in our culture that sound is forever; it lives in the space for all times to come.  And so will this voice. This voice – of Rafi Sb. This voice that went to sleep 36 years ago, today. 36 years seem to be a long time, a third of a human life already. But it seems just like, well, recently. And the affinity and the magic of this voice has only deepened with time.

Remembering Rafi Sb today, with all humility and respect and love.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Mohammed Rafi – ‘अ’  से  ‘ह’ तक  (From ‘अ’ to ‘ह’) – 22
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‘त’
“तुम्हीं से हुई है शुरू और तुम्हीं पे सनम खत्म होगी कहानी हमारी”

What a gem of a delight this song is, from the 1969 film ‘Mera Dost’. As we continue to delve and search, we continue to come across as yet un-posted songs that are simply out of this world. Such wonders will not cease, I am sure for quite some time yet.
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