Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rafi solo’ Category


It is an unenvious task for a music director when he is asked to create a song that should be inspired from an iconic song and at the same time it should stand out on its own. I am sure the makers of “Jab Jab Phool Khile” (1965) wanted Kalyanji Anandji to create a song similar to the iconic song Yahoo chaahe koyi mujhe junglee kahe(Junglee). It is not at all an enviable job by any stretch of the imagination.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie songs and a regular contributor to this blog.

The versatility of one voice has been unmatched in the annals of Hindi film music. A voice that is a match for any emotion, from one end of the spectrum to another. A voice that renders gaiety and fun as effortlessly as sadness and regrets of life. A voice that could woo the lady love and call out to the Almighty God with the conviction that one actually strains the hearing, expecting an answer come back from the heavens. A voice that has the capability to merge itself into any personality so totally and unobtrusively that the listener could never separate the voice from the character. That is the voice of Rafi Saab, a divine gift that dwelt on this earth for single lifetime, and left behind a legacy that would span an eternity. It is indeed a matter of good fortune to be born in this era, and be touched by the voice of this marvelous, unearthly tenor – a sound that appears maybe once in an aeon.
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On the occasion of Rafi’s death anniversary, today we are offering our tribute to him by discussing a few songs sung by him. Today we will discuss some of those gems that are not yet covered in this blog. and some of these songs are not all that well known. in fact, some of the songs to be discussed will be unknown for most music lovers.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

This selection is from the 1964 Gemini production Zindagi. This film had a very good star line up, as in Rajendra Kumar, Rajkumar, Vijayantimala, Prithviraj Kapoor, Lila Chitnis, Mehmood, Jayant, Kanhaiyalal, Jeevan, Dhoomal, Helen, Mumtaz Begum, Heeralal, and Master Shahid. Ramanand Sagar, the director of this film, has been active in the Hindi cinema as a story and dialogue writer since the early 1950s. He directed his first film in 1953 (Mehmaan), but it was in 1960 that he really established himself as a director with the film Ghunghat. This was followed by Zindagi (1964) and Aarzoo (1965). He then established Sagar Arts International, his own production house an went on to produce and direct such famous hits like Aankhen (1968), Geet (1970), Lalkar (1972), Charas (1976), Prem Bandhan (1979) etc. Beyond all the film world creations, Ramanand Sagar is more famous for the TV serial Ramayan, which he created in 1987, whose success established him as a household name all over India.
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It is often said that Hindi movies do not represent reality, rather they are make believe stuff. The fact is, they take stories that seem plausible enough and then add their own fancy unrealistic stuff. And since audiences tend to lap it up, they continue to churn out such movies till the taste of public changes. And this public taste does change with time.
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In Hindi movies, actors tend to sing song at just about any occasions, including when they are travelling. we have several rail songs, car songs, chariot songs etc in Hindi movies where actors, not content with travelling in silence, break into a song.
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When I went through the first few lines of this song (sent by nahm), I wondered what song this could be. It did not seem to ring any bells. But when i listened to the song, I immediately recognised it. I had listened to this song so many times in my younger days, but all those days I never became aware of the details of the song.
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