Archive for the ‘Songs of 1950s (1951 to 1960)’ Category
Aaj Gora huaa re bairaagi
Posted on: August 26, 2011
“Chakradhaari” (1954) is a religious /mythological movie about Gora, a potter who lived in the present day Maharashtra in the 13th century. He became a leading Saint of the area and he was a contemporary of the other Saints of Maharashtra viz Saint Dnyaneshwar and Namdeo.
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“Chaand Mere Aaja” (1960) is a movie that had Bharat Bhushan, Nanda, Maruthi Rao, B.M.Vyas, Achala Sachdev, Lalitha pawaar,jeevan, D.K.sapru, Veena etc in it. This was a Murli Movies productions and it was directed by Raam Dariyaani.
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- In: "Choli" song | Asha Bhonsle solo | Asha Bhonsle songs | Devnagri script lyrics by Avinash Scrapwala | Duet | Lyrics by Avinash Scrapwala | Lyrics contributed by readers | Multi part song | Rafi solo | Rafi songs | Rafi-Asha Bhonsle duet | Songs of 1950s (1951 to 1960) | Songs of 1954 | Yearwise breakup of songs
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“Chakradhaari” (1954) is a religious/mythological movie and one expects its songs to be mainly prayers etc. And indeed there are several such songs. But this movie also has songs that are more “mainstream” in the sense that they have more to do more with human relations rather than with the Almighty.
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Koyal boley koo
Posted on: August 25, 2011
“Baap Beti” (1954) is a very obscure movie and its songs are even more obscure. But what nice songs this movie has !
Here is a lovely song from this movie. This song is sung by Lata and chorus. Only the audio of this song is available, so it is difficult to guess how and whom this song is picturised. My guess is that a music teacher is teaching music to her pupils in this song.
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Pom pom pom baajaa boley
Posted on: August 25, 2011
This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.
When the year 1952 dawned, Geeta ji had been singing in Hindi films now for about 6 years, and had an incredible 500+ songs already behind her. On the other hand, the soon to be famous OP Nayyar had composed the background score for Kaneez in 1949, and this film, Aasmaan, was going to be his debut as an independent music director. He became known as a maverick composer and the Melody Maestro in the coming years. OP Nayyar went through a phase in the 50s when All India Radio shunned his music as being too trendy, and Radio Ceylon became the remote beacon for music lovers to listen to his songs. In the mid to late 1950s, he became the highest paid composer in the industry, and the first one to command contracts worth one lakh (and more) for composing.
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“Waaman Avtaar” (1955) is one of those B grade mythological/religious movies that the mainstream movie goers did not patronise. The movie may not have been a big hit, but I guess that a movie made on such shoe string budget can always earn a small and tidy profit for its makers.
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O duniya ke maalik Raam
Posted on: August 24, 2011
“Chakradhaari” (1954) was a B grade religious/mythological movie that the mainstream movie goers did not much care about. such movies were mostly acreened in small towns, where there was sizeable audience for such kind of movies.
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I have discussed as many as nine songs from “Nastik” (1954) and I have yet to run out of songs to discuss from this movie !
Here is another song from this movie. This is a “growing up” genre of thing. Nalini Jaiwant is reaching pubery and she is developing the tender feelings of the feelings of love and attraction towards of other gender. The feelings of a girl thus growing up has been expressed beautifully in this song which is penned by Pradeep. Lata is the singer and music is composed by C Ramchandra.
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Dukhiyon pe kuchh reham karo
Posted on: August 23, 2011
I have not watched the movie called “Talaaq” (1958) but from its songs and some online reading up (both could be misleading 😀 ) leads me to believe that Rajendra Kumar and Kamini Kadam get married, have a child (Honey Irani) then fight among themselves and then file for divorce. In all these, the child finds himself kicked around like a football. when the warring duo finally reconcile with each other and search for their child, they find out that he is not to be found. For all they know, he has become an orphan and who knows, he could well have ended up in an orphanage.
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