Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1960s (1961 to 1970)’ Category


Shammi Kapoor, who started his career with a whimper in 1950s, began to create waves in 1960s, beginning with “kashmir Ki kali”, and ever since, all his subsequent movies saw him playing similar roles in movies with similar story lines.

One common thread in all these movies used to be lilting music, typically sung by Rafi with gusto.
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There are many instances when songs from obscure movies went on to become evergreen. This song from a barely remembered movie called Shagoon (1964) is one such song. I have listened to this song and I liked it too, but I had no other information other than the fact that the male voice belonged to Rafi.
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During the heyday of Radio in India in 1960s and 1970s, there were many popular radio programmes. There was one Radio programme called “Chayageet” on Vividh Bharati daily at 10 PM. The songs played in this song were typically old songs which I as a young kid regarded as boring. There were certain songs which I associated with this programmes. Typically, songs which were “bhoole bisre” and not so popular with the janta were played in this programme.
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This song is a fun timepass song or tapori song, whichever classification suits you. The movie itself was a lighthearted movie. In this song, Sanjeev Kumar is kept in a prison and Kumkun launches a drive to free him. The drive consists of the tried and tested Bollywood formula viz singing a suductive song and the prison guards prove a pushover in the true Bollywood tradition. A song sung by Kumkum is all that it takes for the guards to lower their guards and Kumkum, with her associates manages to free Sanjeev Kumar.
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There are many occasions I am told that this particular song was so wonderful, and I nod my head sagely, though in reality I may not even have a clue what song is being talked about. For instance, I have been told that ” bol meri taqdeer me kya hai” from “Hariyali aur raasta” is a wonderful song. I nodded my head knowledgeably at this suggestion by Raja though I doubted I had ever heard this song.
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I have mentioned earlier that S D Burman tended to sing one song per movie and that one song was usually played at the beginning on the movie while the credits would roll in on the screen.

In some cases, S D Burman song would be played at the end while “The End” screen was on the verge of appearing and the audience were in a hurry to leave the movie hall.
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In case one wants to learn driving from a driving school, the trainer takes the beginner on the road and gives him hands on training.

In this case, I S Jauhar wants to learn the art of impressing the fair sex. His trainer, Joy Mukherjee, like a driving trainer, takes him on the road and gives him theoretical as well as practical training.
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