Archive for the ‘Songs of 1960s (1961 to 1970)’ Category
Bol meri taqdeer mein kya hai
Posted on: October 4, 2008
There are many occasions I am told that this particular song was so wonderful, and I nod my head sagely, though in reality I may not even have a clue what song is being talked about. For instance, I have been told that ” bol meri taqdeer me kya hai” from “Hariyali aur raasta” is a wonderful song. I nodded my head knowledgeably at this suggestion by Raja though I doubted I had ever heard this song.
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Mere saajan hain us paar
Posted on: October 3, 2008
I have mentioned earlier that S D Burman tended to sing one song per movie and that one song was usually played at the beginning on the movie while the credits would roll in on the screen.
In some cases, S D Burman song would be played at the end while “The End” screen was on the verge of appearing and the audience were in a hurry to leave the movie hall.
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Bade miyan deewaane aise na bano
Posted on: October 3, 2008
In case one wants to learn driving from a driving school, the trainer takes the beginner on the road and gives him hands on training.
In this case, I S Jauhar wants to learn the art of impressing the fair sex. His trainer, Joy Mukherjee, like a driving trainer, takes him on the road and gives him theoretical as well as practical training.
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I have mentioned in the past that I had a diary in 1970s, in which I noted down the lyrics of the songs that I liked the most. A few of the songs noted at that time have become forgotten, though they are just as good to listen to now as they were then.
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This song is one of those memorable and immortal songs that the trio of Madan Mohan, Lata and Raja Mehdi Ali Khan created in 1960s. Most such songs were favoured by class audience, and the masses kept away. But here was a classy song that influenced even the masses. This song featured in Binaca geetmala final of 1964 (at 15th position).
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During 1960-70s, I only wanted to listen to new songs. But with Vividh Bharati, you stood no chance, and Radio Ceylon broadcasted new songs at night only on wednesday in Binaca geetmala. So most often than not, it is songs like this Lata song that I got to hear at night. These days, I would get mesmerised if I listened to this song, but those days, such songs would put me to sleep out of boredom.
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This is one of the iconic songs of the days when I was growing up as a young impressionable kid. This song was everywhere in 1970, blaring out from loudspeakers as well as radios.
As with most popular songs of those days, this song had appealed to all just on the merit of the audio. People like me had no idea which movie this song was from and how it was picturised. Laxmikant Pyarelal’s music and Anand Bakshi’s lyrics, along with Lata’s voice were all we needed to enjoy this song.
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This song from “Holi Aayi re” appeared as a solo as well as a duet in the movie. The solo song sung by Mukesh is the one that became more popular and I too like the solo song more.
Mukesh, as usual, paints a vivid picture of the feelings that the lyrics of indeewar seek to convey. The way his voice can almost make you enter the mind of the character and visualise what is going through there is simply amazing. There were those who said that Mukesh was classically not trained, but such people miss the real fact. The fact is, Mukesh’s ability to express different feelings in all their nuances was simply awesome and that was the reason why majority of his songs struck a chord with the listeners.
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As a small kid, I had heard about three monkeys of Gandhiji that symbolised- “bura mat suno, bura mat dekho, bura mat kaho.” So when I actually heard a song with the same lyrics, I naturally liked this song. It became one of my favourite songs of that era.
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Another Lata gem from 1960s. This song from Anupama (1966) was picturised on Surekha ( I thank Raja for this information). The Bollywood actresses those days tended to look like Vyjyantimala, Meena Kumari or Asha Parekh. Surekha looks so much like Asha Parekh in this song. May be that is because of similar appearance, hair style etc.
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