Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Songs of 1970s (1971 to 1980)’ Category


“Imaan” (1974) was a Guru Dutt pictures production. It was produced by Atmaram (younger brother of Guru Dutt). B Padmanabhan directed the movie. The movie had Sanjeev Kumar, Leena Chandavarkar, Anwar Hussain, Bhagwan, Keshto Mukherjee, Satyen Kappu, Johny Walkar, Murad, KrishnaKant, Mohan Choti, Bhushan Tiwari, Viju Khote, Asha Potdar, Aarti, Shivraj etc in it.
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“Sabse Bada Rupaiyya” (1976) was a Balaji Kalamandir Production. It was produced by Mehmood and directed by S Ramnathan. The movie had Mahmood, Vinod Mehra, Moushumi Chatterjee, Farida Jalal, Jeevan, Sulochana Latkar, Nivedita, Madhu, ChandraShekhar, Agha, Mukri, Sunder, Randhir, Asit Sen, Keshto Mukherjee,
Anwar Ali, Sheikh, Bhushan Tiwari, Babban, Nausir Khatau, Janki Das, Polson,Mulchand, Amir Ali, Narbada Shankar, Ghosh, Saigal, Chavan, Chand, Somender, Parikh, Badshah, Rachna etc in it.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

There are qawwali’s and than there are some qawwali’s. Or should I say there are qawwalis and than there are some filmi qawwalis by Roshan. To begin with I am not a very big fan or a knowledgeable person to talk about qawwali, hence this flippancy 😉 .
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Today (12 july) is the death anniversary of Rajendra Kumar. Movies featuring Rajendra Kumar tended to have fantastic music in them. As a result, we are spoilt for choice when it comes to discussing songs picturised on Rajendra Kumar. And this despite the fact that we have already discussed several such songs in the blog in the past.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

We all know that Madan Mohan left for his heavently abode during the making of this film “Laila Majnu”. The film released in 1976 and the music of this film was super hit and it is very popular to this day. The success that eluded him during his lifetime was only destined to be his after his death. I have been meaning to write down the lyrics of this films songs, as many of them are still to be discussed in this blog.
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The Bangla novel “Parineeta” has inspired the making of several films in Bangla as well as in Hindi. Some of these movies had the same titles as the title of the novel. Then there were movies with different titles too, but based on the same story.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The year is 1972, and Salil Da has completed two decades in the film industry. Making his debut with the 1953 Bimal Roy production, ‘Do Bigha Zameen’, he continues to be a fairly busy music director in the early 70s. Somewhat unassuming, somewhat low key, his creations continue to catch one’s ear as well as one’s fancy. During the 50s and 60s, he has made his mark with such films that have become memorable on account of his music – ‘Biraj Bahu’ (1954), ‘Jaagte Raho’ (1956), ‘Musaafir’ (1957), ‘Ek Gaon Ki Kahaani’ (1957), ‘Madhumati’ (1958), ‘Parakh’ (1960), ‘Chhaayaa’ (1961), ‘Kabuliwaala’ (1961), ‘Half Ticket’ (1962), ‘Poonam Ki Raat’ (1965) etc. The seventies have emerged and Salil Da already has films like ‘Anand’ (1971) and ‘Mere Apne’ (1971) under his belt. In 1972, his melodies from ‘Annadaata’ are making waves on the radio. In 1972, Salil Da will also compose for two more films that did not get retained on the memory cards of the listening public. One is ‘Sabse Bada Sukh’ that has two wonderful songs. And the second is an even more obscure film, ‘Anokha Daan’, which carried as many as five superb melodies.
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Watching old Hindi movies (and its songs) is a good way to look back at the past and see how things were back then. Another way of looking back at the past is by going through the publications of those days.

I recall that I was an avid reader of books in my younger days, viz 1970s. I would read each and every book, whether they were meant for kids or grown ups. In addition to being an avid reader, I was an avid collectors of children’s magazines in Hindi. The children’s magazines in Hindi those days used to be “Bal Bhatri”, “Nandan”,”Champak”,”Parag”, “Lotpot”, Chandamama”, “Indrajaal Comics” etc. You name the children’s magazines and I collected them. I not only collected them, I catalogued them systematically too. They were my prized possessions. I would not be averse to get hold of magazines not in my collection, but I would be quite reluctatnt to lend my magazines to others, because the likelihood of the borrower returning the book were remote in most cases. One needed to pester the borrower hard, sometimes by visiting his home, before one could get your book back.
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