Fasaana kisi ka kahaani kisi ki
Posted on: March 20, 2016
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“Koshish”(1943) was directed by Rafiq Rizvi for Deen Pictures, Bombay. This obscure movie had Husn Bano, Yakoob, Trilok Kapoor, Sunetra, Mirza Musharraf, Kalyani, Master Nisaar etc in it.
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More devra ki hogi sagaai re
Posted on: March 19, 2016
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“Zameendaar” (1942) was Moti B Gidwani for Pancholi Arts production. The movie had S D Narang, Manorama, Shanta Apte, Ghulam Mohammed, Anwari, M Ismail etc in it.
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Today (18 march 1938) is the 79th birth anniversary of Shashi Kapoor. It seems like yesterday when Shashi Kapoor was a leading star of the Hindi movies when I was a school boy in 1970s. when I checked up, I found that four decades have passed since. 🙂
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi : The Incomparable (II) – Song No. 01
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This is a revival of the series ‘Mohammed Rafi : The Incomparable(II)’. Part I of the series had reached perfect conclusion with the 10th song ‘na de ilzaam dil unn ko “. Now I feel that part II of the series is also called for. ‘Zarurat eejad ki maa hai’ meaning – necessity is the mother of invention. The saying in urdu felt believable when I was a child. If I ever say this front of my son, he is going to laugh at me, I am sure. He will have hundred examples to disprove the concept.
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Aa dil mein samaa jaa
Posted on: March 18, 2016
This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Today’s song is from film Naaz-54. It is sung by Meena Kapoor and chorus. This song has a very lilting tune and the Trademark chorus of Anil Biswas. I have realized, over a period, that he loved to have at least a song or two in almost every film, where Chorus is prominent in the song. What’s more, his own voice is always distinctly identifiable in every chorus.
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Bahaar aayi hai koyal kook uthhi
Posted on: March 17, 2016
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Today (17 march ) is just another day in the calendar as far as most people are concerned. As for me, I remember this day quite clearly. Among 17 march of all the years, the year 2007 is especially vivid in my mind.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Mohammed Rafi – ‘अ’ से ‘ह’ तक (From ‘अ’ to ‘ह’) – 16
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‘ज’
“जब लड़का कह दे हाँ और लड़की कह दे ना”
A phrase in English language – ‘man of God’ is generally used for a person whose personality abounds with all qualities that are good in a human being. Some people that we know to be religious, humble, polite, kind, caring, helpful etc., we apply this phrase when we talk of them.
Talking of Rafi Sb, I have heard Nalin ji (Nalin Shah, the film historian and author) often use another phrase that is decidedly more special. He refers to Rafi Sb as ‘God’s own man’. We can discuss the etiology and the import of these phrases in detail. But of course the phrase used by Nalin ji, has a very special connotation. Some special people will be known as ‘man of God’, by the qualities we like about them, and the manner in which we see them interact with others around them. But there is a more rare breed of people, who have something special, an aura about them, that simply their presence gives a feeling of being close to the Supreme. I have never been in the presence of Rafi Sb, but hearing from those who have met him and interacted with him, one gets a feeling that the phrase applied by Nalin ji is very appropriate.
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Hum Ko Bhula Diya To Kya
Posted on: March 16, 2016
- In: Calling the beloved | Devnagri script lyrics by Sudhir | Feelings of heart | Geeta Dutt solo | Geeta Dutt songs | Guest posts | Jilted lover song | Lyrics contributed by readers | Missing the loved ones | Poignant Song | Post by Sadanand Kamath | sad song | Songs of 1940s (1941 to 1950) | Songs of 1948 | Yearwise breakup of songs
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Forgotten Melodies of the 1940s – 21
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‘Do Music Directors direct the music?’
This is the title of an article appeared about 72 years ago in June 1943 issue of FILMINDIA magazine. I had read the title of the article more than a year back but did not go through it at that time thinking that it must have been written by some staff of the magazine. Recently, when I came across the same article, I was surprised to find that the article was written by Ramchandra Pal, the music director who has composed music for Bombay Talkies films like ‘Kangan’ (1939), ‘Bandhan’ (1940), ‘Punar Milan’ (1940), ‘Naya Sansar’ (1941) and many more films in other banners mainly in the 40s. The article is well written.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
I am going to present to you today, a song from the film Taksaal-1956, sung by Uma Devi and S.D.Batish. The composer is Roshan.
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- In: Aansoo song | Asha Bhonsle solo | Asha Bhonsle songs | Devnagri script lyrics by Sudhir | Feelings of heart | Guest posts | Lyrics contributed by readers | Poignant Song | Post by Sudhir | Rare song | sad song | Songs of 1960s (1961 to 1970) | Songs of 1966 | Yearwise breakup of songs
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Songs to Tickle Your Memory – 31
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Memories may be of joy, or they may be of melancholy. But memories are always very dear to the heart. Always. For the memories carry segments of our own past, our experiences, and the times that we have traveled through. If we could control time, life would have no place for memories. If we could navigate the time, as we navigate the space, then we could, at will, return to the past moments and relive them, as we desired. But no, the time is not in our control. We are, in turn, tied to an ever forward-progressing passage of time, where the moments once passed, can never be revisited. And so, the Designer of this universe, invented the artifact of memory, placed it in our brains, and linked it to our hearts and minds. And so, we remember.
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