Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Pran


This article is written by Peevesie’s Mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6356 Post No. : 19708 Movie Count :

5166

Hullo Atuldom

“Dosti Dushmani” (release date 31st October 1986) was directed and produced by T. Rama Rao. It had the team of Anand Bakshi- Laxmikant- Pyarelal giving us five songs that had Mohammad Aziz, Suresh Wadkar, Shailendra Singh, Kavita Krishnamurthy, S. Janaki & S.P. Balasubramaniam as playback singers.

Jeetendra, Rishi Kapoor & Rajnikanth played fast-friends (soulmates) with Pran & Sowcar Janaki, who are the biological parents of Jeetendra (in the film), being the anchors in the life of the friends. Bhanupriya, Kimi Katkar & Poonam Ddhillon were the ladies in the lives of the heroes. Amrish Puri, Shakti Kapoor, Kadar Khan, Asrani, Shafi Inamdaar & Gurbachan form the supporting cast.

This film was a remake of the Telugu film “Mugguru Mithrulu” (1985). The Telugu film was also remade in Kannada as “Brahma Vishnu Maheshwara” (1988).

I have seen the film, in parts, whenever it shows on some satellite television channel. I have seen that Jeetendra is forced into a fake marriage with Bhanupriya to shield Poonam Dhillon, who is Rajnikanth’s wife, from defamation or some such thing. In this fake marriage, Rishi Kapoor, Pran & Sowcar Janaki are the co-conspirators. Then there is an angle of Kimi Katkar, who has an axe to grind against Amrish Puri, falling in love with Rishi Kapoor. Plus, we come to know that Bhanupriya & Rajnikanth are siblings & Amrish Puri is their father who had abandoned the family at the start of the film. Additionally, Rajnikanth had got separated from his family & was fostered by Pran. What an uncomplicated masala film!!!!

This film is making it’s debut on the occasion of the 75th birthday of actor Rajnikanth who has a cult, God-like status among his fans particularly in South India. He has acted in films of all four South Indian languages though the number of Malayalam films is only one or two. His name appears in the credits of a Bengali film too, as ‘Guest Appearance’. He has acted in around 25/26 Hindi films. He has also produced & wrote screenplay for a few films (learnt this today)

Rajinikanth was born as Shivaji Rao Gaikwad on 12 December 1950, in a Marathi family, in Bangalore, Mysore State (present day Karnataka). His mother was a homemaker and his father, Ramoji Rao Gaekwad, was a police constable. He was the youngest of four siblings; he has two older brothers & a sister.

A fact about his early life, which is not well – known (or I should say I learnt today) is that his brother enrolled him at the Ramakrishna Math. Here, he was taught Vedas, tradition & history and also began acting in plays at the Math. His aspiration towards theatre grew at the Mathh and was once given an opportunity to enact the role of Ekalavya’s friend from the Hindu epic Mahabharata. His performance in the play received praise from the Kannada poet D. R. Bendre.

Upon completion of his school education, Rajinikanth took up several jobs including that of a coolie, before getting a job in the Bangalore Transport Service as a bus conductor. He continued to take part in plays after the Kannada playwright Topi Muniappa offered him a chance to act in one of his mythological plays. He decided to take up an acting course in the newly formed Madras Film Institute after coming across an advertisement. During his stay at the institute, he was noticed by the Tamil film director K. Balachander. Balachander provided Rajinikanth with his stage name to avoid confusion with fellow actor Sivaji Ganesan. The director advised Rajnikanth to learn to speak Tamil, a recommendation that he quickly followed. Although he can read the language, he cannot write in it. (Me too, I can read the language with some difficulty but not write it. I think I am qualified to be Rajni Saar’s fan. 🙂 )

Rajinikanth played supporting and “villainous” roles in most of the films released during the initial years of his career with lead roles which were few & far-between. His first film as one of the main leads, in Tamil came in 1978 in a remake of ‘Amar Akbar Anthony’. He first played a positive character in Telugu in 1977. I am unable to find out which was his first film as a positive lead in Kannada. His Hindi debut came in 1983 with ‘Andhaa kanoon’.
Rajnikanth is married to Latha Rangachari & has two daughters – Aishwarya & Soundarya- both of whom are connected with the film industry. Aishwarya Rajnikanth is a film director & playback singer while Soundarya is a film producer/ director along with being a graphic designer. Soundarya was the first woman director to direct Rajnikanth in ‘Kochadaiiyaan’ (2014).

The Government of India honoured him with the Padma Bhushan in 2000 and the Padma Vibhushan in 2016. He was awarded the Dadasaheb Phalke Award in 2019, though he has won only one Filmfare award for best actor in 1984 for a Tamil film, IFFI (International Film Festival of India) conferred on him the Satyajit Ray Lifetime Achievement Award this year- 2025.

Wish you a very Happy Birthday Rajnisaar (‘Thalaiva’ which translates as ‘leader’ but also used to mean ‘BOSS’). May you continue to entertain your fans. Stay Healthy. 🙂

Audio

Video


Song-Yaaron humko dekh ke kahe ye duniyaa saaaree (Dosti Dushmani)(1986) Singers-Mohammad Aziz, Shailendra Singh, Suresh Wadkar, Lyricist-Anand Bakshi, MD-Laxmikant Pyarelal
All three
Chorus

Lyrics

ho o o o
o o o
ho o o o
o o o

aa aa aaa aa
ho o o o
laa laa laa laa
laa laa laa laa
laa laa laa
yaaron humko dekh ke
kahe ye duniya saaree
yaaron humko dekh ke
kahe ye duniya saaree

yaaree ho to aisee ho
arre yaaree ho to aisee ho
haan haan haan haan
yaaree ho to aisee ho

jaisee apnee yaaree
arre yaaron humko dekh ke
kahe ye duniya saaree

ho o
yaaree ho to aisee ho

arre yaaree ho to aisee ho
haan haan haan haan
yaaree ho to aisee ho

jaisee apnee yaaree
yaaron humko dekh ke
kahe ye duniya saaree

kaun kisee ke liye bhala marne ko taiyyaar hai
arre
kaun kisee ke liye bhala marne ko taiyyaar hai

duniya mein har ek ko apnee jaan se pyaar hai
duniya mein har ek ko apnee jaan se pyaar hai
arre humko apnee dostee
arre humko apnee dostee
haan haan haan humko apnee dostee
apnee jaan se pyaaree
yaaron humko dekh ke
kahe ye duniya saaree
yaaree ho to aisee ho
jaisee apnee yaaree

kaheen kaheen par phool ye khilte hain naseeb se
kaheen kaheen par phool ye khilte hain naseeb se

is duniya mein dost to milte hain naseeb se
arre is duniya mein dost to milte hain naseeb se
kitnee achchee doston
arre kitnee achchee doston
haan kitnee achchee doston
hai taqdeer hamaaree
yaaron humko dekh ke
kahe ye duniya saaree
yaaron humko dekh ke
kahe ye duniya saaree

Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda

Govinda Govinda
Govinda Govinda
Govinda Govinda
Govinda Govinda

Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda

bansee baajee jamuna paar
saare gwaale hain taiyyaar
Govinda
bansee baajee jamuna paar
saare gwaale hain taiyyaar

arre gokul ashtmee ka tyohaar
aao aaj manaayen yaar

gokul ashtmee ka tyohaar
aao aaj manaayen yaar

hey galee galee mein macha shor
aaye aaye maakhan chor

galee galee mein macha shor
aaye aaye maakhan chor

ye matkee hum todenge
maakhan kha ke chhodenge
ye matkee hum todenge
maakhan kha ke chhodenge

aaj ke din hum dekhenge
ban ke kishan muraaree

Govinda
Govinda Govinda Govinda
Govinda Govinda Govinda
sambhal ke
hey sambhal ke
hey
ek to
do teen
teen chaar
hey
hey
hey
hey
hey
hey
hey hey hey
hey hey hey
hey hey hey
hey hey hey
hey hey hey
hey heyyyy


This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6354 Post No. : 19699

Today’s song is from an absolutely obscure film – Maldar-1951.

I called it an absolutely obscure film, because except what is given in the HFGK, no other information on this film is available anywhere – neither in any books nor anywhere on the Internet. Even the film booklet is not available (either not printed for cost saving or less number printed to economise). It just came and went.

It was a Debut film for Amit Mitra – Director, Satish Bhatia – Music Director, Usha Bhatia – Playback singer, Roshan Joshi – Playback singer and Pran – Lyricist. Since we do not know the credits for other departments, we are unaware of that part.

The cast of the film was Balraj Sahni, Smriti Biswas, Chhabi Biswas, Neelima and others. The 8 songs of this film, composed by Satish Bhatia were quite nice but not good enough to compete, stand out or remain in memory compared to the other songs of the Golden Era of Film Music. 1951 had offered much more melodious songs by well known composers.
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This article is written by Nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6326 Post No. : 19592

Rafi Sahab’s Legendary Associations – 15

Back in 2021, I had started this ambitious series for posts to highlight the significant associations in Rafi Sahab’s career. I knew that very few and far between, songs of the major influencers on Rafi Sahab’s singing, were remaining to be posted in the blog, even in 2021.

Most of these stalwarts were old timers, like Naushad, S. D. Burman, Shankar-Jaikishan, Chitragupt, Ravi and C. Ramchandra etc. A few of them of them were more contemporary, like R. D. Burman and Laxmikant-Pyarelal, who were with him. They were the latest beneficiaries of Rafi magic, who were ‘faizyafta” till the end, in 1980. Both started in 1966-67 and continued. Even Kalyanji-Anandji was composing songs for Rafi sahab till the end of 70’s. Madan Mohan and Ravi did it throughout his career and till “Laila Majnu” in 1976, and was the only one who started in 50’s and ended and 70’s, apart from Naushad.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6255 Post No. : 19348 Movie Count :

5126

I had never heard of the film, ‘Ladies Tailor’ (1981). When I checked the cast, I could never imagined that Sanjeev Kumar was in the role of a ladies tailor. The film was produced and directed by Khalid Akhtar. The cast included Sanjeev Kumar, Reena Roy (in double role), Amjad Khan, Deven Verma, Pran, Aruna Irani, Bindu, Mukri, Raj Kishore, Urmila Bhatt, Manju Singh etc. Sharmila Tagore, Rekha, Moushumi Chatterjee and Parveen Babi appeared in cameo roles as themselves. The film belongs to light comedy genre with the background of Lucknawi cultural milieu. The film was released on March 21, 1981.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

6203 Post No. : 19157 Movie Count :

5092

Hullo Atuldom

Followers of this blog may have noticed my inclination towards combining anniversaries of celebrities. That is, I try to find songs where two or more celebs, who’s birth or death anniversaries fall on the same dates or adjacent dates, are featured. I must admit that finding songs of some combinations are difficult as the concerned actors or actresses may have been in the same film but may have not even shared screen-time or screen-space, so finding a together song is a tall order.

I am in luck this time; for which I shall GOOGLE.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5857 Post No. : 18417

#The Decade of Seventies – 1971 – 1980 #
————————————————————
# Bhoole-Bisre Geet # # Remembering Mohd Rafi 31072024#
——————————————

“Laakhon Mein Ek-1971” was directed by S.S. Balan for ‘Gemini, Madras’. S.S. Balan was also the producer of this movie. The cast of this movie included Mehmood, Debutant actress Radha, Pran, Aruna Irani, Ramesh Deo, Shobha Khote, David, Kanhaiyalal, Lalita Pawar, Nazir Hussain, Mohan Choti, Mukri, Keshto Mukherjee, , Viju Khote and Madan Puri (in guest appearance) and others.
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This article is written by Satyajit Rajurkar, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5821 Post No. : 18357

It so happens that you have a song in your playlist which you enjoy for the fast pace at which it plays. You start an invisible dance to its beats and shake your legs to its amazing music.

One such song is today’s song which I present to you all. The song is from a 1973 movie Rickshawala, which is a remake of a Tamil movie “Rickshawkaran”, which starred the superstar of Tamil Cinema M G Ramachandran. Rickshawkaran was released on 29 May 1971. It was a major commercial success, with a theatrical run of over 100 days. MGR was awarded the National Film Award for Best Actor for this movie.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5625 Post No. : 18111 Movie Count :

4930

‘Film Hi Film’ (1983), was produced by Shahab Ahmed and was directed by Hiren Nag. The film starred Pran in a role of a film producer with Seema Deo as his wife and Ramesh Deo as his Secretary. Rest of the cast consisted of Raj Kishor, Birbal, Mohan Choti, Pandit Iqbal, Mulchand, and the new faces, Furqan, Bipin, Sonia and Beena. The screenplay and dialogues were written by Kamaleshwar. It was a novel idea to incorporate scenes and songs from some of the incomplete/shelved films of 1950s, 60s and 70s into the story of the film.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5368 Post No. : 17606

#the Decade of Seventies – 1981 – 1990 #
————————————————————————

Today 30th March’2023 is the twenty-first ‘Remembrance Anniversary’ of one of the most popular and prolific lyricist of Hindi Film Industry Anand Bakshi.

He was born on 21st July’1930 and he passed away on 30th March’2002.

As a tribute to him, today I am presenting a song written by Anand Bakshi from the movie ‘Krodhi-1981’.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Blog Day :

5321 Post No. : 17450

Hullo Atuldom

At the outset let me wish an active Atulite on his birthday. These days his status has changed from ‘active’ to ‘hyper-active’ Atulite. He is the major guest contributor for the blog these days. It is almost like he has taken it upon himself that the blog should continue its race towards centuries at superfast pace; so much so that, the century number 174 happened in 28 days- the fastest since 23rd March 2018. In fact January 2023 saw a 100 posts- the last time this happened was also in March of 2018 (118 posts). 53 of the 100 posts of January was by this hyper-active guest contributor who goes by the name Avinash Scrapwala- and it should be kept in mind that none of his posts are SCRAP they are all good to read with accurate lyrics and most of his 688 posts have lyrics in Devnagri script too. (the number for this stands at 410).
Read more on this topic…


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