Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Posts Tagged ‘Suman Kalyanpur


This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Panna”(1956) was directed by Mohan Sinha for Chitra Bharati, Bombay. The movie had Chandrashekhar, Tiwari, Roopmala, Purnima, Sapru, Maruti etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bus Conductor”(1959) was produced by Ashok Bhambhri and directed by Dwarka Khosla for Sharda Films, Bombay. the movie had Shyama, Premnath, Amarnath, Maruti, Satish Batra, Sujata, Umesh Sharma, ramlal, Khairati, Narbada Shankar, Ameer NBano, Sadhana, Surya Kumar, Helen, Kanchanmala, Sheila Vaz, Cuckkoo etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Laal Nishaan” (1959) was directed by Prakash for Deepak Films. This movie had Bhagwan, Daljeet, Radhika, Hiralal, Manju etc in it.
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sureeli Suman – 21
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Produced by Gulshan Kumar under ‘T Series’ by Super Cassettes Industries Limited,
an album ‘He Govind He Gopal’ with Suman Kalyanpur’s sureele devotional offerings. The album had ten gems out of which four have already been discussed, in this musical Blog. This is the fifth one, so with this, half of that Album will be covered, still a long way before Hari Ichchha permitting, I complete the list.
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This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

These days I am looking for movies that have their music composed by our beloved late Pancham Da – R.D.Burman – and which are still missing from the blog. As of now I am focusing on movies from his earlier years.
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sureeli Suman – 18
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 In 1995, Gulshan Kumar of ‘T Series’ (Super Cassettes Industries Limited) published a devotional Album titled ‘Hey Govind Hey Gopal’.  It had ten very melodious Bhajans by our Sureeli Suman Kalyanpur.
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sureeli Suman – 17
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Suman Kalyanpur requires no introduction. In short: She is admired by music lovers all over the world. To recap our journey, let me repeat some facts, briefly.
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This article is written by Bharat Upadhyay, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Sureeli Suman – 16
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This is the last but one song from the album ‘Swar Bahaar’, for which I have repeatedly discussed the details, in this series.  Music Director Shyam Sharma has provided appropriate lilting tune to the lyrics of Anjaan.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

This article is the 12300th song post in the blog.

The saga starts in 1947. It is the runaway hit “Afsaana Likh Rahi Hoon Dil e Beqraar Ka” (film ‘Dard’). Not many artists can lay claim to such a meteoric debut. And also, not many can pride themselves with unbroken partnerships and associations with other artists, that have lasted for an entire lifetime.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It is a well-known fact that the singing career of Suman Kalyanpur in Hindi film industry remained under the shadow of Lata Mangeshkar mainly because many in the Hindi film industry felt that her voice was too close to that of Lata Mangeshkar. When Suman Kalyanpur started her playback singing career in 1954, Lata Mangeshkar was already well established in Hindi films. When the choice came for the music directors between the two, producers and/or distributors would pressurize music directors to engage Lata Mangeshkar as her songs were more saleable than that of the new comers. There could be some other reasons also which stunted her career path.
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