Archive for the ‘“chaand” song’ Category
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Chaand Sitaare”(1948) was directed by Ishwar Chand Kapoor for Ravindra Art Productions, Bombay. The movie had Jeevan, Manorama, Rajan Haksar, Niranjan Sharma, Anita, Satish, Leela etc in it. The movie had eight songs in it.As many as four songs from the movie have been discussed in the past.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo to all the ek din ka gods
My salutation is such because Indian culture (as seen in Indian movies) has taught us that Pati Parmeshwar hota hai. i.e. husbands are to be treated as Gods. I am sure no lady will object to this if the husbands also treat their wives as devis- meaning Goddesses. But we will not get into this discussion on this auspicious day.
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Chanda door gagan mein bulaaye
Posted on: October 12, 2016
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
KRISHNA LEELA (1946) was produced under the banner of Geetanjali Pictures, Bombay and it was directed by Debaki Bose. The star cast included Kanan Devi, Paresh Bannerjee, Ranjit Roy, Suprova, Debi Mukherjee, Hiralal, Kamal Mitra, Gokul Mukherjee etc.
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This article is written by Raja, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
A few days ago, on Shakeel Badayuni’s birth anniversary, Atul wrote a post paying tribute to him. In that post, Atul did a thorough analysis of how this blog has covered Shakeel saab. He analysed it by composer and further, by film. It made for very interesting reading.
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This article is written by Peevesie’s mom, a fellow enthusiast of Hindi movie music and a regular contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Hullo to all in Atuldom
We all know the meaning of the word “Bhaand”; for those not conversant with colloquial Hindi; googling the word throws up meanings —Clown, Mimic, Comedian etc. “Bhaands” are also traditionally folk entertainers which might mean a storyteller, minstrels, dancers, actors, impressionists etc. Most bhaands belong to families that are engaged in folk entertainment as their hereditary profession, their specific art forms vary greatly by region, community and language. The term bhaand itself can also mean either a specific dramatic story or an entire form/school of drama.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
The shelf life of a Hindi pop (also called Indipop) song is generally very short. But one that has smitten me seems to be an exception. I have been watching the video clip of the song over a year. The more I listened, more I was curious to know as to why I liked this pop song especially when I have not been a great admirer of such genre of songs.
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Raat chaandni kare ishaare
Posted on: June 24, 2016
This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
“Neelam Pari” (1952) was directed by Dhirubhai Desai for Chandrakala Film company. the movie had Sajjan, Geeta Bali, Sapru, Gope, Kuldip Kaur, Kamal, Samson, Niranjan Sharma etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
KHUSHBOO (1954) was produced under the banner of Beautiful Pictures and was directed by Rana Indu Shamsher. The cast included Motilal, Shyama, Moti Sagar, Shakila, Kesri, Noor, S K Prem, Amina Bai, Radheshyam etc. I have no idea about the story of the film. I was aware about “Khushboo”(1976), but I came to know about the existence of “Khushboo”(1954) only after I got the mp3 clip of the song under discussion.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
Forgotten Melodies of the 1940s – 22
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Music and songs are integral parts of films made in the Indian sub-continent. Even before talkies came into being, musicians used to play musical instruments sitting close to the screen. Sometime recorded songs were played as film’s images got projected on the screen in the silent film era. The main reason as to why music and songs contents in films of Indian sub-continent are comparatively high as compared with those of films of other countries is that we are musically inclined people in our day to day life. Joy, sorrow, romance, seasons, activities, festivals etc are occasions for music and songs for us. Our folk music and songs are testimony to the importance of music in our life.
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Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs 
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