Archive for the ‘Debut song of movie in the blog’ Category
Chupke se raat ki chaadar taley
Posted on: February 21, 2023
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5331 | Post No. : | 17478 | Movie Count : |
4771 |
‘Saathiya’ (2002) was produced jointly by Yash Raj Films and Madras Talkies (of Mani Ratnam). It was a remake of Mani Ratnam’s super hit Tamil film,’Alai Payuthey’ (2000) with Madhavan and Shalini in lead roles. ‘Saathiya’ (2002) was directed by Shad Ali (son of the new wave film maker, Muzaffar Ali and his ex-wife Subhashini Ali), his first film as a director. Before getting the independent assignment as a director, Shad Ali had done apprenticeship under Mani Ratnam for 4 years. He was Assistant Director to Mani Ratnam in ‘Dil Se’ (1998) and the Associate Director for ‘Alai Payuthey’ (2000).
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Chhalke palkon ke peechhe
Posted on: February 19, 2023
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5329 | Post No. : | 17472 | Movie Count : |
4769 |
‘Ankur’ (1974), the first Hindi feature film made by Shyam Benegal gave push to the movement of new wave films (also called as the parallel cinema) in Hindi film industry. Perhaps, it was the first Hindi parallel film, that too in a rural setting, which became a commercial success. His next two films, ‘Nishant’ (1975) and ‘Manthan’ (1976) was also based in rural setting, and they were also commercially successful. Shyam Bengal had made some more such films like ‘Kondura; (1980), ‘Aarohan’ (1982), ‘Susman’ (1987) etc which were critically acclaimed. But these latter films did not receive the same reception from the film audience as his first three films.
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- In: Debut song of movie in the blog | Duet | Guest posts | Kavitha Krishnamurthy Solo Songs | Kavitha Krishnamurthy Songs | Multi Version Song | Multiple version song | Pankaj Udhas Solo Song | Pankaj Udhas Song | Pankaj Udhas-Kavita Krishamurthy duet | Post by Avinash Scrapwala | Songs of 1990s (1991 to 2000) | Songs of 1995 | Theme song | Title song | Yearwise breakup of songs
- 4 Comments
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5328 | Post No. : | 17469 | Movie Count : |
4768 |
#the Decade of Nineties – 1991 – 2000 #
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(A tribute to Composer Khayyam Saab on his birth anniversary)
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Today 18th February 2023 is the Ninety-sixth birth anniversary of Mohammed Zahur “Khayyam” Hashmi Saab, whom we fondly know as Khayyam Saab. Had he been alive, he would have turned ninety-six years old today.
He was born on 18.02.1927 and he passed away on 19.08.2019.
As a tribute to him today I am presenting his song composition from the movie “Mohabbaton Kaa Safar-1995”.
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Tumhaari hoon mere ho tum
Posted on: February 17, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5327 | Post No. : | 17465 | Movie Count : |
4767 |
#the Decade of Seventies – 1971 – 1980 #
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# Bhoole-Bisre Geet # (Missing movies of 1973-14)
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Today we introduce the till now missing movie ‘Vishnu Puraan’ to join the movies of ‘1973’ on the blog.
“Vishnu Puraan-1973” was directed by Shridhar Prasad for ‘Shibani Pictures, Bombay’. It was produced by Bhanu Bannerjee.
“Vishnu Puraan” was a mythological movie inspired from the ‘folk tales’ and ‘legends’ of our country, and especially the ‘Katha Saritsaagar’ written by Somdev and the play ‘Swapnvasavadattam’ written by Mahakavi Bhas. This movie was about the ‘ten incarnations’ (‘dash-avtaar’) as mentioned in ‘Vishnu Puraan’, their greatness and glory.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5326 | Post No. : | 17461 | Movie Count : |
4766 |
Khalid Mohamed, the journalist, the film critic, the former editor of Filmfare magazine and The Hindustan Times, started his career in Hindi film industry when he wrote the story and screenplay for Shyam Benegal’s trilogy on Indian Muslim Women – Mehmooda Begum in ‘Mammo’ (1994), ‘Sardari Begum’ (1996) and Zubeida Begum in ‘Zubeida (2001). All these three women were the relatives of Khalid Mohamed, Zubeida Begum being his mother. After working with Shyam Benegal, Khalid Mohamed turned director with his first film, ‘Fiza’ (2000). This was followed by ‘Tehzeeb’ (2003) and ‘Silsilay’ (2005). While ‘Fiza’ (2000) was a box office hit, his next two films were box office disasters. The last film he directed was ‘Katha’ – a remake of ‘Katha’ (1983) which has remained unreleased after the completion of the film in 2016.
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Khule khule narm narm gesoo
Posted on: February 16, 2023
This article is written by Avinash Scrapwala, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5326 | Post No. : | 17458 | Movie Count : |
4765 |
#the Decade of Seventies – 1971 – 1980 #
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#Bhoole-Bisre Geet # (Debutant Movie-Gumraah-1976)
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In my wish-list of ‘movies with same titles’ there are still many movies that are yet to be introduced on the blog. One can definitely say that this list is surely going to be a long list.
Today we get introduced to the movie ‘Gumraah-1976’. It will be joining the better known ‘Gumraah’ of ‘1963’ on the blog.
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Aadhi raat jab chaand dhale
Posted on: February 15, 2023
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5325 | Post No. : | 17455 | Movie Count : |
4764 |
In this article, I propose to explore two films – ‘Duvidha’ (1973) directed by Mani Kaul and ‘Paheli’ (2005) directed by Amol Palekar. Both these films are based on a short story, ‘Duvidha’ by the writer of Rajasthani literature and Sahitya Akademy Award winner, Vijaydan Detha (popularly known as ‘Bijji’). Bijji wrote the short story in 1958 by using a verbally transmitted Rajasthani folktale to convey a bride’s silent defiance of the prevailing patriarchal system by embracing a ghost as her husband when her real husband leaves for a faraway town on business for 5 years, two days after the marriage. The defiance came from the fact that her husband did not take into consideration his wife’s emotional needs while taking this decision. The author has used the metaphor of the ghost through which the wife’s silent revolt occurs.
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Palkon pe chalte chalte
Posted on: February 11, 2023
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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5320 | Post No. : | 17446 | Movie Count : |
4763 |
Amol Palekar has mostly been identified with some of his ‘boy-next-door’ type of roles in Hindi films like ‘Rajnigandha’ (1974), ’Chhoti Si Baat’ (1976) ‘Chitchor’ (1976) ‘Gharonda’ (1977) ‘Golmaal’ (1979), Baaton Baaton Mein’ (1979) etc. In some of his interviews, he always claimed that he became the actor by accident, the producer by compulsion, the director by choice and artist (painter) by nature. Before debuting as an actor in Hindi films, Amol Palekar was deeply involved with experimental Marathi and Hindi theatres, both as an actor and a director. Even after his popularity as an actor had soared, he continued to get involved in the experimental theatres.
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Chup tum raho chup ham rahen
Posted on: February 7, 2023
This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in other sites without the knowledge and consent of the web administrator of atulsongaday.me, then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.
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Blog Day : | 5316 | Post No. : | 17436 | Movie Count : |
4762 |
Sudhir Mishra has been known for making off-beat/parallel Hindi films. ‘Ye Wo Manzil To Nahin’ (1988) was his first off-beat film as a director. The film won the National Film Award for the best debut film of a director. Thereafter, he directed another 15 off- beat films, the last being ‘Afwaah’ (2022) which is awaiting release. Off-beat films, by their very nature, would attract only a select group of audiences. Hence, it is not likely that most of these films would qualify as box office hits. I have not heard of any of Sudhir Mishra’s films as box office success. Some of his films first got released in the international film festivals. Almost all of his films were critically acclaimed. Despite this, it was difficult to manage theatrical release for some of his films.
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