Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Feelings of heart’ Category


After the mega success of Sholay, another film maker made another movie with its title beginning with “Sh..” and hyped it so much so that everyone thought that this movie was going to be the next Sholay. In addition to top Indian stars, it also boasted some international stars. But when the dust settled down, the movie had crashed with no trace of it remaining anywhere.
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“Karz” of 1980 was a musical blockbuster. Though many fans were not aware about it, but most tunes in that movie were lifted from western tunes, including the most popular ” meri umar ke nauzawaanon”. Of course, all that plagiarism did not affect the popularity of Bollywood songs of this , or any other movies, in any ways.
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In 1980s, Bollywood was seeing two musical fads simultaneously. One was Disco and other was ghazal. The mainstream Bollywood movies were full of disco songs where charaters would wear shiny clothes and gyrate on the tunes of racy Bappi Lahiri numbers.
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I have posted different kind of songs in this blog. There is one big category of songs which are sung atop some mode of transportation viz car, train, boat etc. I have noticed that Jeetendra, the jumping jack takes the cake when it comes to singing songs atop different modes of transportation. In addition to the usual modes of man made transportations, he has sung song atop less obvious modes of transportation too. For instance, there was one Jeetendra song sung atop an elephant. I am sure he must have sung songs riding a horse also. He may have missed singing while riding buffalo and donkey though.
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Jaidev served as assistants to leading music directors of his era for most of his career. On a few occasions that he got to compose music as an independent music director, he did a very good job. But it takes a lot more than just the ability to compose great music. Jaidev composed some fantastic music, but his name would not sell as a music director, so he repaetedly had to go back to his job as assistants to leading music directors viz S D Burman, Madan Mohan etc.
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“Do aankhen barah haath” was a movie far ahead of its time, or perhaps it was a movie of the times ( viz. that of an idealist era). The storyline is unbelievably idealistic, and the movie may be difficult to watch unless you have far too much of patience. But there is no denying that it was a truly different movie, and a pioneering effort.
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Usha Khanna, the sole female music director in Bollywood movies in the last 50 years remained confined to lesser movies for most of her career. But every once in a while, she tended to rise above the mediocrity of the movies she gave music in.
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