Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Lyrics contributed by readers’ Category


“Jogan”(1950) was a Ranjit Film Company Production. This movie was made at a time why the studio was on the verge of bankruptcy. This movie, based on a seemingly flimsy looking story line rescued the company. Here is what Mr Arunkumar Deshmukh, our beloved inhouse encyclopaedia, has to say about this movie:-
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The articles on this song are written independently by Sadanand Kamath and Sudhir, fellow enthusiasts of Hindi movie music and regular contributors to this blog, and sent to me almost simultaneously. 🙂

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Sadanand Kamath’s writeup
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I had not heard the name of the film BEETE DIN (1947). What prompted me to know about this film was a song ‘arshon pe sitaara hai wo’ from this film which is sung by Mukesh and M A Rauf (Osmania), one of the two music directors in the film. The song’s composition is somewhat different than what one usually finds in most of Hindi film songs. There is no repetition of lines of mukhda in the antaras. The tune is more or less the same for both the mukhda and antaras.
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“Baazi” (1968), unlike “Baazi” (1951) is a little known movie. “Baazi” (1968) was a Golden Films Production. It was directed by Moni Bhattacharya. The movie had Dharmendra, Waheeda Rehman, Johnny Walker, Mehmood, Helen, Ansari, Nazir Hussain, Ullhas, Chand Usmani, Amar, Manmohan, Keshto Mukherjee, Pinchoo Kapoor etc in it.
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“Baghdad” (1961) was a Southern Movies production. It was directed by T R Sundaram. The movie had M. G. Ramchandran, Vyjyantimala, Gopal Krishna, T. S. Balliah, Nambiar, Sandhya, Helen etc in it. That makes it one of the rare movies where M G Ramchandran was seen in a Hindi movie. I wonder if it was a dubbed movie. I request our knowledgeable readers to throw more light on this movie.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

The song I have chosen for discussion is a Mukesh-Shamshad duet ‘moti chugne gayi re hansi maansarovar teer’ from the film ‘CHHEEN LE AZAADI (1947) which I have been all along assuming to have already beencovered in the blog. Now I find that this duet is yet to be discussed in the blog. The reason for my erroneous assumption was that some time back our dear Sudhir had taken up the mission of posting Mukesh songs pertaining to 1940s.
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“Nawab Sahib” (1978) was produced by Satnam Rohra and directed by Rajinder Singh Bedi. The movie had Rehana Sultan, Parikshit Sahni, Johnny Walkar, Omprakash, Bharat Bhushan, Farida jalal, Chaman Puri,Tamanna, Ranjeet,Chand Usmani etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

It is a human nature that most top professionals would think that they are perfect in their professions, be it in the fields of sports or fine arts. Then why do we need coaches, guides, trainers etc ? A few years back, it looked odd to me to know that top seeded professional lawn tennis players have personal coaches. Some of the coaches may not have even played in any of the grand slam tournaments. Even in cricket, some of the teams’ coaches have not been top cricketers in their own national team. Now I know of two maxims in professional sportsman-coach relationship. First, all top players need not be perfect and coaches of these top players need not be top sportsmen in their fields. Second, the best coaches have the wherewithal to extract from the top professionals something more than the perfect which makes a vast difference in closely fought competition. This led me to think why not have a system of coaches (in Indian musical parlance, ‘guru’) for professional singers as well?
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