Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Multiple version song’ Category


This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I had heard popular songs from ‘Kismet’ (1943) in my childhood. But it took another two decades for me to know that Anil Biswas composed those immortal songs. It was during one of the sittings in my friend’s house sometime in early 70s when I listened for the first time a song from ‘Taraana’ ( 1951)- seene me sulagte hain armaan that I came to know of him as music director. Subsequently,I heard many of his songs from films of 40s and 50s and I started liking those songs. It took me another four decades to know about Anil Biswas’s detailed profile and filmography by which time I realised that he was an institution by himself.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

Among the ‘forgotten’ music directors of the golden era, Snehal Bhatkar is remembered for his immortal song kabhi tanhaayion mein yoon hamaari yaad aayegi. In my case, I remember him for an additional reason. Somehow I felt that he had an unique personality. I am not a face reader 🙂 but when I saw Snehal Bhatkar for the first time on TV some time in 90s (on one of the Marathi channels) he appeared to be to be a self contented man. He was in the TV programme to witness the renditions of some of his popular filmy and non-filmy songs by some young and budding singers. Sitting in the front row with his trade mark white Gandhi cap, he was enjoying the rendition of his songs without any nostalgic reactions on his face. Whenever I see his photographs – old as well as new ones, I get the same impression of a contented man.
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“Daaku Ki Ladki” (1954) is an extremely obscure movie by now. This movie was a Harish production movie. It was produced and directed by Harish. The movie had Geeta Bali, Sheikh Mukhtar, Arjun, Mukri, Deepa, Shivraj, Cuckoo, Sankatha Prasad etc in it.
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Most mujra songs in Hindi movies are rather “light” in nature in the sense that the clients as well as the mujra performers seem to be at ease with themselves. In reality, performing mujra as well as going to kotha to watch these performances was regarded as disreputable acts.
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“Aashiq” (1962) was a Reuben Dubey Production movie. It was directed by Hrishikesh Mukherji. The movie had Raj kapoor, Padmini, Nanda, Abhi Bhattacharya, Mukri, Raj Mehra, Nana Palsikar, Achla Sachdev, Honey Irani, Keshto Mukherjee, Leela Chitnis, Madhumati, Johnny Walker etc in it.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

In around mid-50s, I used to often hear a song ‘chal chal re musaafir chal’ and I liked it. But I had no idea or rather I never ventured to know as to which film this song belonged. It was sometime in early 70s when I came across an used 78 RPM record of this song that I became aware of the film’s name and other details. The film was POOJA (1954) and it was a kind of surprise to me that the film which had Shanker-Jaikishan as music director had become an obscure film. No doubt, this film is yet to make a debut in this blog. Recently, I heard some more songs from this film on the internet. What a treasure of songs the film had.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

As I browse through my collection, through the YouTube, and through the Geet Kosh, I have jotted down a fairly long list of films that are still waiting in the wings to find an entry on this blog. And they satisfy two very important criteria that are kind of a thumb rule here. Most of these films are rare and obscure, and more importantly, they have music and songs that are just superb. Rather, these films carry songs that may not be all obscure, they have been popular, or at least played often on the radio, and are in the public memory. But the information about their creators, and the films to which these belong is not easy to relate.
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I first became aware of Prem Dhawan in 1970s as the lyricist of the immortal patriotic song Jahan daal daal par sone ki chidiya karti hai baseraa from Sikandar e Azam. This song was composed by Hansraj Bahl. Subsequently I got to hear a few more songs which were written by Prem Dhawan and composed by Hansraj Bahl. Then I became aware of “Shaheed” (1965) and “Pavitra Paapi”(1970), where Prem Dhawan was the lyricist as well as the music director. And what nice song these two movies had !
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a regular contributor to this blog.

I was in Kohima (Nagaland) during the first week of December last year to see the week long annual Hornbill Festival. The festival showcases the rich tribal traditions and culture of Nagaland including folk dances, music, sports etc. One day of the festival was reserved for the folk dancers and musicians of all the north-eastern states. My main interest was photography during the festival events and also capturing the tribal village life in the real sense by visiting a nearby Naga village. But some of the dances and musical performances became so rhythmic and foot tapping that I was completely engrossed watching them and in the process I missed taking pictures of some of those events. Surely, some of the dance and musical performances would have been a source of inspiration for Bollywood music directors and choreographers. I also observed that the younger generation In Kohima was very much into music. There are many rock music bands in Kohima. Even in a tribal village, it was a common sight to see young boys and girls moving with guitars.
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