Atul’s Song A Day- A choice collection of Hindi Film & Non-Film Songs

Archive for the ‘Rafi solo’ Category


This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rafi Sb – In The Seventies – 5
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(1973 – Solo)

Seventies was the decade of change, from the very subtle to sweeping transformations. The stars of the sky since 1950s, started to age and lose their glow and popularity. A new crop of youngsters was taking their place. Fortunes were changing, and so was the face of Hindi film music. Through the 50s and 60s, if Johnny Walker was in a film, then it was almost certain he would have a song. ‘Anand’ (1971) changed that. Issabhai Suratwala, the middle aged theatre company owner, went through this poignant tale with a role that had no opportunities for a song. Then, the number of Shammi Kapoor starrers as a hero began to fade. By the time ‘Manoranjan’ (1974) was released, Shammi was now a ‘fat’ character actor. Although still retaining the twinkle, the smile and the crack of humor, the appearance of a bulky posture and a accentuating beard was really a far cry from ‘Yahoo’. And the most significant departure came when in 1971, ‘Jaane Anajaane’ was released. The solo “Jaane Anjaane Log Miley, Par Koi Milaa Na Apna” performed by Shammi on screen carried the playback voice of Kishore Kumar. I remember now, in the ‘Filmfare’ magazine, a photo was published of the recording, showing Kishore Kumar and Shammi Kapoor, with the caption – ‘Shammi with his new ghost voice’. At that time, I did not understand the meaning of these words, as I do now.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rafi Sb – In The Seventies – 3

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(1972 – Solo)

Coming to the 1972 installment of this series. The song that I have selected is in the same genre as yesterday’s solo. Yesterday, it was “Ye Shor Hai Gali Gali, Ke Wo Jawaan Ho Chali”, telling about a young lass stepping into the age of youth. The song today tells the same story, this time about a girl named Reshma.
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This article is written by Sudhir, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

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Rafi Sb – In The Seventies – 1
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(1971 – Solo)

Now, the maxim of proposes and disposes applies so well to the inception of this new series. Totally unplanned and unexpected for me that I am initiating it today. So here is how it transpired.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Paayal” (1957) was produced by Joseph Thomas and directed by Joseth Telieth (Jr) for Madras Tailkies, Madras. The movie had Sunil Dutt, Padmini, Baby Naaz, David, Bipin Gupta, Achala Sachdev, Ragini, Agha, Minu Mumtaz, Shivraj, Pravin Paul etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Bedard Zamaana Kya Jaane” (1959) was directed by Babubhai Mistry for Subhash Pictures, Bombay. The movie had Ashok Kumar, Nirupa Roy, Pran, Helen, Sudesh Kumar, Neelam, ratnamala, Ameerbai Karnataki, Ifthikar etc in it.
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This article is written by Arunkumar Deshmukh, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

In the mid 50s,there were several religious movies and hundreds of melodious Bhajans in them. Those readers who were grown up enough to enjoy Radio in that period will recall several bhajans from that era which had become commonplace in most household. Today we will enjoy one such bhajan from the film Tulsidas-1954.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Saheli” (1965) was produced by Sirishchandra Poddar and directed by Arjun Hingorani. The movie had Pradeep Kumar, Kalpana Mohan, Babloo, Rajendranath, Sulochana Chatterjee, Vijaya Chaudhary, Murad, PratimaDevi ,Tuntun, Paul Sharma, Polson, V.Kumar(Introducing), Sushil Kumar, JankiDass, Johnny Whisky, Bhudo Advani, Yunus Parwaiz etc in it.
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This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

“Duniya” (1949) was produced by Fazli brothers and directed by S F Hussain. The movie had Karan Dewan, Suraiya, Yakub, Anwari, Bhudo Advani, Shakila, Zubeida, Jankidas etc in it.
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This article is written by nahm, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

Chaandni Raaten : Song no. 5
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Song no. 05 of the series is a non – film song or rather a ghazal. Singer is Mohammed Rafi, judging by the voice it appear to be late 60’s recording. As the date of the song is not available anywhere that I could find, just making a guess. The poet of this very predictable ghazal is Muzaffar Shahjahanpuri. Now it the turn of music Directors name. The link on youtube is giving the name as Iqbal Qurieshi, and the comments on the youtube imply that the composer is Chhote Iqbal. Myswar.com and the excel sheets are playing it safe and giving the name as just “Iqbaal”. May be the knowledgeable readers of the blog will be able to clarify the name of the composer. By looking in the myswar.com I found the year of the song which is 1970.
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This article is written by Sadanand Kamath, a fellow enthusiast of Hindi movie music and a contributor to this blog. This article is meant to be posted in atulsongaday.me. If this article appears in sites like lyricstrans.com and ibollywoodsongs.com etc then it is piracy of the copyright content of atulsongaday.me and is a punishable offence under the existing laws.

It is generally believed that the playback singing career of Mohammed Rafi really took off on a sustainable basis after his songs in ‘Baiju Bawra’ (1952) became very popular. I had been carrying an impression that the year 1949 was a watershed in Rafi’s playback singing career. Probably I got this impression due to a number of his film songs I came across on YT released in 1949. To check my ‘hypothesis’, I have attempted an exercise on Rafi’s Hindi film songs during 1944-50. The starting year 1944 was taken as Mohammed Rafi got his first song as a playback singer in 1944. The end year was selected as 1950 just to know as to what was Rafi’s performance as a playback singer after 1949 which is the year I believe to be an important year in shaping his career graph.
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